JAZZ SHOW CANCELED UNTIL FURTHER NOTICE: STREET LIFE: MAGIC & MUSIC OF JAZZ CRUSADERS


IT was announced recently by producer Robert J. Carmack that the show, Street Life: Magic & music of The Jazz Crusaders is cancelled until further notice. Carmack sited health issues as reason for postponement . no other announcements will be forthcoming. all parties regarding tickets sales online have been contacted and remedied.  those that were purchased from direct sources have been contacted also. again, we apologize for the abrupt cancellation, but it could not be avoided. We will contact those groups and individuals when we are able to direct them to a new date or venue. Thank you for your understanding and support. #@blues2jazzguy

Producer/ Host- Robert J. Carmack

LIGHTHOUSE 68″ ~ JAZZ CRUSADERS LIVE ! CELEBRATING 50 YEARS…STILL FUNKY FRESH


posted by Robert J. Carmack

The Lighthouse Café is a nightclub located at 30 Pier Avenue in Hermosa Beach, California. It has been active as a jazz showcase since 1949 and, under the name “The Lighthouse”, was one of the central West Coast jazz clubs from the 1950s through the late 1970s. Purely talking Jazz years, It has been a long time, since I personally use to frequent these digs as a very young budding saxophonist growing up in the early 1960s Los Angeles. Listening to two jazz stalwarts on the radio at the time in KBCA FM 105.1 & the KNOB “JAZZ KNOB” out of Long Beach. hipster Jocks ruled the radio waves back then LA. Tommy Bee, Jammin’ Jai Rich, Rick Holmes, Chuck Niles, Les Carter, Tollie Strode with “Slow traffic to the right” , “while travelin’ in my Electro-Magnetic Bag.”

AllMusic rated the album with 4 stars noting: “Feel is what dictates the material and its execution on this set, without unnecessary attention paid to crowd or recording apparatus. This is one the most intimate jazz shows captured on tape during the 1960s. It gives record buyers the sound of a band in full possession of their considerable capabilities, celebrating them in a relaxed environment, playing their own brand of grooved-out ’60s jazz”.  I actually had the opportunity to catch this very lively and “Funky as it wanted to be band” ,to borrow a catch-phrase from the era describing the feel and sound of the times. Borrowing heavily from the fresh pop culture and songs the crusaders were able to marry the hard bop edginess and the approachable groove-based chart-topping style. Jazz Crusaders were starting to dominate the west coast appeal and the young fans like myself. I was all of 17 in the fall of 1967, when this was recorded, but released in early 1968.

The best part about growing up in the early 60s and loving live jazz , You could actually go see who was playing the music you heard on radio. Because of the policy for “under -21” fans who obeyed the rules and “maintained their cool” under the fire of the electrifying bands that appeared at the beach venue.. IMHO, You might as well considered the Crusaders the House band, they appeared hundreds of times over the years, but recorded almost all of their most classic of all records with that great Lighthouse crowd over the microphones too. All of which gave it that “Flavor” like a great Gumbo meal. I would be here all day trying review all the great music from the pen or horns of Jazz crusaders, starting in 1962 , one could catch the very best in music, bar none, and be on the “hippest scene” while doing it at the Lighthouse.

I invite you to pick up a copy of this great album or whatever choice of media format is today vinyl, CD or downloads. GET IT!!

Join me ,along with some very special musicians in Los Angeles June 22 Friday night at 9pm as we turn back the clock 50 years and perform the best of the jazz crusaders: the early years up to late 70s. I have culled simply the best compositions and recordings for the featured band Crusader Legacy 5 Plus.. hand-picked stellar musicians for this event at the World Stage Performance Gallery  4321 Degnan Blvd. L.A. California 90008 – $25

Go online at http://www.eventbrite.com under title of Street Life: The Magic and Music of the Jazz Crusaders  ….

