POCKET JAZZ: GRASSROOTS ARTS PROJECT DEBUTS AUGUST 2019


Producer Robert J. Carmack looks to bring his brand of Jazz,Poetry and Dramatic performances to the L.A. Jazz community.

Pocket Jazz is a coined phrase created by Carmack that melds theater,improvisational music and poetry into a big ball of creativity for open-minded audiences. If you dig Kamasi Washington or Horace Tapscott or Amiri Baraka, Last poets, Watts Prophets and Sun Ra.. brought to you in an affordable, safe and warm community environments. In the tradition of the Black Arts Movement early beginning of Los Angeles Community Jazz organizations paired with the painters, sculptors and actors creating on demand Art.. Subscribe and follow us on http://www.hipstersanctuary.com  FREE!! FREE!! FREE!!

posted by Kamaad Tauhid @blues2jazzguy                                              Blue Note Tribute Logo

Coming in August celebrating the 80th anniversary of the grand Jazz label 

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STREET LIFE: MAGIC & MUSIC JAZZ CRUSADERS ~ LIMITED DISCOUNTED TICKETS ON SALE NOW !!


CALL 951-840-7120 or email blues2jazz2003@yahoo.com  Regular price is $25 online at http://www.Eventbrite.com

Special discounted price Save  up to $7.25 off Online price including fees

Contact Robert regarding Direct sales Must pay Cash or money Order for 5 or more tickets @ $20 per ticket

Starting Limited period May 29th ENDS June 10th ONLY $20 per ticket when you buy (5)FIVE or more from one of our reps.

951-840-7120 for general info  or closest rep to you.

Hipster Sanctuary.Com

presents

Street Life: Magic & the Music of Jazz Crusaders

a Musical and Poetic Tribute

featuring  The Crusader Legacy 5 Plus Band

Robert J. Carmack Poet, Teodross Avery Saxophones, Alvin Starks Trombone, Don Littleton Drums,Theo Saunders-Piano,Mike Alvidrez Bass

JUNE 22nd Friday Night – 9PM  World Stage Performance Gallery 4321 Degnan Blvd. LA , Calif. 90008  $25 at http://www.eventbrite.com

Robert J. Carmack – Producer/Poet/Host

Teodross Avery

 

 

Alvin Starks

Don Littleton

 

Theo Saunders

Mike Alvidrez

 

 

 

 

SANDRA BOOKER~ ” LIL’ SASS ON SASS” AT HERB ALPERT’S VIBRATO GRILL,JAZZ,ETC


 

 

 

 

 

 

 

 

posted by Robert J. Carmack @blues2jazzguy

I always try to keep an open mind about today’s music and vocalists, particularly, Jazz vocalists. However, I’m a man of distinct taste and panache’ with a “side of groove and swing”.

In the case of Sandra Booker “nobody out-swings” her in a straight up duel of singers and vocalists, those who know how to interpret the lyrics and vocabulary of classic jazz singing.

It’s probably no mystery why the late Three Sounds bassist , Andy Simpkins who knew Sarah Vaughn intimately, bestowed the moniker, Lil’ Sass on Sandra Booker. the little lady from “Nawlins” with the big voice.

An award-winning composer & conductor, Lalo Schifrin, called Sandra, “his favorite singer, live or recordings“. I suppose it’s just a coincidence When the opportunity called for her to gather an all-star band,curate a cache of great songs recorded or sung by Sarah Vaughn at different points in her career. “Sarah was my main character from the Be-bop era, she had a tremendous influence on my singing and how I handled my self on the bandstand.” “This gig Sunday, April 22, allows me to select compositions I like from her most potent and swinging pieces. I will reinterpret her spirit through my lens. That continues the legacy which makes me very proud” stated an excited Booker. The musicians backing Ms. Booker for the evening are Andy Langham-Piano,Edwin Livingston Bass,Tony Pulizzi Guitar, and Thomas”Mr. Taste” White on Drums

This is also a special occasion for Sandra as she’s been battling very challenging health issues and trying to stay positive.  The Creative Process keep her going strong, along with positive people,who support her efforts to beat-back the dreaded Big “C”.

