ROBERT J. CARMACK RECITE POEMS OF JAZZ ICON SUN RA WITH GROUP ECLECTIC NATIVITY


Posted by Kamaad Tauhid  #@blues2jazzguy

It was announced early today by actor,journalist and playwright, Robert J. Carmack, he’s been tapped to recite highly-tauted select poems of iconic jazz legend, SUN RA. ” I’m going to love this gig, as I’m appearing on stage with some of the best musicians in “Free Music” on both coasts. East & West. Carmack is poised and ready to take on the task of blending great works by one of his jazz heroes with the colors and sounds of improvisations. All in the spirit of the inter-planetary one, SUN RA.

Fresh from writing his new hit play about Nina Simone, “Interview With the High Priestess: Nina!” It will be debuting in Los Angeles at the World Stage, founded by Jazz legend , Billy Higgins. Scheduled for March 3rd,the One Night Only performance is Sold Out. Carmack appears in the play starring  Jana Wilson as Nina.

Master bassist Juini Booth and Violinist Kathleen Kim are gracing the stage at Zebulon Cafe in Los Angeles with a plethora of unique and eclectic musicians.

Juini Booth and friends with  supporting performances by Guillermo E. Brown and L.A. Fog. and DJ  Xandão  bringing the Brazilian funk.

L.A. Fog

On this special celebration of Juini Booth’s 70th birthday, friends of both coasts converge for an improvisational performance of cosmic proportions. Reflecting the influence of Juini Booth’s dynamic musicianship, participating artists draw from shared inspirations from Improvisations, soul, R&B, Funk,World Music and Spoken Word.

FEBRUARY 21, 9PM -1AM @ ZEBULON CAFE Great Music Great Drinks and great Food too… come early & stay late!

Eclectic Nativity includes Guillermo E. Brown, Wynne Bennett, Corey Fogel, LA Fog, Jon Leland, Mira Billotte, Helga Fassonaki and more. Opening performance by Guillermo E. Brown (solo)and L.A. Fog. plus surprise guests appearing.

Zebulon Café Concert

(323) 662-0966
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COMING JAZZ APPRECIATION MONTH APRIL: TRIBUTE TO JAZZ CRUSADERS BAND & LEGACY


COMING TO LOS ANGELES ONLY

JAZZ APPRECIATION MONTH APRIL 2018

 a Robert J. Carmack Production

Robert J. Carmack

Details February during Black History month, follow-up on www.hipstersanctuary.com as we celebrate our 20th year in March 2018.  April Live Jazz concert and special awards presentation to surprise guests, also follow-up @blues2jazzguy.

MARK de CLIVE-LOWE STRIKES THE RIGHT CHORD


posted by Robert J. Carmack

 

 

 

 

 

 

 

 

 

 

 

 

Sometimes you gamble on checking-out Friday night jazz in Los Angeles and get Buptkus and, then sometimes  you bump into a real gem! Friday night was just such a find. I ventured into Downtown Los Angeles’s “Neuvo Urban” Jazz spot, The Blue Whale , I was quite surprised and pleased that among the musicians I was not familiar with, were two veteran Jazz artists in saxophonist Teodross Avery  and vocalist Dwight Trible. Both are well known within the jazz community and beyond.

 

 

 

 

I found Friday evening’s selections is sublime order. some of the highlights of the night for me were Colors, Hum Allah, The Creator Has a Master Plan, , Love is Everywhere, just to name a few. I particularly were impressed with the prowess of Teodross Avery, who brought in his own flavor and approach to Pharoah Sanders. It’s all too easy to just come in and focus on playing “note for note”  or cliché licks by the great tenor player, but Avery was not having it. It was like watching a great painter paint from a stark canvas, only offering the obvious when necessary. Thembi went over big and Astral Traveling brought the crowd to their feet ,spurred by Mark’s Ensemble of stellar musicians. The vocalized  lyrics and non-lyrics by Dwight Trible were beyond words because I can’t quite say. Church comes to mind… But, If you never heard him before, You are definitely hooked now.Dwight took a word like “Freedom,” he wanting Freedom Now.  It reminded me of when I was checking out the great Sonny Rollins, who swung violently on One note for 15 minutes. Not comparing him to Sonny Rollins, but my point is obviously “On Point!”

