Tag Archives: percussions

9 YEAR OLD ATLANTA DRUMMING SENSATION ADDED TO LONDON BASED TV SHOW


 

 

 

 

 

 

posted by Robert J. Carmack    #@blues2jazzguy                    At a recent interview with a Chief Executive at London 5 Studios in England, It was announced that 9 year old Joshua Grant has been selected to the cast of ” Little Melanie” a new TV show still in pre-production development. The show is based on a book conceived and developed by Ms.Melanie Greene, that’s centered around a little girl who is a piano prodigy. “Little Melanie” has a strong commitment to excellence and a dream to one day be as great as her idol, jazz pianist Hazel Scott. the young girl’s character is debuting with a launching of the first book, followed by another 149 + books within the massive children series.

In the TV series, Joshua Grant will portray a character, Aden that plays drums in the TV show Little Melanie Live!  This new show promises to dominate children’s television and spawn several movies and merchandise items. Grant has made many appearances on his drums and is very popular among his school mates in Atlanta . Among the most recent shows are the Harry Connick Jr Show where he and other youngsters are jamming with Harry’s TV Band on-air.

Rumors has it, He’s being wooed for another TV appearance by a famous daytime television show host  in Hollywood very soon.

 

SPIRITS OF CENTRAL AVENUE PAST: CENTRAL AVE. JAZZ FESTIVAL 2017


 

 

 

 

 

 

 

 

 

 

 

 

 

 

The 22nd Annual Central Avenue Jazz Festival, hosted by L.A. Council member Curren D. Price, Jr., is upon us, and we hope you can join the party as we celebrate South L.A.’s rich cultural past, present and future!

The FREE event on Saturday, July 29 and Sunday, July 30 from 11 a.m. to 7 p.m., includes performances by dozens of highly talented and recognized Jazz musicians.

The two-day festival will feature prominent performers on three stages with live music, pavilions focused on arts, health, youth, business and employment resources along with food and merchandise available to purchase. For more information, including a complete schedule of performances,

please visit http://www.centralavejazz.org/

Robert J.Carmack Plight Jazz Ensemble leader ***  publisher hipster sanctuary.com

 

L.A. CLUB PAYS TRIBUTE TO McCOY TYNER WITH EXPLOSIVE JAZZ CONCERT


posted by Kamaad Tauhid #@blues2jazzguy

McCoy Tyner Tribute Quartet photo RJ Carmack
Roy McCurdy Drums photo Chuck Koton
Theo Saunders Keyboards with Juini Booth in background photo Chuck  Koton
Robert J. Carmack Emcee/Spoken Word Poet photo A. Scott Galloway
A. Scott Galloway Music journalist

Re-posted from Facebook Post July 6th ..

Had the pleasure of taking in some smokin’ live jazz with fireworks as a backdrop for my 4th of July at a new REAL Jazz spot in Glendale named Zebulon. The quartet on deck equally featured saxophonist Azar Lawrence, drummer Roy McCurdy, keyboardist Theo Saunders and bassist Juini Booth paying homage to McCoy Tyner, John Coltrane and Elvin Jones. The emcee for the evening was Robert J. Carmack who also got in two powerful spoken word pieces with these giants at his back.

Try to make it out to this fine new venue which has a bar/lounge in front and a nice sized room for live music in the back. Also has valet parking and limited adjacent free parking on the streets behind it…on Fletcher Drive just north of Riverside Drive. Consider yourself hip tipped!

BUSTER WILLIAMS BUSTED LOOSE AT 75th BIRTHDAY CELEBRATION CONCERT


Buster Williams & Jazz Journalist Robert J. Carmack photo by Robert Hill

posted by Robert J. Carmack

You know anytime you have a name like Buster , the bar is already set high! No need to worry as the 75 year old bassist did not disappoint the crowd attending the concert at Nate Holden Performing Arts Center in Los Angeles last weekend(June 24). Buster Williams led an all-star team of jazz veterans into los Angeles anchored by the iconic drummer, Lenny White.