She’s been a champion for the organization, Jazz Musicians Against Cancer, hosting concerts, doing workshops and local fundraisers to not only help herself but, others who are still battling to remain working at their craft. “Working with some of these musicians makes it very therapeutic for me, as well as it allows me to appreciate each and everyday I’m still here. The music is my true medicine.”

“It’s definitely a blessing and an honor to perform this music at the highest level just like the pioneers did, long before I came along.”

Don’t hesitate! You and a friend have a double opportunity to do a solid. 1- see a great jazz show and 2- Help out some sick people  who are up against it, each and everyday.  Part of the evening’s door admission fee goes to the JMAC Fund,(Jazz Musicians Against Cancer)  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Vibrato Grill,Jazz,Etc. 2900 Beverly Glen Circle LA. 90077 310-474-9400 reserve a table, enjoy great jazz at a sublime environment first show is at 7:30 on the down beat! http://www.vibratogrilljazz.com

 

PATRICE RUSHEN: HAPPY BIRTHDAY BABY FINGERS!


Patrice Louise Rushen (born September 30) is quite the  jazz pianist and R&B singer. She’s also a composer, record producer, multi-instrumentalist, songwriter, and music director. Her 1982 single, “Forget Me Nots“, received a Grammy Award nomination for Best Female R&B Vocal Performance. Rushen had great success on the R&B and dance charts. “Haven’t You Heard” went number 7 on the R&B charts, with “Forget Me Nots” as her only top 40 pop hit. Patrice is held high within the Jazz community as one of the Best of her generation on piano.

In her teens, she attended south LA’s Locke High School and went on to earn a degree in music from the University of Southern California.  Respectfully known among her legions of fans as  “Baby-fingers,” a reference to her small hands. Berklee School of Music bestowed on her, a Doctorate in Music. She is currently holding down an important academic post at the University of Southern California in their school of Performing Arts. all the while being a wife,a mom, and still taking first-calls for recording and production assignments in Television and Films. There are rumors floating around ,she may have been selected to be part of an ambitious Television project involving children and the jazz legacy of Hazel Scott. Who by the way, was a child prodigy just like Patrice. According to unnamed sources,we found out, there’s a new children’s book series(Little Melanie) being developed for Television involving British and American kids in the cast.

Ms. Rushen will supervised the musical aspects. a London-based production studio. London-5-Studios are the executive producers. #LittleMelanieMyGrandPiano, #London5Studios

SAN FRANCISCO BAY AREA MUSIC EDUCATOR MOURNED BY MANY


San Francisco Bay area jazz pianist, arranger, composer and educator from East Moline(Iowa) widely known as “The Jazz Professor” died Saturday evening at the age of 80 at his home in Oakland, Calif.    July 1936 – March 2017

“Professor” Bell mentored and inspired many professional musicians as a college music professor and jazz band director.

He also recorded several jazz albums and worked with the likes of Benny Carter, Roy Eldridge, Clark Terry, Lou Rawls, Louie Bellson, The Supremes, and Carmen McRae.

He never forgot the Watertown section of East Moline where he grew up being called “Little Bill.” Those who knew him are mourning his loss and treasuring their memories. Those in the East bay and through-out the San Francisco bay area are mourning too, along with family and loved ones.

Mr. Bell did make recordings and composed a “work” for the San Francisco Symphony. He also began a long career as an esteemed educator that included being chairman at the College of Alameda, Music Department, jazz improvisation teacher at the University of California, Berkeley, and Director of the Stanford University Jazz Band.

Prominent students Bell mentored included Sheila Escovedo, better known as Prince’s collaborator Sheila E.; jazz pianists Benny Green and Michael Wolfe also, trumpeter Jon Faddis.

The following text is a reprint of a Hipster Jazz blog review written by Robert J. Carmack ,November 7 2007, Oakland,California.

