Tag Archives: Bass

WHO ARE THE POCKET JAZZ CONTRIBUTORS: LEADERSHIP/FACILITATORS


POCKET JAZZ MANAGEMENT ~ Robert J. Carmack-Band Leader,Producer, Writer, Actor, Director, Publicity, Percussion,

Photo Artists: Chuck Koton, Robert J. Carmack, Valerie Huffman-Herring, Craig Johnson

Artists (Painters, Assemblage,Graphics) SAM PACE, MICHAEL BRADLEY, SANDRA MARCHAND

Musicians: Robert J. Carmack -percussion/sax/spoken word,Bobby West-Piano, Keyboards,music directo ~Andrew Acosta, all Percussion & Toys, Don Littleton Traps/ Percussion, Pablo Cologero -flutes,saxes and bass clarinet, Mike Alvidrez basses electric & acoustic.. Aladeen- sax/vocals

Booking Roster: Jazz groups-MAIA all-female jazz ensemble, Acknowledgement, Plight and Elephants Nda Park

Actors: Robert J. Carmack, Phil Bell, Pat Sligh, Windy Barnes-Farrell, Michelle LaChaux,TBA

Poets: Robert J. Carmack, TBA                                                                           

             

14232420_10210473886872629_2649346230782143007_n

JAZZ BASS LEGEND JUINI BOOTH CONNECTS BROOKLYN IN L.A.


 

 

 

 

Certainly no stranger to creating eclectic ambiance, jazz bassist Juini Booth rolls into Los Angeles with all the excitement of the second coming!.. But realistically, He’s put together a great team of Brooklyn Club owners that loves’ Jazz served up New York style, with a stellar group of musicians, including a jazz poet.

It makes one wonder if he will come with a combination Sun Ra, or Chicago Art Ensemble. We’ve been told most of the material will be in the spirit of the Atlantis album by McCoy Tyner ,recorded LIVE in 1974 at the celebrated Keystone Korner. Adding some spoken word sprinkled in. ” We expect a very diverse audience with impeccable taste in Music, Art and Hipness” .

In Brooklyn , the Zebulon Cafe was quite popular among the young and the young at heart, chided Booth.  Juini  has shaped a very stellar career in music , sometimes dropping off the Jazz scene to tackle other musical genres. “This allows me to open up to all types of music, sounds and rhythms.  His impeccable list of bandleaders and recording projects are a “Who’s Who” in Jazz. McCoy Tyner, Sun Ra, Pharoah Sanders and Freddie Hubbard to name a few. In addition to playing and recording projects, Juini’s  been spending his available hours with a project he holds dear to him, the Wilbur Ware Institute. He teaches and inspires young musicians in New York.

Band personnel: Juini Booth leader/bass, Roy McCurdy drums, piano Benito Gonzalez, Azar Lawrence saxophones, guest jazz poet, Robert J. Carmack 

JULY 4th 2017  8pm- 10PM only 

ZEBULON CAFE ONE NIGHT ONLY !!

Tixs: $10 advance $12 at door

Zebulon, 2478 Fletcher Drive.(323) 662-0966 (club only)

 

 

 

 

 

 

Press/Info re-Band Attn:R.J. #@blues2jazzguy  blues2jazz2003@yahoo.com 951-840-7120

 

 

RIFFIN’ IN HOLLYWOOD WITH MARCUS MILLER at CATALINA’S


Posted by Robert J. Carmack-All Photos by Chuck Koton

Marcus Miller on Bass Clarinet
Marcus Miller on Bass Clarinet

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Jazz Shutter Bug, Chuck Koton was just able to eek out the last set at Catalina’s Jazz Bar & Grill in Hollywood recently. Miller was in town for a short stint to promote his latest effort entitled Afro Deezia. the Band seemed to  push out a mix of Originals and covers. Miller was just in town last month for two big concerts at the Hollywood Bowl.  The talented multi-instrumentalist was showcasing all his skills as jazz musician and bandleader. Often Marcus found himself trading licks with alto saxophonist, Alex Hahn and Atlanta-based Trumpeter Russell Gunn. One of his tunes that stood out during the last set was a thunderous bass-thumping version of Papa Was a Rolling Stone. also, a special tribute to “Goree” was highlighted by his mastery of the bass clarinet. Thanks Chuck for the pictures.

