TODD BARKAN’S KEYSTONE KORNER 45 YEAR ANNIVERSARY CELEBRATION IN JAZZ


posted by Robert J. Carmack #@blues2jazzguy

Tom Copi photo

Keystone Korner’s 45th Anniversary Celebration  July 7 & 8 2017
One of the best Jazz weekends in the San Francisco Bay area in decades. First, after you get over the initial shock of the lineup and why, then it all makes sense.

I was in touch with Todd Barkan as soon as I heard through the grapevine there was truly some type of celebration being planned months ahead of the date.  This of course forced me to research and find out just who actually played the North Beach venue .
Many of the great ones that played Keystone Korner are no longer with us.. But Todd selected an absolute stellar group of musicians, all legends and all-stars in their own right.  Tenor Saxophonists, Mel Martin and Azar Lawrence, Alto Sax, Gary Bartz and Charles McPherson , Bassists, Juini Booth and Ray Drummond, Drummers Akira Tana and Roy McCurdy, Percussion Kenneth Nash, Guitarist Calvin Keys, Pianist Denny Zeitlin and Theo Saunders, plus a great group from Japan, Atsuko Hashimoto B3 jazz trio.

photo by brian mcMillen

Equally important as the musicians themselves , Todd chose great venues for the presentation . starting on July 7 at Kuumbwa’s Jazz in Santa Cruz, a coastal city ripe for a top-shelf jazz set.

 

 

The very next day, Saturday July 8th, it couldn’t get any better for a gorgeous afternoon of riveting jazz. He chose the gem of the bay area, Bach Dancing and Dynamite Society. A unique club carved out of a beautiful home on the cliff side staring into Half Moon Bay, just south of San Francisco on the peninsula. Follow that Car!! great management, great drinks and service.

You know it not always clear where your next great story is going to come from or, who you might see along the way to that story. but one thing for sure , If you know anything about Todd Barkan..You just grab a brew or some wine, sit down and listen. Todd Barkan the successful Jazz presenter, piano player, record producer, jazz archivist, and  husband.

As I looked around the sanctuary and hung-out down in the green room, I observed the interaction between Todd Barkan and the many friends and fans of the “Korner”,but mostly the musicians, the “fellas”, there was a special kinship or bond between both presenter and musicians.  It’s not even close to being that way “now days”. In my chats with several of the band members and supporters leading up to this great weekend, well almost to a man, they all said pretty much the same. “Todd is one of us.. we are family. “Sadly, a lot of the old gang who frequently played the club during its hey-day are no longer with us. Their spirit lives on in Todd and the musicians memories.

Part of the weekend which also made it a special “NICE TOUCH” was having some of the photographers who were, and still a big part of  archiving this genre and historic occasions in the Bay area.  Three of the best were among the guests at the happenings , Ms. Kathy Sloane, who published a book about the days and nights at Keystone Korner. Fellow shutterbugs, Jim Bourne and Brian McMillen weaved in and out of the scene and captured many great shots to document (see a smattering of their work below)

photo by Brian McMillen
photo by Jim Bourne of Juini Booth
Akira Tana & Kenneth Nash photos by Jim Bourne

 

 

 

 

 

 

photo by Jim Bourne of Ray Drummond

 

Bach Dancing and Dynamite Society(founded loosely in late 1950s by Pete Douglas). But officially as a Jazz and classical music venue in 1964. The crown jewel of Bay area venues was the true “scene of the crime.”

Just prior to his opening remarks, Todd seemed like he was reflecting over his well documented record of work over the last 45 years plus!

1972 -1983, Over a decade in great music was presented on a 7 day a week basis at Keystone Korner  in North Beach. And, all of San Francisco, even the “East Bay peeps” came across the bridge on any given night to see the sights, enjoy the fruits of labor from the giants. Dexter Gordon, Rahsaan Roland Kirk, Stan Getz, Bill Evans and McCoy Tyner,Mary Lou Williams, Art Pepper, Freddie Hubbard, Zoot Sims and Charles Mingus,Bobby Hutcherson,Cedar Walton ,Art Blakey, Michael White featuring Kenneth Nash and, Ed Kelly on piano and Ray Drummond bass.