It was announced by Robert J. Carmack, executive producer and vice-president operations for SFBAAAM, that their first concert was a complete success. the first in a continuing series entitled “Back Street Jazz Series”, was held Sunday, November 4th at the Oakland Public Conservatory of Music in downtown Oakland California. The show which featured the musical leadership of Jazz educator/pianist, Dr. Bill Bell. The SRO crowd applauded, yelled and whistled at the tight band assembled by Bell and a trio of sultry vocalists featured on the first set. jumping blues to ballads with a “big band feel” using arrangements by Bell himself, an accomplished arranger/composer. Sunday’s show opened with local favorite Ms. Robin Gregory as she torched the audience with her rendition of Blue Gardenia, followed by a lovely arrangement of Cole Porter’s Night & Day.

Valerie Cooper, a talented up and coming singer in the bay area followed Robin. “It was truly magical” stated Joye Slayton, a visiting jazz fan from Atlanta, Georgia.

Dr. Bell just simply pointed at certain musicians and they responded with blistering solos and sublime “comping” and coloring. Finishing up the first set was veteran vocalist, Darlene Coleman, a very talented songstress, who just nailed both her songs with polished tenacity and sheer vocal power.

The evening’s host and producer, Robert Carmack introduced a panel of jazz educators and musicians to discuss, “how jazz could further develop their audiences” by including more youth and starting early in the exposure of jazz to young people.

Local jazz radio host, Sonny Buxton, Ms. Anna De Leon, Anna’s of “Jazz Island” night club, Karlton Hester, department head of music at UC Santa Cruz, Multi-instrumentalist Roger Glenn and “Professor” Bell, conductor of first set’s band, also participated.

An assorted menu of food items were served to the hungry crowd, as they purchased dinners and beverages to help raise money for continued jazz programming and to expand the series for the Black Musicians Forum.

The evening was not done, as Carmack gathered the crowd for the start of the second set. It featured an entirely different band and musical director. Mr. Glenn Pearson. Pearson, head of music department at The College of Alameda presented a more “edgy” sounding ensemble with sax, trumpet, bass, drums and piano, the saxophonist Roger Glenn doubling on vibes and flute. OPCM founder, Ms. Angela Wellman(trombonist/educator) was totally elated at the success of the evenings’ joint venture between BMF/SFBAAAM and OPCM. a relationship that is developing into a great marriage quickly .
Many of the patrons spoke volumes of praises as they exited the building for the night. a slogan has been adopted by the two organizations and will be publicize wherever it can.

We Own This! Use It, Feel It, Live It! Next event is slated for Sunday, December 2nd at the Oakland Public Conservatory of Music, Oakland California.

JAZZ MASTER BASSIST BOB CRANSHAW DEAD AT 83


posted by  #@blues2jazzguy   Robert J. Carmack

The Great Bassist from Indiana, who more times than not was the steady bass player for Sonny Rollins. Cranshaw had been battling a series of challenging ailments. but it’s believed that he succumbed to his battle with Cancer. Cranshaw, IMHO, was one of the top five bassists in modern jazz history. My first experience hearing Bob Cranshaw was on the Blue Note Records classic by Lee Morgan, The Sidewinder, One of of the most commercially successful record ever recorded in Jazz. (1964)

The title track Sidewinder  was the very last song added to complete the album, according to Cranshaw. Lee came up with the melody while on break from the session,  Lee then asked Bob to come up with a pick-up line .The now famous bass-line pickup to begin the groove is talked about in detail via an interview from a documentary on Blue Note Records.

One other note at some point as he got older, Cranshaw chose not to play the upright Bass, which seemed awkward at first since he was performing with the great Sonny Rollins for decades. I have seen many concerts with Sonny Rollins over my lifetime, with most of those “gigs” with Cranshaw on Electric Bass, by closing your eyes one could hardly tell the difference.

We in the jazz community will sorely miss Bob Cranshaw out there, bringing smiles to our faces as he practiced his craft for over 7 decades .  Rest in Loving Peace Bob & Join the Jam session in the sky where all the greats go.

Bob Cranshaw

Bob Cranshaw

 

 

 

 

 

 

 

 

JAZZ TRUMPETER LESLIE DRAYTON DEBUTS NEW GROUP ~ FEW REGRETS


posted by #@blues2jazzguy

Leslie Drayton debuts new Band in New Digs

Leslie Drayton debuts new Band in New Digs