Lenny White drums

One of the surprises of the evening was the youngest member of the band in pianist,George Colligan. George is a jazz pianist, organist, drummer, trumpet player, educator, composer and bandleader based in Portland, Oregon. Colligan was born in New Jersey, and raised in Columbia, Maryland. He attended the Peabody Institute, majoring in classical trumpet and music education. In high school he learned to play the drums and later switched to piano. His playing is influenced by Chick Corea, Miles Davis, Herbie Hancock, Thelonious Monk, Wayne Shorter, and McCoy Tyner. The influences showed in many ways as he blistered solo after solo , which at times he seemed to levitate up from the piano stool, especially on a time honored classic as “I Didn’t Know What Time It Was”

George Colligan

 

 

 

 

 

 

Steve Wilson has attained ubiquitous status in the studio and on the stage with the greatest names in jazz, as well as critical acclaim as a bandleader in his own right. A musician’s musician, Wilson has brought his distinctive sound to more than 150 recordings led by such celebrated and wide-ranging artists as Chick Corea, George Duke, Michael Brecker, Dave Holland, Dianne Reeves, Bill Bruford, Gerald Wilson, Maria Schneider, Joe Henderson, Charlie Byrd, Billy Childs, Karrin Allyson, Don Byron, and Mulgrew Miller among many others. He has eight recordings as a leader.

Steve Wilson.

 

 

 

 

 

Charles Anthony “Buster” Williams is THE “consummate”  jazz bassist. Williams is known for his membership in pianist Herbie Hancock’s early 1970s group, working with guitarist Larry Coryell in the 1980s.  Mid-1960s Buster recorded a plethora of sessions with Jazz Crusaders. He also worked in the Thelonious Monk Repertory Band, Mary Lou Williams Collective, Harold Land Quintet, Sphere and as the accompanist of choice for many singers, notably Ms. Nancy Wilson.

Buster soloing is as sublime as a “brand new Rolls Royce’s interior…his lines are impeccable, as he directs the band through his dynamics in the compositions. He gets the absolute maximum out of a quartet. with a drummer like White who paints as well as keeping time, but more importantly , the unit engages the audience into the story by the composer. Colligan’s experience with Buster, goes all the way back to the mid 90s, which gives him an edge to lead the band with his melodic solos into uncharted waters. Steve Wilson on Sax tends to provide at times, hummingbird-like precision playing of the melody. Followed by his own sub-themed compositions inside the original piece.. which acts like a butterfly leaving a cocoon. All in tow of placing the listener on the edge of their seats. He certainly made it a glorious occasion on last Saturday night performances. Salud!! Salud!! Master Buster. Thank You JAZZ BAKERY and RUTH PRICE!

“You Don’t Just Hear the Music,You Experience the Music”

Herbie Hancock

KEYSTONE KLIPPINS’~ WHEN JAZZ HISTORY, GOOD FRIENDS AND GREAT MUSICIANS COME TOGETHER


Joao Gilberto, Billy Hart, and Todd Barkan May 1976 pix: Tom Copi

posted  #@blues2jazzguy Robert J.Carmack

If its one thing I can say about Todd Barkan, he’s one of the hardest working jazz presenters ,producer and all around good guy. Over the last few months I’ve spoken with various musicians  that have either worked with, or for Todd. They all say to the man “He’s one of a kind, like family, and has his head on straight in knowing exactly where he wants to take the music” .

Among the best moves he ever made was establishing a club called The Keystone Korner..Jumping off right at a time when Jazz was waffling in the Bay area, particularly in San Francisco. With a head full of bright ideas and a few dollars, he was able to recruit some of the best musicians in the bay area at the time.   He then grew that into a virtual “Who’s Who”. Its foolish to try to  post a laundry list of legends who played the “Korner”.

In fact, It’s easier to say who didn’t. To name a few;                   Art Blakey & The Jazz Messengers, Dexter Gordon, Bobby Hutcherson,Joe Henderson, Jimmy Smith, Freddie Hubbard, Rahsaan Roland Kirk, Michael White, McCoy Tyner and on and on. Some of these stints were recorded “LIVE” and later released as collector’s sessions at the Keystone Korner. (see Bright Moments and Atlantis) 

 

So it’s no surprise when Todd organized this 45th anniversary  celebration scheduled to take place in the San Francisco bay area  .. You can join him and all his friends in the Bay area July 7 & 8 2017. (see venues and times below)

Three Exciting Dates of Electrifying Music for You  

July 7th 2017 – KUUMBWA JAZZ CENTER  7:pm 

Santa Cruz,CA.

