Category Archives: “HAPPENINGS”

WHO ARE THE POCKET JAZZ CONTRIBUTORS: LEADERSHIP/FACILITATORS


POCKET JAZZ MANAGEMENT ~ Robert J. Carmack-Band Leader,Producer, Writer, Actor, Director, Publicity, Percussion,

Photo Artists: Chuck Koton, Robert J. Carmack, Valerie Huffman-Herring, Craig Johnson

Artists (Painters, Assemblage,Graphics) SAM PACE, MICHAEL BRADLEY, SANDRA MARCHAND

Musicians: Robert J. Carmack -percussion/sax/spoken word,Bobby West-Piano, Keyboards,music directo ~Andrew Acosta, all Percussion & Toys, Don Littleton Traps/ Percussion, Pablo Cologero -flutes,saxes and bass clarinet, Mike Alvidrez basses electric & acoustic.. Aladeen- sax/vocals

Booking Roster: Jazz groups-MAIA all-female jazz ensemble, Acknowledgement, Plight and Elephants Nda Park

Actors: Robert J. Carmack, Phil Bell, Pat Sligh, Windy Barnes-Farrell, Michelle LaChaux,TBA

Poets: Robert J. Carmack, TBA                                                                           

             

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THE SOUL OF LOS ANGELES:LOCAL JAZZ ARTISTS MAKING MOVES AGAIN


Kamaad Tauhid  @blues2jazz2003  #PocketJazz

Rita Edmonds vocalist and saxophonist Dale Fielder

 

Bobby Bradford on Coronet

Bobby West

 

Robert Johnson Blues master on his way to the Crossroads ART BY Sam Pace

Mz. Santamaria strings of Fire!

SISTAS’ DOIN’ IT : FIREY STRING SISTAS!


Coming April 20th 2019  a creative, diverse Jazz chamber-like Improvisational music in an all-female band . I will be chatting with the founder and leader of this band of stellar musicians, Ms. Nioka Workman and the Firey String Sistas, they also include the offspring of legendary jazz musicians.. follow us on http://www.hipstersanctuary.com

POCKET JAZZ: GRASSROOTS ARTS PROJECT DEBUTS AUGUST 2019


Producer Robert J. Carmack looks to bring his brand of Jazz,Poetry and Dramatic performances to the L.A. Jazz community.

Pocket Jazz is a coined phrase created by Carmack that melds theater,improvisational music and poetry into a big ball of creativity for open-minded audiences. If you dig Kamasi Washington or Horace Tapscott or Amiri Baraka, Last poets, Watts Prophets and Sun Ra.. brought to you in an affordable, safe and warm community environments. In the tradition of the Black Arts Movement early beginning of Los Angeles Community Jazz organizations paired with the painters, sculptors and actors creating on demand Art.. Subscribe and follow us on http://www.hipstersanctuary.com  FREE!! FREE!! FREE!!

posted by Kamaad Tauhid @blues2jazzguy                                              Blue Note Tribute Logo

Coming in August celebrating the 80th anniversary of the grand Jazz label 

JAZZ FOR R&B LOVERS: MUSIC FOR AFTER THE AFTER PARTY


posted by Robert J. Carmack   #@blues2jazzguy  #Precious:For Lovers & Dancers

I can hardly remember but, over the last 5 -10 years we’re  missing a lot of male jazz vocalists input. Rudi Mwongozi is constantly moving up the chain of new faces and voices on the scene.. Rudi, now based in New York from Oakland, California. I’m coming at this for a second bite. After living with this latest CD of pianist/vocalist Rudi Mwongozi, I can fully appreciate what he’s doing musically.

In my opinion, of the twelve cuts on this project, I like them all. Part of this recording has some very popular songs by elite artists Like, Eric Clapton, the gold record  Free by Denise Williams/S. Greene. He really gives this song a jolt of Mwongozi(ness). the arrangement opens with a similar intro, followed by a very classy bridge and vamp. Then he breaks out in a Afro-latin rhythmic vamp which sets up an extended solo in piano wizardry and percussive rhythms.  Another favorite is his strong harmonic approach to a syncopated piece called, Whole Steps to the House of Light, filled with musical trap doors and breaks,that swings and jumps like the pioneers use to do. I got a big kick out of the eclectic cut, the James Moody Story . a Be-Bop swinger. harkens me back to the James Moody and Eddie Jefferson style of vocalese and scat singing by Rudi and Friends.  Rudi takes on a brave arrangement of a Luther Vandross composition and handles it with delicacy and panache. He’s rolling 7s on this tune. He chose not to do what many so-called smooth jazz artist do in regurgitation of the original song,by performing it  note for note instrumentally. I was amazed at his treatment of vocalizing with his very fine jazz piano chops added, he really soars on this song like no other male Jazz artist out there.