Todd opened the club in 1972, and that was the starting point for greatness that never ceased until the last act in Charles McPherson’s group playing the last set 1983.

Charles McPherson photo by Jim Bourne

Part of the “pomp and circumstance” were watching all that talent being switched around and configured to fit mood, moment and personnel, which was masterfully orchestrated by the “Todd-Father”(Barkan) . a pleasant surprise insertion was Theo Saunders for Benito Gonzalez ..the native new Yorker demonstrated why he’s a first-call pianist in Southern California, even international, as Saunders bio reads like a who’s who in jazz for over three decades. 

Bright Moment for me was a beautiful duet ballad by old friends, Denny Zeitlin and saxophonist Gary Bartz.  Before beginning the song, Denny told the story of meeting Bartz in a jam session while at a Baltimore, Maryland club sitting-in on piano. (club owner was Gary’s Dad) the two clicked immediately musically, but Zeitlin had a small dilemma, He was studying medicine at John Hopkins with a burning desire to become a physician. But Zeitlin worked it all out. The two musicians are still friends today, Denny is also jazz pianist and also a respected Doctor of Psychiatry in the S.F. Bay area.

Photo by Robert J. Carmack Denny & Gary duet

Another stand out and surprise performances were a jazz trio from Japan, playing in a traditional B3 style group with Organ , Saxophone and Guitar. this stellar group was led by this very animated and dynamic B3 organ player, Astuko Hashimoto, Guitarist Yutaka Hashimoto, saxophone Hedeki Karamura.

Astuko Hashimoto photo by Jim Bourne

 

hideki kawamura photo by jim bourne

 

 

 

 

 

 

 

 

Yutaka Hashimoto photo by Jim Bourne

Our friends from Japan were extremely busy on a blistery up-tempo blues in F, which stirred up things. It sort of reminded us of days of Jimmy Smith and Shirley Scott. Astuko brought the Fire!

As soon as all the smoke cleared from the Bach Dancing and Dynamite Society’s sanctuary, especially as the ZAR-Meister(Azar Lawrence reunited with bassist Juini Booth(original live album at Keystone Korner, Atlantis by McCoy Tyner) added drummer Roy McCurdy and pianist Theo Saunders took us on a journey to Africa to Atlantis and back to Half Moon Bay. Word was, they had a gathering crowd about to converge on the restaurant Pier 23 on Embarcadero for part two of the Saturday’s festivities. A quaint and cozy Jazz spot off the Pier. Great enthusiasm with a full house awaiting to start the show 8pm hit at Pier 23. This crowd was grassroots and tuned in all the pyrotechnics that were to come later as the personnel expanded to included such jazz luminaries as saxophonist John Handy, trumpeter David Hardiman and SF Bay area’s Jazz man/Pilot, Roger Glenn on flute. along with Mel Martins band mates, plus  Larry Dunlap, Jeff Marr. to name a few.

Mel, Gary, and Azar.. photo by RJ Carmack Pier 23 July 8 2017
Easy Flowing Calvin Keys photo by Jim Bourne

Big shout out to all the management and owners of the various Jazz venues. your staff and personnel were professional and very warm.. Thanks to Mr. Todd Barkan, for all the Bright Moments, historic sessions,and recordings . You ARE truly a Jazz Master.(2018) Congratulations!!

Special Thanks to Mel Martin and his lovely wife for helping me out in a glaring situation. Catch my interview and chat with S.F. Bay legendary musician Mel Martin.

Coming August 10th @ http://www.hipstersanctuary.com

 

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KEYSTONE KLIPPINS’:JAZZ ICONS SPEAK ABOUT TODD BARKAN AND SAN FRANCISCO’S KEYSTONE KORNER


posted by Robert J. Carmack     #@blues2jazzguy

Jazz impresario Todd Barkan is returning to the scene of the Jazz Crime, San Francisco with two dates to remember. July 7 & 8.