July 8th 2017 – BACH DANCING & DYNAMITE SOCIETY

2:pm HALF MOON BAY,CA. call ahead for reservations are suggested

July 8th 2017 – PIER 23 on the EMBARCADERO -7:pm            San Francisco, CA.  reservations are suggested

The action gets started with legendary artists performing

Charles McPherson..Gary Bartz.. Azar Lawrence.. Eddie Henderson.. Mel Martin.. Ray Drummond.. Kenneth Nash.. Benito Gonzalez.. Juini Booth, Denny Zeitlin & quite a few other surprises.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

45TH ANNIVERSARY CELEBRATION OF KEYSTONE KORNER on JULY 7-8, 2017, with Charles McPherson, Gary Bartz, Eddie Henderson, Denny Zeitlin, Benito Gonzalez, Mel Martin, Ray Drummond, Juini Booth,  Calvin Keys, Kenneth Nash, et al. Todd Barkan, MC.
 
KUUMBWA JAZZ CENTER, SANTA CRUZ, CA.
FRIDAY, JULY 7, 7 pm.  www.kuumbwajazz.org
 
BACH DANCING & DYNAMITE SOCIETY
HALF MOON BAY, CALIFORNIA
SATURDAY, JULY 8, 2-4 pm www.bachddsoc.org
 
PIER 23 CAFE, EMBARCADERO, SAN FRANCISCO, SATURDAY, JULY 8, 7-12 pm

JAZZ BASS LEGEND JUINI BOOTH CONNECTS BROOKLYN IN L.A.


 

 

 

 

Certainly no stranger to creating eclectic ambiance, jazz bassist Juini Booth rolls into Los Angeles with all the excitement of the second coming!.. But realistically, He’s put together a great team of Brooklyn Club owners that loves’ Jazz served up New York style, with a stellar group of musicians, including a jazz poet.

It makes one wonder if he will come with a combination Sun Ra, or Chicago Art Ensemble. We’ve been told most of the material will be in the spirit of the Atlantis album by McCoy Tyner ,recorded LIVE in 1974 at the celebrated Keystone Korner. Adding some spoken word sprinkled in. ” We expect a very diverse audience with impeccable taste in Music, Art and Hipness” .

In Brooklyn , the Zebulon Cafe was quite popular among the young and the young at heart, chided Booth.  Juini  has shaped a very stellar career in music , sometimes dropping off the Jazz scene to tackle other musical genres. “This allows me to open up to all types of music, sounds and rhythms.  His impeccable list of bandleaders and recording projects are a “Who’s Who” in Jazz. McCoy Tyner, Sun Ra, Pharoah Sanders and Freddie Hubbard to name a few. In addition to playing and recording projects, Juini’s  been spending his available hours with a project he holds dear to him, the Wilbur Ware Institute. He teaches and inspires young musicians in New York.

Band personnel: Juini Booth leader/bass, Roy McCurdy drums, piano Benito Gonzalez, Azar Lawrence saxophones, guest jazz poet, Robert J. Carmack 

JULY 4th 2017  8pm- 10PM only 

ZEBULON CAFE ONE NIGHT ONLY !!

Tixs: $10 advance $12 at door

Zebulon, 2478 Fletcher Drive.(323) 662-0966 (club only)

 

 

 

 

 

 

Press/Info re-Band Attn:R.J. #@blues2jazzguy  blues2jazz2003@yahoo.com 951-840-7120

 

 

CELEBRATING JAZZ APPRECIATION MONTH: PIERCE STREET JAZZ SERIES FREE TO PUBLIC


PIERCE STREET JAZZ SERIES    

Presented by La Sierra University

4500 Pierce St, Riverside, CA. 92505
@piercestreetjazz
Straight Ahead jazz in the Troesh Conference Center, Zapara School of Business at La Sierra University on specific dates at no cost. 
Once a Month , Second Wednesdays… Guest Talent Varies
House Band: Henry Franklin Trio
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jazzapprmonthlogo_vertical
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Charles Owns Tenor sax
Kirk Lightsey
Noland Shaheed

