L.A. Calif_ It was announced by leader/spokesman Robert J. Carmack, that a collaboration of musicians,vocalists,arrangers and poets have formed PLIGHT. Plight is a grassroots performance ensemble featuring iconic jazz compositions integrated with spoken word and “vocalese” arrangements. Seriously dedicated to preserving the legacy of improvised American classical music,better known as Jazz.
R J Carmack- Producer-Poet-musician-journalist
Robert J. Carmack ,musician,poet,producer and journalist first came up with the concept through a long time association with some of the core group members, when in August of 2015, he got together with master pianist, Bobby West, on a project paying homage to Blue Note Records jazz icon, Duke Pearson.
West was instrumental in taking the hand-selected compositions of Pearson, which gave plenty of challenges with spiritual,hard bop and swinging tunes integrating poetry by Carmack and other writers. Adding Northern California pianist/arranger , James Armstrong was a no brainer,according to Carmack.
“James and I often engaged in long conversations about music, the preservation of certain jazz compositions and key artists that we thought should be recognized, it was easy to connect the dots. We saw eye to eye on Duke Pearson and his “Unsung” career in music, That became the initial project that started the ball rolling” said Carmack.
San Jose based musician, educator,arranger James Armstrong
Taking a page from the classic Blue Note recordings vault under the creativity of Carmack,West and Armstrong in order to bring magic to the bandstand. “We are bringing back some of the key and core musicians we used last summer to form this new band which will be debuting in July 2016.”said Carmack, as he showed me some of the recently completed arrangements by James Armstrong. Robert selected what can be called stellar tunes written or recorded by iconic jazz artists, Jackie McLean and Bobby Hutcherson.
First of all, those two artists were a huge part of the 1960s/70s jazz scene with gigantic success throughout that era with remarkable recorded products to bolster their iconic stature, Carmack went on to say. “Part of this stellar core group is percussionist/woodwind specialist , Derf Reklaw. Derf brings a special set of experiences and skills that gives us an edge with all of these cuts.”
Bobby West, a formidable Jazz master pianist, born in Los Angeles, grew up in a city that had a plethora of jazz icons living there, and lots of venues at the time to ply your craft. After-all, with jazz legends like Gerald Wilson, Plas Johnson, Freddie Hubbard,Billy Higgins, Horace Tapscott,just to name a few.
Robert J. Carmack first met Bobby West while hanging out in the early 90s at Billy Higgins World Stage jam sessions. Bobby would often be among a group of top-shelf piano players active inside the Leimert Park Village Arts community, among them , Horace Tapscott, Nate Morgan,Harold Land jr. and Bobby Pierce. Carmack went on to say “Bobby West, in my opinion possessed all the ingredients and the passion of a contemporary version of Red Garland and Bobby Timmons. Plight is putting together an evening of a grassroots, acoustical Art presentation that’s rich in passion musicianship and spirituality engrained inside the music and poetry.(Follow hipstersanctuary.com for Plight’s debut info)
Bobby West @ North Sea Jazz Festival
Carmack will announce the rest of the band at a later date, due to some special circumstances regarding contracts. The instrumentation is piano,bass, drums, percussion/woodwinds, poet, vocalist and vibist. We’re very excited about the concept and looking forward to debuting at the famous WORLD STAGE in Leimert Park Saturday July 30,Los Angeles,California.
posted by @blues2jazzguy concert photos only by Jerone Myles
One of the best feeling in the world is when you plan,execute and get back a return on your effort in double spades..No, I’m not playing cards, even though I am using a card game metaphor. On August 22,last saturday night, a group of master musicians, two vocalists! and a poet came together in a show entitled,The Genius and Music of DUKE PEARSON: Thank You Uncle Duke
Blue Note Arranger Producer,Composer 1960s photo by Francis Wolff
Working with Jon Williams to secure the World Stage with our idea to honor a man, most deserving equally,as the man who founded the world Stage, Billy Higgins. Higgins was one of the most recorded drummer in jazz history. Pearson had his hands on many of the classic albums ever produced by Blue Note Records, many of which was backed by Billy Higgins on drums,
Robert Carmack Poet
The evening’s program kicked off with producer/host, Robert J. Carmack introducing the band,The Uncle Duke Legacy Band,which featured the piano stylings of Jazz veteran pianist, Bobby West. Before the music began,Carmack presented a letter from the Duke Pearson family. Which in short thanked the The World Stage,and their staff, Jon Williams and Sister Renee for their efforts. Also, Robert J. Carmack and all the Band members and vocalists participating. They also invited the the audience and fans alike to visit and join the Duke Pearson Tribute page on Facebook. The letter was signed by Mr. Gerald R. Ford( no relations) the nephew, Greetings and thanks from his mother and Duke’s sister,Myrtle(81)last survivor of Pearson’s direct family members.