Mark de Clive-Lowe is a brilliant pianist, composer, producer and creative genius when blending the jazz classics with the neuvo soundscapes of today’s jazz artists & turntablist . His mastery use of electronica and acoustics went through your soul and back out your heart as you listened deeper. He did a delicate balancing act of bringing the best of Pharaoh’s music, but definitely stamped with his signature. All of this added up to me staying both sets and following up with the leader afterwards for some closing comments. If you are lucky enough to have tickets already to the sold out Saturday night’s performances then, Dilly-Dilly!! If Not Sorry! Anytime you hear this young man’s name in your town, Run to the ticket box and grab a few, You will want to share this experience with a friend or two.

 

For this very special two- night engagement at downtown LA’s Blue Whale jazz club, Mark de Clive-Lowe pays homage to and celebrates the music of the great living legend Pharoah Sanders.

One of the defining voices of 20th Century jazz and improvised music, Pharoah came to prominence in the band of John Coltrane, and after Coltrane’s death went on to establish himself as a carrier of the torch and musical leader of minds and spirits. His Impulse Records catalog alone defines him as one of the most important voices in jazz, exploring the breadth of spiritual jazz and raw improvisation.

For these two nights,Mark de Clive-Lowe  explores Pharoah’s music joined by Teodross Avery (sax), Dwight Trible (vocals), Carlos Niño (percussion), Corbin Jones (bass/sousaphone) and direct from Italy, Tommaso Cappellato, plus Carlos Niño also spins DJ sets before and in-between sets!

follow Mark at this link:http://www.mdcl.tv/

What they say about Mark de Clive-Lowe….

“an underground phenom…” – Okay Player

“a timely reminder that some of the greatest producers,in line with the likes of Quincy and Stepney,are also musicians with chops as well as smart adventurers in sound.”

Echoes (UK)   Tonight’s Show kicks off at 9pm/doors open at 8PM http://www.bluewhalemusic.com/

 

 

KIRK ANDRES WILSON XMAS SHOW OF SHOWS!


posted by Robert J. Carmack @blues2jazzguy

 

 

 

 

 

 

 

 

 

 

 

Multi-instrumentalist and singer, Kirk  Andres Wilson showed up and showed out last Thursday evening (December 28) at Hollywood’s Catalina Bar and Grill on Sunset.

The almost two-hour set was plumb full of music for every taste and style. Starting the evening off with a series of solo ballads and New Orleans funky-traditional piano styles. that was quickly bolstered by his added band mates.

Lofty musicianship was on display that evening as Kirk was joined on-stage by Professor Harvey Estrada,electric bass and acoustic string bass, Munyungo Jackson percussions, Louis Van Taylor sax/flute, Edell Shepard keyboards/piano, and Donnell Spenser on drums. Wilson was magnificent as the band navigated through everything from Professor Longhair, to Antoine “Fats” Domino(RIP) to Funk & Groove beats of today, Kirk sung hard and long, but also did not disappoint on his mastery of the guitar as well .

This was easily the Show of Shows for 2017!

I highly recommend seeing live, this talented entertainer, producer, writer and master musician. Pick up a copy of his latest CD MY LOVE.  follow him on https://www.kirkandre.com/

 

MUST SEE JAZZ EVENT~ AZAR LAWRENCE EXPERIENCE HOTTEST TICKET IN L.A.!!