 

marcus-miller-alto-sax

 

marcus-miller-russell-gunn

 

 

SaveSave

SaveSave

PATRICE RUSHEN & CARMEN LUNDY HIGHLIGHT 39TH ANNUAL WATTS TOWERS JAZZ FESTIVAL


posted by Robert J. Carmack  #@blues2jazzguy

Patrice Rushen and Carmen lundy
file photo by Robert Carmack Patrice Rushen & Carmen Lundy shown at Ford Theater Hollywood

Once in a lunar eclipse weekend you might get some pretty good entertainment in selected spots around Los Angeles, but to get great jazz, that requires planning ahead and research. for the last 39 years , in an unlikely area of south central Los Angeles wedged between a Junior high school , railroad tracks, some proud residents, and a Los Angeles landmark , built by an immigrant, Simon Rhodia of concrete, steel and broken glass.

The Watts Towers Jazz Festival took its familiar bow September 26 & 27th . The festival features a “Day of the Drum“, with supporting activities of all cultures and ethnicities celebration of drums, throw in Jazz from around the world by local, regional and international musicians performing on a live stage that looked like a revival tent. This writer had planned in advance to get there in time to catch Carmen Lundy & Patrice Rushen performing as single acts , but also together as well.

carmen Lundy
carmen Lundy

Carmen took the stage with her own group featuring her iconic bassist and brother, Curtis Lundy. After a couple of hot jazz numbers , Carmen called up Patrice to sit in with her group on  selections from  her 14th new CD as a leader. Rushen was simply stellar in her improvisations on cuts like “Life is a Song in Me” and title track, “Soul to Soul”. In my humble opinion , this is Grammy material. grab a copy at your usual source for purchasing   music online.

Patrice Rushen  and Ndugu are both products of the Watts community ,while being alumni of Locke High school under the mentorship of musician /Educator Reggie Andrews.  Patrice and Ndugu fronted an all-star band of Nedra Wheeler on Bass and Justo Almario on saxophone, Munyungo Jackson on percussion. In their set they chose to celebrate the genius of several iconic jazz masters, John Coltrane, Thelonious Monk and Horace Silver, and a couple of others to the audience’s delight. 

Chuk Koton- Patrice Rushen
photo by Chuck Koton

Weekend’s events were beautifully MC’d by Jazz program host James Janisse, and Poet Laureate and Griot ,Kamau Daood.

Jazz drummer Fritz Wise, Poet/Jazz griot Kamau Daood with Music journalist Robert J. Carmack
Jazz drummer Fritz Wise, Poet/Jazz griot Kamau Daood with Music journalist Robert J. Carmack @ Watts Towers Jazz Festival photo by Joyce Wilson
hand made Quilt made by artist, Ramesses
hand made Quilt made by artist, Ramesses

Patrice Rush NOW WATTS

LOVE IT WHEN A GREAT JAZZ CONCEPT COMES TOGETHER : THANKS UNCLE DUKE


posted by @blues2jazzguy concert photos only by Jerone Myles

One of the best feeling in the world is when you plan,execute and get back a return on your effort in double spades..No, I’m not playing cards, even though I am using a card game metaphor. On August 22,last saturday night, a group of master musicians, two vocalists! and a poet came together in a show entitled,The Genius and Music of DUKE PEARSON: Thank You Uncle Duke

DUKE NOW CIGARETTE
Blue Note Arranger Producer,Composer 1960s photo by Francis Wolff

Working with Jon Williams to secure the World Stage with our idea to honor a man, most deserving equally,as the man who founded the world Stage, Billy Higgins. Higgins was one of the most recorded drummer in jazz history. Pearson had his hands on many of the classic albums ever produced by Blue Note Records, many of which was backed by Billy Higgins on drums,

Robert Carmack Poet
Robert Carmack Poet

The evening’s program kicked off with producer/host, Robert J. Carmack introducing the band,The Uncle Duke Legacy Band,which featured the piano stylings of Jazz veteran pianist, Bobby West. Before the music began,Carmack presented a letter from the Duke Pearson family. Which in short thanked the The World Stage,and their staff, Jon Williams and Sister Renee for their efforts. Also, Robert J. Carmack and all the Band members and vocalists participating. They also invited the the audience and fans alike to visit and join the Duke Pearson Tribute page on Facebook. The letter was signed by Mr. Gerald R. Ford( no relations) the nephew, Greetings and thanks from his mother and Duke’s sister,Myrtle(81)last survivor of Pearson’s direct family members.