Knowing Rudi from my days living in Oakland, California and producing jazz shows with unique themes of legendary artists works. we performed on a show paying homage to the great saxophonist, Jackie McLean compositions. A wide plethora of unique compositions in various meters and styles which paid respect to Jackie’s legacy. Be sure to cash in on a Rudi’s original Precious:When the Morning Comes and Bad Habits.

I had to push you closer to this prized project, The Music for After the After Party. what a concept, so early in the morning and then again, very late too. so the perfect menu of music for that romantic part of the morning where you listen to some swing, followed by some slow romantic tunes to Hug your “sweetie” to. Follow Rudi MWONGOZI on Facebook: https://www.facebook.com/rudi.mwongozi or, right here at, http://www.hipstersanctuary.com

JAZZ BASSIST AND POET DELIGHTS L.A. AUDIENCES IN DEBUT


posted by Kamaad Tauhid @blues2jazzguy  concert photos by jazz archivist Chuck Koton

“The Stage, (pun intended)” was set 9:pm on Feb 9th 2019 in Los Angeles, where the bass master, Juini Booth landed for his WORLD STAGE DEBUT. Booth a jazz icon starting when he sprung on his own for New York in mid-60s as a teenage bassist for Sun Ra and a host of other greats. later iconic performances and recordings with McCoy Tyner, Woody Shaw and Gary Bartz’s Ntu-Troop just to name a few.

Booth powered into the world stage as part of the World Stage Black History month loaded schedule of Jazz greats. featured on spoken word and dramatic performance in the select works and poetry of SUN RA , Mr. Robert J. Carmack-MFABLACK as 1000 Nights: The Artistry and Poems of SUN RA.” Carmack reflecting on his work with Booth over the last couple of years as poet, MC and journalist said, ” It has blown by so fast, I hardly noticed its been almost 3 years since I appeared with Booth and another McCoy Tyner alumnus, AZAR LAWRENCE in a fast and powerful group of musicians performing compositions of McCoy Tyner. (Roy McCurdy, Theo Sanders,Azar, Juini and Robert)

Last year we did another Sun RA project focusing on mostly all of his “Space is the Place” material and music. carmack added, This time as part 2. I went deep on his Berkeley sessions at the University’s Artist-in-Residence, 1971,period of writings. Black nationalist views on African-Americans, politics and culture.” Carmack, a jazz journalist, actor and writer that focuses on the legacy of this genre called, jazz or American Black Classic Music.  Along with Carmack and Booth, were L.A. based sidemen, Mahesh Balasooriya on Piano, and Guillermo E. Brown drums. Brown performed last year with Booth and Carmack at the Club Zebulon, along with improvisational group, L.A. FOG and Kathleen Kim.

The audience not only heard rare Sun Ra Poems to improvisational interlude phrases by the group, but heard the band play pieces that they all favored in performing, like Jackie McLean’s “Melody for Melanie” and “Angels and Demons” by Sun Ra. A very powerful, moving solo bass, plus Loop were performed by Juini Booth to a standing ovation.

journalist/actor and producer/writer,musician R.J. Carmack

Carmack was able to navigate and sail around the writings with the ease of a skilled actor performing Shakespeare’s greatest montages of prose and poetry.  There were certainly fireworks with Juini Booth eclectic playing and melodic approach to double bass. Balasooriya treated the surprised audience to a searing piano solo on an unnamed piece he interpreted.

Carmack is based in Southern California and Juini Booth in New York. Carmack is setting up plans now as everyone gets ready for Spring and Summer events in both thriving cities. We want to redo this show in New York and San Francisco bay area as well. There are current calls for more study at the academic level for the writings of Baba Sun RA, along with his music and lecture series too.” said a jubilant Carmack, as he spoke to more collaboration projects that involve Booth and other Jazz icon’s music and writings.

Robert J. Carmack is launching this summer, a new series of Art based cultural programming involving improvisational music, drama, poetry/spoken word and fine arts(painting,sculpting and assemblage) POCKET JAZZ 2019 presented by http://www.hipstersanctuary.com 

Many thanks to the World Stage and Executive /Artistic director Dwight Trible and staff for making the group feel at home.

painting by Sam Pace

Pianist Mahesh Balasooriya

 

Guillermo E. Brown

The JUINI BOOTH SUPER TRIO & ROBERT J. CARMACK: BLACK AS 1000 NIGHTS_ ARTISTRY OF SUN RA


BLACK AS 1000 NIGHTS: The Artistry and Poetry of SUN RA  a National Black History Event

WORLD STAGE PERFORMANCE GALLERY 

ONE NIGHT ONLY!  Saturday February 9th 9:pm $25 at Door  for a rare west coast appearance by Bassist/Composer,

Arthur”JUINI” BOOTH + Mahesh Balasooriya piano Guillermo E. Brown drums featuring Robert J. Carmack -spoken word/poet

4321 Degnan Blvd   (323) 293-2451    http://www.worldstage.org

Los Angeles, California 90008
     

 

 

Juini Booth -Bassist & Leader