“ZAR” is celebrating his release on Concord Records, ”Bridge into the New Age” Sunday November 12 8pm-10pm Only!  Zebulon Café Concert in Los Angeles ~ 2478 Fletcher Drive L.A. 90039. Buy tickets:$25  https://www.ticketfly.com/event/1582784-azar-lawrence-experience-los-angeles/    

Saxophones ~ Leader – Azar Lawrence

Special Guest vocalist – Windy Barnes-Farrell

Bass-Henry Franklin

Trumpet-Michael Hunter

Roy McCurdy – Drums

Munyungo Jackson-Percussion

Theo Saunders-Piano

 

 

MEET AZAR LAWRENCE EXPERIENCE 2017~A BRIDGE INTO THE NEW AGE


Leader Azar Lawrence -saxophones   

Michael Hunter Trumpet/Flugelhorn

 

 

 

Bassist Henry “Skipper” Franklin

Drums Roy McCurdy

Munyungo Jackson percussion

Theo Saunders Pianist

Windy Barnes-Farrell – vocals

ZAR” is celebrating his release on Concord Records,”Bridge into the New Age” Sunday November 12 8pm-10pm Only!  Zebulon Café Concert in Los Angeles ~ 2478 Fletcher Drive L.A. 90039. Buy tickets:$25 https://www.ticketfly.com/event/1582784-azar-lawrence-experience-los-angeles/    

 

 

Background on recording :  https://www.jazzdispensary.com/

 

MOVING WEST ~AZAR LAWRENCE EXPERIENCE 2017


 Saxophonist Azar Lawrence makes his way back to the Zebulon Café Sunday night Nov.12 at 8pm.with him are some of Jazz’s most holistic and stellar musicians and vocalist. 

The Azar Lawrence Experience featuring Theo Saunders piano, Henry Franklin bass, Munyungo Jackson Percussion & Roy McCurdy drums..Special guest vocalist Ms. Windy Barnes-Farrell.

“ZAR” is celebrating his release on Concord Records, Bridge into the New Age. Zebulon Café Concert in Los Angeles. 2478 Fletcher Drive L.A. 90039.  Buy tickets:$25  https://www.ticketfly.com/event/1582784-azar-lawrence-experience-los-angeles/

 

CALIFORNIA MUSEUM JAZZ & BLUES: MUSICAL TRIBUTE TO ELLA AND JOE


California Jazz and Blues Museum

presents
A Shirt and a Skirt
Tribute to Ella Fitzgerald and Joe Williams
Starring jazz legend Kevin Mahogany
with special guest jazz vocalist
Barbara Morrison
Friday, November 17
8:00 pm
The proceeds of this event benefit the programs of the
TICKETS ON SALE NOW!!
Our CJBM mission is to educate audiences about the importance of the influence that California, its artists and geographical venues have in the worldwide genre of jazz and blues. We deliver an annual calendar of innovative and inspiring exhibitions, programs, and events.
We appreciate your support. Donate here.
For more information on the California Jazz and Blues Museum or the Barbara Morrison Performing Arts Center,
please call (310) 462-1439 or visit
Barbara Morrison
Founder and President

 

LADY KRISTINA AT LARGE IN NEW YORK: JAZZ AND GENTRIFICATION


 

 

 

 

 

 

Posted by Kristina McBride ~Int’l Jazz Editor at Large   I recently ventured to NYC to go see the legendary Pharaoh Sanders in Brooklyn. I hadn’t been to New York in around 13 years, so I wanted to take my time and see the city and experience it all over again, taking in the old with the new. It felt wonderful to walk the streets again, block after block. I considered the fact that I had never been to Harlem and wanted to get off the beaten trail, so I got on the A-Train and got off at 125th and Malcom X Blvd. I was overcome with a sense of peace and excitement simultaneously.

I had arrived in the cultural mecca of Black Americans. Legends had walked these streets: Langston Hughes, Malcom X, Zora Neale Hurston, Amiri Baraka, Duke Ellington, Billy Holiday, Miles Davis…I can go on and on. I was hearing Gregory Porter’s “On My Way to Harlem” on a loop in the musical soundtrack of my mind.  I gazed at the buildings surrounding me.  All the goings-on was a sensory wonderland, displaying mothers pushing their babies around the corner while on their cellphones.. a young man rushing toward the subway, perhaps he won’t be late to his shift.