REMEMBERING FREDERICK DEWAYNE HUBBARD: “HUBB”


written by Robert J. Carmack  #@blues2jazzguy

As this writer was trying to decide on subjects and artists to write about during Jazz appreciation month, “Hubb”, BKA Freddie Hubbard, came into my mind

It’s not easy to write about an eclectic figure like Frederick Dewayne Hubbard. So I’m just going to go against all traditional musings about Hubbard, as viewed by the “jazz-elite”press corps.

I’m more inclined with the hip-crowd of admirers and fans that marvel over the fire, passion and gymnastics. He had all that going for him, that flowed from his body like sweat on a star athlete having a two-hundred rushing yards day, or a 50 point basketball night.

I was first introduced to “Freddie” on Herbie Hancock’s fourth album on Blue Note, Empyrean Isles,1964. At the time I was studying music and saxophone in junior high. First,  I was drawn into the groove of Cantaloupe Island, but, as I listened more to the whole album, I became impressed with the trumpeter.

He didn’t sound like any of the other trumpeters of the era I had been listening to,like Miles, Donald Byrd, Nat Adderley, Dizzy or Clark Terry. It was Hubbard’s dexterity and mastery of his horn, plus the “swag” and POWER! To coin another sports phrase Freddie was like a Power back among a field of average running backs, He just hit a little harder than the others. Man.. those “runs” and glass-shattering high notes that seem to flow so easily from Hubb.

I had not even seen Freddie live yet until early 1967. He was touring with a concept co-op band called the Jazz Communicators that included Joe Henderson, Herbie Lewis, Kenny Barron, and Mr. straight-ahead himself, Louis Hayes.

One day while lunching at school a few of the cats from the school jazz band and myself agreed to catch this group over the weekend. since they were appearing at the famous Lighthouse Jazz café in Hermosa Beach, a local venue inside the metro los Angeles area. We were so anxious, or, I was at least…I could hardly get through the week doing my homework and band practice.

Friday finally arrived , and we got such an early start ,we were the first ones to arrive at the club as only the workers were coming to punch-in for work that night . The anticipation of the frontline was just overwhelming to us. Wow ! Joe Henderson and Freddie Hubbard. We decided to walk around to kill some time , one of the guys brought a joint that was rather poorly rolled in wheat straw papers and looked pregnant. (Lol) so, we veered down to the far end of the Pier, away from prying-eyes. The five of us proceeded to enjoy the libations, though it was quite comical in our inexperience in these type matters.. the real comedy came as we began to experience the mini-explosions of burning seeds and stems as we laughed uncontrollably until we finished it. Then walking back to the front door , we were met by the ever-smiling Bassist/Manager, Howard Rumsey. He just said as we came in, “You Cats know the rules ,so enjoy yourselves.. We took our up close seats” and ordered our “soft Cokes,” with strange assortments of cherries, limes and oranges garnishing the glass . that made us feel like we were fitting-in with the very hip and rather chatty crowd. Without any further delay, Howard came over  the loudspeaker, “Ladies and Gentlemen, the Jazz Communicators!”

Bam!. Right out the gate Freddie Hubbard kicked off a Jazz Messengers favorite and, Hubbard’s standard, “Crisis”. I don’t know what its like to ride a bull in a rodeo, but I do know what its like to punch a super-charged Corvette Sting-Ray for the first time.. Zero to 60 in a matter of a few seconds. with my heart and my “stones” jumping out of my body. That’s what it was like with Freddie and Joe opening with a slightly faster version of Crisis. He played, I listened to his very powerful playing up-close and personal. He took at least six courses. OMG!! I had no idea.

The Power, the flow of ideas, trills ,choke notes Highs-lows ascending-descending, those long lung-busting phrases. Oh yeah, those little counter-melodies and rich harmonics,chock full of surprise quotes from classic tunes fused in-between, the sinewy side-bar lines Freddie is known for as a signature.