Track listing

  1. “Ooga-Boo-Ga-Loo” (Stix Hooper) – 6:39
  2. Eleanor Rigby” (John Lennon, Paul McCartney) – 7:32
  3. “Native Dancer” (Buster Williams) – 8:52
  4. “Never Had It So Good” (Joe Sample) – 7:15
  5. “The Emperor” (Williams) – 8:50
  6. Impressions” (John Coltrane) – 6:12
  7. “Cathy the Cooker” (Wayne Henderson) – 6:22 Bonus track on CD reissue
  8. “Shadows” (Williams) – 4:03 Bonus track on CD reissue
  9. “Tough Talk” (Henderson, Hooper, Sample) – 8:01 Bonus track on CD reissue
  10. “Third Principle” (Wilton Felder) – 8:45 Bonus track on CD reissue

Personnel

STREET LIFE: MAGIC & MUSIC JAZZ CRUSADERS ~ LIMITED DISCOUNTED TICKETS ON SALE NOW !!


CALL 951-840-7120 or email blues2jazz2003@yahoo.com  Regular price is $25 online at http://www.Eventbrite.com

Special discounted price Save  up to $7.25 off Online price including fees

Contact Robert regarding Direct sales Must pay Cash or money Order for 5 or more tickets @ $20 per ticket

Starting Limited period May 29th ENDS June 10th ONLY $20 per ticket when you buy (5)FIVE or more from one of our reps.

951-840-7120 for general info  or closest rep to you.

Hipster Sanctuary.Com

presents

Street Life: Magic & the Music of Jazz Crusaders

a Musical and Poetic Tribute

featuring  The Crusader Legacy 5 Plus Band

Robert J. Carmack Poet, Teodross Avery Saxophones, Alvin Starks Trombone, Don Littleton Drums,Theo Saunders-Piano,Mike Alvidrez Bass

JUNE 22nd Friday Night – 9PM  World Stage Performance Gallery 4321 Degnan Blvd. LA , Calif. 90008  $25 at http://www.eventbrite.com

Robert J. Carmack – Producer/Poet/Host
Teodross Avery

 

 

Alvin Starks
Don Littleton

 

Theo Saunders
Mike Alvidrez

 

 

 

 

STREET LIFE: MAGIC & MUSIC THE JAZZ CRUSADERS~TICKETS ON SALE NOW !


Hipster Sanctuary.Com

“Celebrating 20 years of Jazz Advocacy Through Whatever Medium Necessary”

Presents

STREET LIFE: MAGIC & MUSIC OF JAZZ CRUSADERS

 

Musical and Poetic Tribute

JUNE 22 9PM World Stage Performance Gallery

4321 Degnan Blvd. Los Angeles, California 90008

Exclusive Online tickets only at www.eventbrite.com $25

Featuring

CRUSADER LEGACY 5 Plus Band

Teodross Avery tenor sax, Alvin Starks trombone, Mike Alvidrez~bass

Theo Saunders~ piano, Don Littleton ~ drums

Plus poet/spoken word ~ Robert J. Carmack

Produced by Robert J. Carmack & select Crusaders transcriptions by http://www.JamesArmstrongMusic.com

Come Out and Help us pay homage to the dynamic and game-changing group

Media: @blues2jazzguy ~ blues2jazz2003@yahoo.com ~951-840-7120  

Producer Robert J. Carmack has created a show paying homage to music’s most celebrated jazz group over the last 5 decades. Carmack hand-picked Los Angeles “best of the best” local jazz musicians , all of whom are stellar musicians in their own right. Plus, Carmack will be adding his poems dedicated to the group, along with a special poem dedicated to the Saxman , Wilton FelderCrusader Legacy 5 Plus are Teodross Avery tenor saxophone, Alvin Starks trombone, Don Littleton drums, Theo Saunders piano/keyboards, Mike Alvidrez bass/elect. bass and Robert J. Carmack spoken word/poet and a special surprise guest. The evening will be filled with the essential Jazz Crusaders compositions that made them into the iconic and award-winning group they were. one survivor left of band, Nesbert “Stix” Hooper.