Several choice Pearson compositions were played by the Band, including two non-Pearson tunes but were either recorded by or worked with the production and arrangements.  First set jumped off without a hitch with Jeannine ,using a version arranged by Cannonball Adderley’s band . This classic allowed the band to show out and up with Bobby West taking the lead line on piano with Derf Reklaw Flute in harmonic tag-along, driven by the bass and drum duo of Ishmael hunter and Reggie Carson.  West was able to really stretch out and flex his well honed skills to task on a blistering solo, followed by  Derf Reklaw “take no prisoners” balancing between Flute lines and accents on Congos & bongo. In an effort to give balance and unique presentation , we added voices on certain songs , such a rich vocal arrangement of UGETSU/Fantasy in D, sung by the mother, daughter team of  Pat Sligh and Jana Wilson. its a well known composition by Cedar Walton, a sessions player on many Blue Note recordings including Joe Henderson and early on in 60s with Art Blakey’s Jazz Messengers . Sometimes , you have to go and dig out some strange-named titles to really appreciate Duke Pearson’s mind. Especially his sense of humor with this composition the band tackled with all their might, Big Bertha. a bright uptempo ,kind of funky, driving tune. Makes you wonder what your experience would have been like meeting the infamous “Big Bertha.”  Later in the evening The band decided not to perform a fast tune to open the next set , they went with a sublime composition written by Duke and dedicated to his mother, On Mother’s Day This Year (wear the brightest rose) “we wanted the audience to feel the lyrics that was also in the composition” stated Robert J. Carmack ,producer. “but we had no male vocalist to sing it, so we used Derf Reklaw  flute’s  mid range and low tones to bring out the richness of the very harmonic laden tune. we followed that up with another smooth swinger in Gaslight, taken from his mid-60s period.

San Jose based music educator/transcriptionist,arranger James Armstrong
San Jose based music educator/transcriptionist,arranger James Armstrong

“Many of these Pearson compositions were quite complex in their original form, and sometime they was not available to get the charts I needed , I had to rely on my associate and friend James Armstrong , who helped me immensely on many of the complex melodies, James was instrumental in breaking down a lot of the music theory I did not know, to even select the compositions we used in the show was quite difficult,” stated Carmack. James was invaluable on this project.

Carmack surprised the audience with a riveting poem written by Eric Wattree ,a family friend of Dexter Gordon, It’s called A Swinging Affair, another Blue note gem, that also included Billy Higgins on Drums at that 1964 session under the watchful eye and ear of Mr. Duke Pearson, though not credited as producer or arranger on a lot of Blue Note records, his fingerprints were all over a plethora of big records by the label, under a special arrangement between Duke and Alfred Lions , whose name appear as Producer very suspiciously on too many “hits”. It was technically his money paying for sessions ,but we all know whose creative energies were prevalent on the albums themselves.  The evening’s last two compositions played by the Uncle Duke Legacy Band was just stellar, starting with Amanda, a bouncy,latin-tinged call and response ditty between West’s piano and Reklaw’s Flute.  Reklaw took no solace in having to bounce between Flute and accented 4s between drums and bongos, followed by more fire from the flute as he played an extended flute solo that conjured up James Spaulding. Spaulding by the way, played flute and alto on the original 1966 “Wahoo ” album. The finale was just indescribable, Cristo Redentor, featured all members of the band , the two female vocalists and poetry by Robert Carmack.  The flute’s voice was mixed with the angelic voices of the female singers , that set up a choir like sound as in the original Donald Byrd piece with piano by Bobby West’s alternating the hymn -like melody with the flute’s voice, follow in the second part by a Harmon muted trumpet by Jon Williams of the World Stage staff, this set up a mood as the band lowered its sound and vamped as Carmack recited an original poem call Let Freedom Ring Now!, aptly titled after a Jackie McLean Blue Note record from the mid 60s, this all culminated in bringing down the house  with a standing ovation by the fully engaged audience at the World Stage. Robert Carmack’s next and last show of the Pocket Jazz series for August concludes Saturday,August 29.  NOW’S The Time: Spirits of Our Ancestors     7:30pm doors open   8pm showtime.  Venue: World Stage 4344 S. Degnan Blvd. L.A. 90008  951-840-7120 RSVP /Tickets info $15 tickets until 8pm $20 ATD after 8pm