 

 

 

 

 

 

Joe Henderson’s solo was no less electrifying as only Joe could do. Quick power phrases, built on Flat fives and 9s..squawks,growls followed by machine gun like notes pouring out of his horn, riding the rhythm and comping by Louis Hayes and a young Kenny Barron. All held together by the “glue” of bassist Herbie Lewis.

I had seen lots of groups  come to the lighthouse ,but this was a special night. Unbelievable on many levels to this writer. First, The group kept elevating, We stayed from the first to the last set and there were no “Let-Ups” in intensity. Second..I never forgot that evening’s performances. Third, Here it is now 50 years later, and I’m still remembering it as if it was only yesterday.

A couple of us guys that’s still here often reflect on that evening’s fun and camaraderie.. But, the artistry of Freddie Hubbard, Joe Henderson,Kenny Barron, Herbie Lewis and Louis Hayes still DISTRIBUTE GOOD THOUGHTS IN GREAT TIMES, IN OUR HEADS.

July 2003, I was producer/MC for a Jazz series in San Francisco-Knob Hill  project called “Celebrate a Legend-Jazz In July” a month long 7 days a week series featuring Freddie Hubbard, Freddie Coles, Vanessa Rubin, Doug Carn, Sonny Fortune, Andy Bey, Calvin Keyes, to name a few.  All participating and receiving lifetime achievement awards. We brought in Freddie special for five days, even surprising Freddie with an old friend in Billy Paul making an cameo performance of the “Old folk”. During the course of the five days , I had my hands full with “Hubb just being Hubb”.. some of you will know what I mean..(smile)  But at the end of the day, I felt blessed from the thought of coming from a 15 year old kid in a school band practice room, trying to understand all of what was happening on the “Night of the Cookers” album. Then, flash forwarded to 2003, and i’m now booking and presenting Freddie Hubbard to a hip and sophisticated San Francisco audience. a real dream deferred!  P-baron

Freddie Hubbard was many things to many people including a husband, a father, and a human being with warts and all that comes with that too. Most importantly, he had the respect of his family, friends and fans alike. Certainly mine. I miss Hubb on the scene with all his swag, panache with that biting humor of his.

Its with all due respect I am remembering, Federick Dwayne Hubbard, April 7 1938 – December 29 2008

POETRY JAZZ ENSEMBLE PLIGHT DEBUTS AT BILLY HIGGINS WORLD STAGE


Posted by Kamaad Tauhid   #blues2jazzguy

Recently in Los Angeles California, Night of the Grassroots Hip-Nosis featuring PLIGHT Jazz Ensemble took the Billy Higgins World Stage’s audience on a “Time machine” ride back to the Jazz scene 1960s style.” according to one audience member. Plight ,a jazz/poetry band led by jazz journalist and producer Robert J. Carmack  paid homage to Bobby Hutcherson and Jackie McLean music.

Robert J. Carmack Plight Jazz Ensemble
Robert J. Carmack Plight Jazz Ensemble

Carmack and his group performed to a very receptive audience as they plumbed through such classics as  Jackie McLean’s,Riff Raff, Blues in a Jiff, HipNosis and Plight. In addition to McLean’s compositions, they also tackled some of Bobby Hutcherson’s dynamic tunes from his early Blue Note years like, Slow Change, Nights in Barcelona, and Little B’s Poem. Robert Carmack wrote original poems and performed them along with the band in an orchestrated approach to presenting these classic gems with a new spin.

The evening began with special guest, the award-winning playwright and poet, TU’NOOK, who’s highlight piece of her solo set was a poem about women prostitutes that ply their trade on a fairly infamous street in Los Angeles.
Plight, then opened up their first set with a non-playlist song to warm up the room with an uptempo version of Speak Low. After two blustering solos by Dale Fielder and Bobby West on Speak Low, the group tackled the evening’s playlist.