Several choice Pearson compositions were played by the Band, including two non-Pearson tunes but were either recorded by or worked with the production and arrangements. First set jumped off without a hitch with Jeannine ,using a version arranged by Cannonball Adderley’s band . This classic allowed the band to show out and up with Bobby West taking the lead line on piano with Derf Reklaw Flute in harmonic tag-along, driven by the bass and drum duo of Ishmael hunter and Reggie Carson. West was able to really stretch out and flex his well honed skills to task on a blistering solo, followed by Derf Reklaw “take no prisoners” balancing between Flute lines and accents on Congos & bongo. In an effort to give balance and unique presentation , we added voices on certain songs , such a rich vocal arrangement of UGETSU/Fantasy in D, sung by the mother, daughter team of Pat Sligh and Jana Wilson. its a well known composition by Cedar Walton, a sessions player on many Blue Note recordings including Joe Henderson and early on in 60s with Art Blakey’s Jazz Messengers . Sometimes , you have to go and dig out some strange-named titles to really appreciate Duke Pearson’s mind. Especially his sense of humor with this composition the band tackled with all their might, Big Bertha. a bright uptempo ,kind of funky, driving tune. Makes you wonder what your experience would have been like meeting the infamous “Big Bertha.” Later in the evening The band decided not to perform a fast tune to open the next set , they went with a sublime composition written by Duke and dedicated to his mother, On Mother’s Day This Year (wear the brightest rose) “we wanted the audience to feel the lyrics that was also in the composition” stated Robert J. Carmack ,producer. “but we had no male vocalist to sing it, so we used Derf Reklaw flute’s mid range and low tones to bring out the richness of the very harmonic laden tune. we followed that up with another smooth swinger in Gaslight, taken from his mid-60s period.
San Jose based music educator/transcriptionist,arranger James Armstrong
“Many of these Pearson compositions were quite complex in their original form, and sometime they was not available to get the charts I needed , I had to rely on my associate and friend James Armstrong , who helped me immensely on many of the complex melodies, James was instrumental in breaking down a lot of the music theory I did not know, to even select the compositions we used in the show was quite difficult,” stated Carmack. James was invaluable on this project.
Carmack surprised the audience with a riveting poem written by Eric Wattree ,a family friend of Dexter Gordon, It’s called A Swinging Affair, another Blue note gem, that also included Billy Higgins on Drums at that 1964 session under the watchful eye and ear of Mr. Duke Pearson, though not credited as producer or arranger on a lot of Blue Note records, his fingerprints were all over a plethora of big records by the label, under a special arrangement between Duke and Alfred Lions , whose name appear as Producer very suspiciously on too many “hits”. It was technically his money paying for sessions ,but we all know whose creative energies were prevalent on the albums themselves. The evening’s last two compositions played by the Uncle Duke Legacy Band was just stellar, starting with Amanda, a bouncy,latin-tinged call and response ditty between West’s piano and Reklaw’s Flute. Reklaw took no solace in having to bounce between Flute and accented 4s between drums and bongos, followed by more fire from the flute as he played an extended flute solo that conjured up James Spaulding. Spaulding by the way, played flute and alto on the original 1966 “Wahoo ” album. The finale was just indescribable, Cristo Redentor, featured all members of the band , the two female vocalists and poetry by Robert Carmack. The flute’s voice was mixed with the angelic voices of the female singers , that set up a choir like sound as in the original Donald Byrd piece with piano by Bobby West’s alternating the hymn -like melody with the flute’s voice, follow in the second part by a Harmon muted trumpet by Jon Williams of the World Stage staff, this set up a mood as the band lowered its sound and vamped as Carmack recited an original poem call Let Freedom Ring Now!, aptly titled after a Jackie McLean Blue Note record from the mid 60s, this all culminated in bringing down the house with a standing ovation by the fully engaged audience at the World Stage. Robert Carmack’s next and last show of the Pocket Jazz series for August concludes Saturday,August 29. NOW’S The Time: Spirits of Our Ancestors 7:30pm doors open 8pm showtime. Venue: World Stage 4344 S. Degnan Blvd. L.A. 90008 951-840-7120 RSVP /Tickets info $15 tickets until 8pm $20 ATD after 8pm
Derf Reklaw congos,bongo & flute, Ishmael Hunter drumsIshmael Hunter Drums & Reggie Carson BassVocalists Pat Sligh & daughter Jana Wilson
Robert J. Carmack , collaborated with Billy Higgin’s World Stage in order to try to capture in one evening, one man’s most compelling compositions of the 1960s at Blue Note Records.
Bobby West pounding keys
MORE ABOUT DUKE PEARSON
“This was most challenging, said Carmack , How does one select from the multitudes of compositions he’s written, produced,or arranged while having an impact. Not just on the album sales at Blue Note, but also the genre itself as Blue Note made its transition from well-known A&R man, Ike Quebec, a mainstay at the label coming out of the swing era,bebop period , then latching on at Blue Note as an arranger, and facilitator for new music and artists. IMHO, the label’s quite volatile roster of talent began to come up a little stagnant and needed new & fresh ideas to drive the label as the 1960s was upon them. Unfortunately by 1961, the death of Ike Quebec left a gaping hole in Lion & Wolff’s ability to attract new talent and fresh musical ideas. Hence, the hiring of Duke Pearson by Alfred Lion put them squarely on the right path as history played out, from 1962 -1970 Blue Note Records had its best and most profitable times, including having some of the best in artist signings and record productions in Herbie Hancock, Freddie Hubbard, Wayne Shorter, Cecil Taylor, Andrew Hill, Kenny Drew, Stanley Turrentine, Dexter Gordon, Bobby Hutcherson,Joe Henderson, to name a few artists. Two of the biggest albums during his tenure was, New Perspectives by Donald Byrd featuring Cristo Redentor and The Sidewinder by long time Blue Note staple,Lee Morgan. IMHO, If there were no Duke Pearson’s Vision, Those records among others never gets made.