Derf Reklaw congos,bongo & flute , Ishmael Hunter drums
Derf Reklaw congos,bongo & flute, Ishmael Hunter drums
Ishmael Hunter Drums & Reggie Carson Bass
Ishmael Hunter Drums & Reggie Carson Bass
Vocalists Pat Sligh & daughter Jana Wilson
Vocalists Pat Sligh & daughter Jana Wilson

Robert J. Carmack , collaborated with Billy Higgin’s World Stage in order to try to capture in one evening, one man’s most compelling compositions of the 1960s at Blue Note Records.

Bobby West pounding keys
Bobby West pounding keys

MORE ABOUT DUKE PEARSON

“This was most challenging, said Carmack , How does one select from the multitudes of compositions he’s written, produced,or arranged while having an impact. Not just on the album sales at Blue Note, but also the genre itself as Blue Note made its transition from well-known A&R man, Ike Quebec, a mainstay at the label coming out of the swing era,bebop period , then latching on at Blue Note as an arranger, and facilitator for new music and artists. IMHO, the label’s quite volatile roster of talent began to come up a little stagnant and needed new & fresh ideas to drive the label as the 1960s was upon them. Unfortunately by 1961, the death of Ike Quebec left a gaping hole in Lion & Wolff’s ability to attract new talent and fresh musical ideas. Hence, the hiring of Duke Pearson by Alfred Lion put them squarely on the right path as history played out, from 1962 -1970 Blue Note Records had its best and most profitable times, including having some of the best in artist signings and record productions in Herbie Hancock, Freddie Hubbard, Wayne Shorter, Cecil Taylor, Andrew Hill, Kenny Drew, Stanley Turrentine, Dexter Gordon, Bobby Hutcherson,Joe Henderson, to name a few artists.  Two of the biggest albums during his tenure was, New Perspectives by Donald Byrd featuring Cristo Redentor and The Sidewinder by long time Blue Note staple,Lee Morgan. IMHO, If there were no Duke Pearson’s Vision, Those records among others never gets made.

BILLY HIGGINS WORLD STAGE PRESENTS: POCKET JAZZ SERIES AUGUST 22 & 29


posted by #@blues2jazzguy

Coming August 22/29 The World Stage Performance Gallery

Tender Feelins Duke P.

Pocket Jazz Series  Saturday August 22, 7:30pm

The Genius of DUKE PEARSON:Thanks Uncle Duke

Uncle Duke Legacy BandBobby WEST pianist/music director, Reggie Carson bassist,Ishmael Hunter drums,Derf Reklaw Flute/sax/percussion, Pat Sligh , Mechelle LaChaux and Jana Wilson Vocals;  M.C./Poet:Robert J. Carmack

**********************************************************************************

Saturday August 29  7:30pm

NOW’S THE TIME: Spirits of Our Ancestors

art jazz a;;stars
Our great Legendary jazz icons

Featured Artists performing

An evening of music & poetry from our great icons and legends

Ms. Mechelle LaChaux-songs by Nellie Lutcher 1940s Jazz,Jive & Boogie , accompanied by Ms. Anqui Renise piano

Ms. Anqui Renise-Tin Pan Alley Jazz standards

Mr. James Love performing songs by Joe Williams,Lou Rawls    & others- backed by the Hipster Jazz Ensemble

very special invited guest Jazz bassist/guitarist and vocalist

AMIN EL (solo guitar/vocals) tribute to Gil Scott Heron

WORLD STAGE PERFORMANCE GALLERY  

4344 S. Degnan Blvd.  L.A. California 90008

Donations: $15-$20  (sliding scale)