SANDRA BOOKER~ ” LIL’ SASS ON SASS” AT HERB ALPERT’S VIBRATO GRILL,JAZZ,ETC


 

 

 

 

 

 

 

 

posted by Robert J. Carmack @blues2jazzguy

I always try to keep an open mind about today’s music and vocalists, particularly, Jazz vocalists. However, I’m a man of distinct taste and panache’ with a “side of groove and swing”.

In the case of Sandra Booker “nobody out-swings” her in a straight up duel of singers and vocalists, those who know how to interpret the lyrics and vocabulary of classic jazz singing.

It’s probably no mystery why the late Three Sounds bassist , Andy Simpkins who knew Sarah Vaughn intimately, bestowed the moniker, Lil’ Sass on Sandra Booker. the little lady from “Nawlins” with the big voice.

An award-winning composer & conductor, Lalo Schifrin, called Sandra, “his favorite singer, live or recordings“. I suppose it’s just a coincidence When the opportunity called for her to gather an all-star band,curate a cache of great songs recorded or sung by Sarah Vaughn at different points in her career. “Sarah was my main character from the Be-bop era, she had a tremendous influence on my singing and how I handled my self on the bandstand.” “This gig Sunday, April 22, allows me to select compositions I like from her most potent and swinging pieces. I will reinterpret her spirit through my lens. That continues the legacy which makes me very proud” stated an excited Booker. The musicians backing Ms. Booker for the evening are Andy Langham-Piano,Edwin Livingston Bass,Tony Pulizzi Guitar, and Thomas”Mr. Taste” White on Drums

This is also a special occasion for Sandra as she’s been battling very challenging health issues and trying to stay positive.  The Creative Process keep her going strong, along with positive people,who support her efforts to beat-back the dreaded Big “C”.

She’s been a champion for the organization, Jazz Musicians Against Cancer, hosting concerts, doing workshops and local fundraisers to not only help herself but, others who are still battling to remain working at their craft. “Working with some of these musicians makes it very therapeutic for me, as well as it allows me to appreciate each and everyday I’m still here. The music is my true medicine.”

“It’s definitely a blessing and an honor to perform this music at the highest level just like the pioneers did, long before I came along.”

Don’t hesitate! You and a friend have a double opportunity to do a solid. 1- see a great jazz show and 2- Help out some sick people  who are up against it, each and everyday.  Part of the evening’s door admission fee goes to the JMAC Fund,(Jazz Musicians Against Cancer)  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Vibrato Grill,Jazz,Etc. 2900 Beverly Glen Circle LA. 90077 310-474-9400 reserve a table, enjoy great jazz at a sublime environment first show is at 7:30 on the down beat! http://www.vibratogrilljazz.com

 

COMING !! STREET LIFE: MAGIC & MUSIC JAZZ CRUSADERS TRIBUTE


Robert J. Carmack & http://www.hipstersanctuary.com

presents

STREET LIFE: MAGIC & MUSIC~JAZZ CRUSADERS TRIBUTE

featuring  CRUSADER LEGACY 5 PLUS

Teodross Avery Saxophone,Theo Saunders Piano, Alvin Starks Trombone, Mike Alvidrez Bass, Don Littleton Drums

Robert J. Carmack – Poet & MC

Friday June 22nd, 2018 9PM

The World Stage Performance Gallery  4321 Degnan Blvd, Los Angeles,California 90008 

Tickets exclusively sold on http://www.Eventbrite.comNo Door Sales 

Early Bird Special $20 begins April 16th until May 15th, $25 regular price -General Admissions seats only- first come first served. info contact :twitter @blues2jazzguy or email: blues2jazz2003@yahoo.com                 

TONES FROM T. ~ TEODROSS AVERY: A NIGHT FOR JOHN COLTRANE


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

“RELENTLESS AND CUTTING-EDGE SOUNDS FOCUSED ON A DIFFERENT APPROACH,TO THE COMPOSITIONS OF THE MAN HIMSELF,JOHN COLTRANE.”