The great pianist/composer Mary Lou Williams referred to Keystone Korner as “the Birdland of the Seventies.” Art Blakey, Miles Davis, and Stan Getz all agreed that Keystone Korner was “the best jazz club in the world.”

Band personnel: Azar Lawrence, Eddie Henderson, Mel Martin, Benito Gonzalez, Denny Zeitlin, Juini Booth,Roy McCurdy(just added) Akira Tana, Ray Drummond,Kenneth Nash, Charles McPherson, Gary Bartz & lots more!!

Friday, July 7, 7:00 pm

Kuumbwa Jazz Center
320 Cedar Street, Santa Cruz
831-427-2227
Tickets: $30/35

Saturday, July 8, 2:00 pm

Bach Dancing & Dynamite Society
311 Mirada Drive, Half Moon Bay
650-726-4143
Advance: Adults $45/35, Students $25 (25 & under with ID)
Door: Adults $50, Students $30

Saturday, July 8, 7:00-11:00 pm

Pier 23 Cafe
On the Embarcadero at the foot of Greenwich, San Francisco
415-362-5125
No advance tickets / $10 cover charge

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Barkan has assembled a “heavyweight contending” lineup for our listening pleasure. Also, its sure to offer tons of surprises from musicians & friends from over the years. Be There!!

In our series on Keystone Klippins’ – a snapshot into the thoughts and ideas of some of the “Cats” that played the “Korner” over the years and back to help celebrate the 45th anniversary with Todd and Friends. Coming Next!! Wednesday June 21, Saxophonist Mel Martin and Bassist, Juini Booth.

Charles Mcpherson – alto sax /composer/husband/dad

One of my most challenging conversations because of the time restraints. I wanted so many questions answered and so little time. I was able to find out some “nuggets for the real jazz fans. such as, I did not know he went to high school with Roy Brooks and they played in his first jazz band together. Also, Brooks was a star athlete, especially basketball. Living and growing up in Detroit, you are bound to bump into or come up against some of the “most superb” musicians in the world. Sure enough, he played with a guy known as the Charlie Parker of the bass in Detroit. Non-other than James Jamerson of Motown fame.. Yes! he was a jazz bassist too. I was a student of the saxophone at the time I learned about Charlie Parker in early 1960s, My guys on alto at the time was Bird, Jackie Mclean, Cannonball and Charles Mcpherson(I called him that guy with Mingus band not Dolphy). He always looked so cool playing with Mingus and the rest of the band.. He was built for Mingus…kind of like Charlie Rouse was built for Monk. He was his own man not a Bird clone.

Another jazz hero of mine was Barry Harris, (pianist with Lee Morgan on the Sidewinder) Lee Morgan’s record introduced me to the bop sound of Harris, which led me to the records by Harris including Charles McPherson on Saxophones.

I asked Charles about, what it was like playing the Keystone Korner in the day? Mcpherson:” Man it was a delight playing there. Todd was a REAL JAZZ FAN, not just an owner. We had fun there always over the years and I wound up the very last booked act at the Keystone in 1983″.  “my most memorable times was the Two- Biller Allstar bands with split sets. Man! Nobody was doing with jazz what Todd was doing to pack in the true jazz fans,added McPherson. Tony Williams – Barry Harris double bills!”

“I’m really looking forward to hooking up with cats I haven’t seen in a few and having that spirit of the old Keystone Korner days.”

A teenage friend of this writer who was studying saxophone also turned me on to this album in 1965.. a stellar lineup of great musicians . I still enjoy putting this one on.

Charles McPherson was born in Joplin, Missouri and moved to Detroit at age nine. After growing up in Detroit, he studied with the renowned pianist Barry Harris and started playing jazz professionally at age 19.  He moved from Detroit to New York in 1959 and performed with Charles Mingus from 1960 to 1972. While performing with Mingus, he collaborated frequently with Harris, Lonnie Hillyer (trumpet), and George Coleman (tenor sax).