Some tickets are still available for both shows

Ticket/RSVP info 951- 840-7120

DWIGHT TRIBLE SPELLBINDS LARGE L.A. ART MUSEUM AUDIENCE


posted by Robert J. Carmack  #@blues2jazzguy

Dwight Trevor  Def
Jazz Singer Dwight Trible, Trevor Ware Bass, & Derf Reklaw, Flute & Percussions photo-Lorraina Marro

On Friday the last day of July , Dwight Trible hit the stage at L.A. County Museum of Art on Wilshire. The capacity outdoor crowd cheered and chanted along with Trible as he engaged them with classics like Its Strange and Little Sunflower.

Band Personnel:

Dwight Trible  Vocals, Derf Reklaw Percussion/Flute

Trevor Ware Bass, Paul Legaspi Drums, John Beasley Piano

KCSM JAZZ 91 SAY THANK YOU JAZZ COMMUNITY FOR YOUR SUPPORT


header_joth2015

posted by Robert J. Carmack #@blues2jazzguy

Congurero    Poncho Sanchez
Congurero
Poncho Sanchez

KCSM Jazz 91 invites you to spend the day with us at           Jazz On The Hill! This day-long celebration is our gift to you, our jazz community, to thank you for the support you’ve given to your favorite jazz station: KCSM 91.1 FM. Join us at College of San Mateo campus for live jazz with a great line-up of musicians who cover many genres of jazz from straight-ahead, blues, to Latin and more!  1_antonschwartz
Again we will have two music stages! The main stage will be located on the lower mezzanine in front of the library steps, with seating alongside the fountain and plenty of lawn seating…bring your picnic blanket, umbrella and come early to claim your spot!
The 400-seat Little Theater is again the venue for the Youth Stage which will showcase the next generation of jazz musicians.

Giant Steps Jazz Big Band
Giant Steps Jazz Big Band
SF Jazz AllStars Combo
SF Jazz AllStars Combo

ARTS & CRAFTS AND FOOD TRUCKS, TOO!

It’s a long day, so come hungry! There will be a variety of food trucks on site … check back soon as we begin to add the types of food available. We will also serve beer and a variety of great wine from Domenico winery. No matter what your taste….we’re sure to have scrumptious food and drink to wow your palate.
In addition to our food vendors, there will be local artisans showcasing their wares, and other organizations will also have information about local businesses that might interest you. Check back soon, we will be adding the list as they si

HIPSTER SANCTUARY JAZZ APPRECIATION MONTH IN APRIL COVERAGE: GIVE THE DRUMS SUM’


posted by Robert J. Carmack #@blues2jazzguy jazzapprmonthlogo_vertical

african drummer w tiger outfit
Photo by Robert J. Carmack Drumming Circle- Leimert Park Village , LA Calif.

Hipster Sanctuary.Com is promising some excellent coverage of Jazz in April and International Jazz Day

Coming April 1st !

POETS, MUSICIANS, DANCERS and DRUMMERS , and The DRUMMERS, and Did we say the DRUMS!

All month we will be celebrating Jazz and The people that keep it going, especially The Drummers!  Stay Tuned! Follow us Today

SPECIAL EVENT by Hipster Sanctuary.Com

Celebrating 17 years  of covering and extending the Legacy.

DFQ is Celebrating 20 years as a Jazz Group

SATURDAY APRIL 18  7-9 pm   $15 admission at door

JAZZ SPOKEN HERE

DALE FIELDER QUARTET & ROBERT J. CARMACK

Jazz and spoken word performances

@ KINGSTON CAFE 333 FAIR OAKS Ave.
Off DEL MAR Ave. PASADENA, CALIF
SATURDAY APRIL 18 2015 7pm to 9pm
$15 admission (at door only) Limited Seating
DALE FIELDER QUARTET & ROBERT J. CARMACK

bobby w shades and black undershirt
Robert J. Carmack journalist,producer,writer, actor, poet, music archivist

ja-ijd-jamLG

Dale fielder  sax orange shirt
Dale Fielder, Band leader, musician, ethnomusicologist,producer and educator