LIVE RECORDING SESSION!!

ROBERT J. CARMACK RECITE POEMS OF JAZZ ICON SUN RA WITH GROUP ECLECTIC NATIVITY


Posted by Kamaad Tauhid  #@blues2jazzguy

It was announced early today by actor,journalist and playwright, Robert J. Carmack, he’s been tapped to recite highly-tauted select poems of iconic jazz legend, SUN RA. ” I’m going to love this gig, as I’m appearing on stage with some of the best musicians in “Free Music” on both coasts. East & West. Carmack is poised and ready to take on the task of blending great works by one of his jazz heroes with the colors and sounds of improvisations. All in the spirit of the inter-planetary one, SUN RA.

Fresh from writing his new hit play about Nina Simone, “Interview With the High Priestess: Nina!” It will be debuting in Los Angeles at the World Stage, founded by Jazz legend , Billy Higgins. Scheduled for March 3rd,the One Night Only performance is Sold Out. Carmack appears in the play starring  Jana Wilson as Nina.

Master bassist Juini Booth and Violinist Kathleen Kim are gracing the stage at Zebulon Cafe in Los Angeles with a plethora of unique and eclectic musicians.

Juini Booth and friends with  supporting performances by Guillermo E. Brown and L.A. Fog. and DJ  Xandão  bringing the Brazilian funk.

L.A. Fog

On this special celebration of Juini Booth’s 70th birthday, friends of both coasts converge for an improvisational performance of cosmic proportions. Reflecting the influence of Juini Booth’s dynamic musicianship, participating artists draw from shared inspirations from Improvisations, soul, R&B, Funk,World Music and Spoken Word.

FEBRUARY 21, 9PM -1AM @ ZEBULON CAFE Great Music Great Drinks and great Food too… come early & stay late!

Eclectic Nativity includes Guillermo E. Brown, Wynne Bennett, Corey Fogel, LA Fog, Jon Leland, Mira Billotte, Helga Fassonaki and more. Opening performance by Guillermo E. Brown (solo)and L.A. Fog. plus surprise guests appearing.

Zebulon Café Concert

(323) 662-0966

JAZZ MASTER BASSIST JUINI BOOTH RETURNS TO ZEBULON CAFE FEB 21 2018


 

The Booth / Kim Eclectic Nativity – a Free Music creative force featuring master bassist Juini Booth and violinist Kathleen Kim.

JUST ADDED: Robert J. Carmack – Echoes of SUN RA Poetry

R.J. Carmack

Juini Booth and friends w/ supporting performances by Guillermo E. Brown (solo) and L.A. Fog. and DJ  Xandão bringing the Brazilian funk.

L.A. Fog

On this special celebration of Juini Booth’s 70th birthday, friends of both coasts converge for an improvisational performance of cosmic proportions. Reflecting the influence of Juini Booth’s dynamic musicianship, participating artists draw from shared inspirations from Improv, Soul, R&B, Funk, Psych, and World Music and Spoken Word. Eclectic Nativity includes Guillermo E. Brown, Wynne Bennett, Corey Fogel, LA Fog, Jon Leland, Mira Billotte, Helga Fassonaki and more.

Opening performances by Guillermo E.Brown(solo)and L.A. Fog.

Jocelyn Soubiran

 

Feb. 21 Wed. 8pm @ Zebulon Café Concert 2478 Fletcher Dr, Los Angeles, California 90039

Home

SOUTH AFRICAN MUSICIAN HUGH MASAKELA JOINS THE ANCESTORS-RIP 1939-2018


posted by Robert J. Carmack

It seems that a bevy of greats have left the stage and building since January of 2017. I realize that’s just life as we know it. Nothing to say about it case closed. However, I did not want to allow the sudden death of a great man and musician go by without saying anything about it. First, my exposure to Hugh Masakela goes back beyond 50 years(1966). I lived in Los Angeles and was studying music in high school and two off campus jazz bands  too. Soon summer 1966 arrived and I was quite anxious because, word had it, the very first WATTS FESTIVAL was coming to reality.  Heavy announcements of Music, Art and Pageantry to replace all the violence and melee that happened only one year prior.