Wow..the Nigerian grandmothers sitting at their stalls with their wares for sale, fanning themselves from the impossible heat of a New York Summer.  And, of course I walked past the Apollo Theater, snapped a few pictures of myself, Then I sauntered in the vibes and wisdom from the vendors selling their body oils, shea butter,black seed soap and Dashikis.

I finally met up with a long-time friend, both of us were hungry,  we decided to stop by a café for some grub. On the way, he pointed to the left and said, “There it is…that was the Lenox Lounge.” I paused abruptly on the sidewalk, taking in the sight in front of me. It was a massive, hollowed space flanked by two buildings with awnings.  I stood in front of the empty lot where the Lenox Lounge once stood, now filled with bulldozers that will go back to work demolishing what remained that following Monday. Including a massive, blue metal removal bin, I wonder what was in it. Could it be any of the chairs or light fixtures, or maybe pieces of the beautiful, honeycomb tile floor? Not even the marquee was there. One would never know that the place ever existed.

Rumors are a Sephora is being constructed in its place. Another frivolous, over-priced store in a rapidly gentrifying neighborhood. Or at least they’re trying to. Only just a few weeks before my visit there, was a vote to stop the renaming of a section of Harlem to “SoHa” (short for South Harlem). Harlemites wouldn’t stand for that nonsense.

I wish this could have been the case in D.C. where this is happening all over as the “brown folks” are being moved out to attract younger, richer, and incidentally more white people into the city. “The sight of a Whole Foods at the Corner of Malcolm X Blvd and 125th befuddled me as I came out of the subway station.” Such an odd place for a store like that for that neighborhood, but it’s a sign of things to come.

So many of our cultural landmarks and venues that was home to Black America’s music and its artists over generations are rapidly disappearing: Bohemian Caverns and HR-57 in Washington, D.C.; in Philadelphia, although they have been long-gone are Pep’s and The Showboat, and it’s even worse nowadays according to some long-time Philadelphians.

Older Philly Jazz fans into their 80’s now, feel the new spots  aren’t hosting any jazz whatsoever. In  Los Angeles, the home of Leimert Park’s World Stage, they too have been bullied by the threat of gentrification. Presently preparing to put up a staunch fight for culture and legacy . We now have to hear jazz in these sterile environments, where the band has to fight with the noise of people chatting-away as musicians create Living Art right in front of them.

Absolute worst..annoying people practically standing on the bandstand just to capture video and pictures to post to FB, and insta-gram, trying to prove how hip they are .

Most aren’t really into the music anyway.  Even worse than all that , if you do love the music and want to go out to hear a good gig, it’s a small fortune sometimes, $15 and up covers plus $20 food/drink minimum is not uncommon. Good luck if the gig is in a city that requires pay to park! The venues aren’t paying anything decent for the band to play, so musicians aren’t working.

Kristina on Sax

The artistry and music are suffering because of it all, Hopefully, there is an urgency to remedy this situation.

I contemplated this as I walked away from the empty, hollow shell where the Lenox Lounge once stood, looking back several times,searching deeply for a sense of hope. ### by Kristina McBride

Next Up Nov.1:They Called Him Morgan:My Spin on the Movie

 

 

 

 

COMING 2018 INTERVIEW WITH THE HIGH PRIESTESS:NINA SIMONE ~ ORIGINAL PLAY


an Original Play by Robert J. Carmack – Black History Month

COMING  to the Los Angeles area  February 2018

The Actors

Ms. Jana Wilson as

High Priestess Nina Simone

~in Loving Tribute~

 

 

 

 

 

Robert J. Carmack as    the Reporter~Karl Lee

written,produced and directed ~R.J.Carmack

Music-Poetry-Drama