DALE FIELDER QUARTET ROBERT J. CARMACK PERFORMS JAZZ & POETRY CONCERT


MOON GLOW PRODUCTIONS presents The SATURDAY JAM                 

eclectic jazz Improvisations and riveting original poetry

THE DALE FIELDER QUARTET  with Special Guest Poet  

Dale fielder  sax orange shirtROBERT J. CARMACK          

@ KINGSTON CAFE 333 FAIR OAKS Blvd.  off  DEL MAR Ave.  PASADENA, CALIFORNIA 91105

SAT.  APRIL 18 2015   7pm to 9pm 

$15 cover (pay at door only)  

Limited Seating 

Robert J. Carmack Publisher ,writer, musician, playwright ,poet http://www.hipstersanctuary.com

  KINGSTON CAFE    Upscale Jamaican Cuisine restaurant featuring all of your favorite entrees, along with a fully-stocked Bar for your pleasure and delight .

2015 is proving to be a very special year for both talents as The Dale Fielder Quartet is celebrating 20 years as a group, virtually unheard of in today’s music business. Robert co-founded a jazz newsletter 17 years ago (The Hipster) as part of the Atlanta International Jazz Society, thats grown into a full-blown music Blog dedicated to classic Jazz, Blues and Soul music makers and their roots/history.

Both Leos, Dale Fielder & Robert Carmack are longtime friends and artists in constant creative mode. Fielder is set to record his 16th CD; “RESILIENCE.”  A release date has not been set yet.

Carmack has penned another unique musical revue set in the 1950s and 60s Los Angeles, weaving a story around the music scene in L.A. while paying Homage to the music of, Nellie Lutcher, Ray Charles, Etta James, Bobby Blue Bland and Sarah Vaughn to name a few.

“CHITLIN’ CIRCUIT” written,directed and produced by Carmack, is debuting a Sneak Preview in late June 2015, as part of Black Music month (www.hipstersanctuary.com) production. “I met Dale while hanging out at a very popular coffeehouse in the 90s, 5th Street Dick’s in Leimert Park, said Carmack. It was in early 1993 as the area was trying to get back on track after the L.A. riot in 1992. an entire community of artist all came together inside a small area called Leimert Park (Village) groups of small business people, often marketing Afro centric wares, and crafts. One was a former homeless person living on the streets of downtown Los Angeles, who parlayed his 12 step-recovery and saved enough money to open a Jazz coffee-house. That owner gave Dale Fielder a spot hosting the jam sessions at midnight every weekend, while jazz flowed downstairs and out into 43rd  and Degnan sidewalks. People came and came and came including the media cameras, movie celebrities and all the best young cats in jazz to jam and people watch.

This all coincided with what was happening with the Wynton Marsalis crowd, created an upsurge in Jazz spots in LA once again, because of three spots, Marla’s Memory lane, 5th Street Dick’s and Billy Higgins, master jazz drummer & Kamau Daaood developed the World Stage. A performance /workshop for musicians, poets and writers. Dale Fielder was at the forefront of all that. He went on to win the Jazz Discovery artist at TV network, BET in 1995/96. By then, he’d already produced three very solid CDs, including “Dear Sir” a moving tribute to Wayne Shorter’s music and was getting wide rotation and coverage on radio across the country. Fielder even had the blessings of Wayne Shorter himself as Dale performed songs from the newly released CD with the maestro himself in the house staying late and digging on the young saxophonist peppering solos.

Dale has been all around the world practically with the Quartet, sometimes Quintet. After 20 years, the passion has only gotten stronger with Dale, and his historic band, Pianist Jane Getz, Drummer Thomas White and Bassist, Bill “The Count” Markus. This band just knows how to squeeze every drop of soul, power, passion and sometimes romance out of the notes. The stories they tell through their instruments are like classic volumes in your personal library.

Don’t miss out on celebrating 20 years of fun-filled excitement and adventure with Dale Fielder as leader of the DFQ.

Save the date and RSVP for April 18th 7pm to 9pm @ The Kingston Café Pasadena California  

333 South Fair Oaks Avenue, Pasadena, CA 91105

For questions about show or tickets *** contact Moon Glow Productions Marcia (626) 818-3160

Hipster Sanctuary.com  Robert 951-840-7120

@Moon Glow