Busting out of the gate with Hutcherson’s recording penned by Harold Land, Night in Barcelona. the cut featured eclectic solos by Dale Fielder on soprano sax and Derf Reklaw on Flute while Bobby West stunned the audience with a piano accompaniment and Synth “Vibes” on electronic keyboards. The versatile band was able to pivot all evening with McLean’s hip and bluesy tunes balanced with Hutcherson’s complex harmonic and melodic treasures. One of the more exploratory tunes of the night was Slow Change a harmonic rich minor piece in 3/4 Sus. Carmack’s intertwining of the original lyrics and the new spoken word content sent the audience over the top. Hipnosis from the album with same title by Jackie McLean. It was presented in a unique ensemble-like statement of melody without a bridge. a haunting bass line with the vamping of the solo parts in a minor blues form that sets-up inside-out improvisations by pianist Bobby West and flautist Derf Reklaw. After his solo on Baritone sax, Fielder joins the bass line on the melody parts. followed by Carmack’s spoken word to take the song home.

PLight Band consisted of Bobby West on piano, Reggie Carson bass, Derf Reklaw percussion & flute, Cornell Fouler drums with special guest saxophonist,Dale Fielder. Robert J. Carmack Poet.

Plight gig-Robert and Dale alto photo by Shead
photo by Mike Shead

Hipster Sanctuary.com is happy and excited that we had great sponsors on our project look forward to their participation in our upcoming Pocket Jazz series in the coming months.

our sponsors:

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Taco Pete  take-out & catering  Taco Petes NOW1

 

 

Russell Harrison Master Herbalist   Russell Harrison

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THE WOLFMAN OF JAZZ ~ VIBIST WARREN WOLF


posted by Robert J. Carmack  #blues2jazzguy

The phenomenal multi-instrumentalist Warren Wolf is one of the most important and exciting young jazz artists performing today.

Multi-Instrumentalist Warren Wolf
Multi-Instrumentalist Warren Wolf

The jazz bassist Christian McBride once said that “Wolf’s talent is so far off the radar screen. Everything you want in a musician:he has that times 20.” Christian met Wolf in 2000 and pledged that one day,Wolf would play in his Band. That plan became a reality, and Wolf has been a regular member of McBride’s band INSIDE STRAIGHT since its inception.

Warren Wolf NOWWarren Wolf is a multi-instrumentalist from Baltimore,MD. From the young age of three years old, Warren has been trained on the Vibraphone/Marimba, Drums, and Piano.  Under the guidance of his father Warren Wolf Sr., Warren has a deep background in all genres of music,beginning with classical music, but,In Jazz Warren has studied artist and composers like Charlie Parker, Miles Davis, Duke Ellington, Louis Armstrong, Freddie Hubbard, Clifford Brown, Herbie Hancock, Oscar Peterson, Milt Jackson, Bobby Hutcherson, Cal Tjader, Return to Forever, Weather Report, Wynton Marsalis and many others.

Warren has several recordings as a leader. Warren’s first two records are on the M&I label which is based in Japan. The first record is titled “Incredible Jazz Vibes” which features Mulgrew Miller on Piano, Vicente Archer on Bass and Kendrick Scott on Drums. Warren Wolf  Incredible Jazz Vibes NOWThe second record is titled “Black Wolf”. That record features Mulgrew Miller on Piano, Rodney Whitaker on Bass and Jeff “Tain” Watts on Drums. Warren has a self-produced CD which is titled “RAW”. That record features Darren Barrett on Trumpet, Walter Smith on Tenor Saxophone, Jason Palmer on Trumpet, Plume on Alto Saxophone, Kris Funn on Bass, Peter Slavov on Bass, Lawrence Fields on Piano/Fender Rhodes and Charles “Dogg” Haynes on Drums. On “RAW” Warren performs on both the Vibraphone and Drums. The fourth recording is titled Warren “Chano Pozo” Wolf. On this recording, Warren performs on the Vibraphone,Drums/Fender Rhodes and Piano. This recording features Tim Green on Alto Saxophone, Lawrence Fields on Piano/Fender Rhodes, John Lamkin on Drums, Dana Hawkins on Drums, Kris Funn on Bass, Louis Cato on Electric Bass, Delandria Mills on Flute, Tabreeca Woodside on Vocals and Integriti Reeves on Vocals. Warren is currently signed to the Mack Ave recording label. A future record will be released in the near future.   http://www.warrenwolfmusic.com/