The opening act was this new guy we had been hearing about from Africa that was making a lot of noise in New York.

Hugh Masakela was the Kick-off concert at Jordan High school gym that launched the 1966 Watts Festival & Cultural events. I can remember like yesterday as me and a group of guys who loved jazz, was quite excited about the possibilities and the fact it would be my first time seeing anyone from Africa that was not a cliché of Hollywood racists attitudes about portraying ,anyone from the motherland. That night was very special in more ways than the obvious. I was 16 and thought I was a grown man…the other was coming from a sociopolitical viewpoint. Black people were making a transition from being negro or colored people to Black people or Afro-American (first popped up as a description of black people at this time). Anyway, back to the music, Hugh was every bit an image and role model for us young men. he had a very interesting hair-style  or “Natural”, wore full African regalia, including “NO Shoes” as he went through the recently released album cuts of 1966 “The Americanization of Ooga-Booga.” Which I know now, was a title given and sanctioned by the marketing department at the record company. I assure you, mine and most of us were concentrating on the musical style of his trumpet playing and the rhythms being crafted by the unit led by Hugh. Larry Willis on piano, Henry Jenkins on Drums, Henry Franklin on Bass and Percussionist Big Black pounding out the beats on African drums and Congas.

Hugh was a master of blending the American style of jazz bop and blues idioms juxtaposition with African Rhythms. The eclectic mix of originals showcased his masterful composing skills . He introduced a whole generation of black folks and others to “South-Africanized” jazz. which was quite different in what we had heard by Dizzy Gillespie, Art Blakeley or Randy Weston and their  interpretations. He was bringing it “Straight with No Chaser”.

Some of the highlights of the evening’s performances was a composition by Herbie Hancock, Cantaloupe Island. Two other originals jumped out at the crowd which spawn several standing ovations when they ended.. Hale Se Di Li  Kanna(the Dowry song) and Bajabula Bonke (the Healing Song).

The influence of Dizzy Gillespie and Freddie Hubbard can be heard, along with McCoy Tyner in the playing of pianist Larry Willis, and he shows his debt to John Coltrane as an inspiration on “Mixolydia” as well as his affinity for Brazilian music on “Mas Que Nada.” But the core sound was what Masekela called “township bop” — his short trumpet bursts, sometimes seemingly approaching micro-tonal territory, are engrossing celebrations of the melodies of his repertory, which is mostly of South African origin. The buzz after the concert was so loud  and the cultural wave became a Tsunami of positive vibes for brother Hugh as he was affectionately called after that night.

 

 

 

 

By the fall ,I was still hearing rumblings about that summer concert.. only to find out that the very same group was scheduled to perform at our school sometime before the Christmas break. Man! what a blessing! Twice in less than two months. By the time they appeared  at our school, most of us was sporting Naturals and wearing sandals, some even wore  traditional Dashiki garb and begun learning more about the continent of Africa, particularly, South Africa. I became a life long Hugh Fan, even as he became more and more commercial in his albums, he always brought it back home with a solid menu of fan favorites like Bajabula Bonke, and Cantaloupe Island at the Live concerts.

I will always believe to my dying breath, he believed he was put here to bring joy from the motherland and  shine a light on freedom and respect for every one. His Nelson Mandela anthem (Bring him back Home) was globally huge and played a strong role in keeping the fire to the feet of the world powers. I know I will miss him and his musical spirit, but the whole world will miss his humanity. Rest in Heavenly Peace Brother Hugh!