Charles McPherson was recently featured at Lincoln Center showcasing his original compositions and arrangements with a seven-piece ensemble. He has toured the U.S., Europe, Japan, Africa and South America with his own groups, as well as with jazz greats Barry Harris, Billy Eckstine, Lionel Hampton, Nat Adderley, Jay McShann, Phil Woods, Wynton Marsalis, Tom Harrell, Randy Brecker, James Moody, Dizzy Gillespie, and many others.

Over the years Charles has travelled as special guest artist with Charlie Mingus, Barry Harris, Art Farmer, Kenny Drew, Toshiko Akiyoshi, the Carnegie Hall Jazz Orchestra, and the Lincoln Center Jazz Orchestra with Wynton Marsalis. He has recorded as leader on Prestige, Fantasy, Mainstream, Discovery, Xanadu, and most recently Arabesque. His most recent recording is the highly acclaimed “Manhattan Nocturne.”

Charles was also the featured alto saxophonist in the Clint Eastwood film “Bird,” a biography about Charlie Parker.

McPherson remains a strong, viable force on the jazz scene today. He is at the height of his powers. His playing combines passionate feeling with intricate patterns of improvisation.

For more information and news of his collaboration with the San Diego Ballet featuring his daughter (see link below)

http://www.charlesmcpherson.com

Charles & Camille McPherson (daughter)

 

KEYSTONE KLIPPINS’~ WHEN JAZZ HISTORY, GOOD FRIENDS AND GREAT MUSICIANS COME TOGETHER


Joao Gilberto, Billy Hart, and Todd Barkan May 1976 pix: Tom Copi

posted  #@blues2jazzguy Robert J.Carmack

If its one thing I can say about Todd Barkan, he’s one of the hardest working jazz presenters ,producer and all around good guy. Over the last few months I’ve spoken with various musicians  that have either worked with, or for Todd. They all say to the man “He’s one of a kind, like family, and has his head on straight in knowing exactly where he wants to take the music” .

Among the best moves he ever made was establishing a club called The Keystone Korner..Jumping off right at a time when Jazz was waffling in the Bay area, particularly in San Francisco. With a head full of bright ideas and a few dollars, he was able to recruit some of the best musicians in the bay area at the time.   He then grew that into a virtual “Who’s Who”. Its foolish to try to  post a laundry list of legends who played the “Korner”.

In fact, It’s easier to say who didn’t. To name a few;                   Art Blakey & The Jazz Messengers, Dexter Gordon, Bobby Hutcherson,Joe Henderson, Jimmy Smith, Freddie Hubbard, Rahsaan Roland Kirk, Michael White, McCoy Tyner and on and on. Some of these stints were recorded “LIVE” and later released as collector’s sessions at the Keystone Korner. (see Bright Moments and Atlantis) 

 

So it’s no surprise when Todd organized this 45th anniversary  celebration scheduled to take place in the San Francisco bay area  .. You can join him and all his friends in the Bay area July 7 & 8 2017. (see venues and times below)

Three Exciting Dates of Electrifying Music for You  

July 7th 2017 – KUUMBWA JAZZ CENTER  7:pm 

Santa Cruz,CA.

July 8th 2017 – BACH DANCING & DYNAMITE SOCIETY

2:pm HALF MOON BAY,CA. call ahead for reservations are suggested

July 8th 2017 – PIER 23 on the EMBARCADERO -7:pm            San Francisco, CA.  reservations are suggested

The action gets started with legendary artists performing

Charles McPherson..Gary Bartz.. Azar Lawrence.. Eddie Henderson.. Mel Martin.. Ray Drummond.. Kenneth Nash.. Benito Gonzalez.. Juini Booth, Denny Zeitlin & quite a few other surprises.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

45TH ANNIVERSARY CELEBRATION OF KEYSTONE KORNER on JULY 7-8, 2017, with Charles McPherson, Gary Bartz, Eddie Henderson, Denny Zeitlin, Benito Gonzalez, Mel Martin, Ray Drummond, Juini Booth,  Calvin Keys, Kenneth Nash, et al. Todd Barkan, MC.
 
KUUMBWA JAZZ CENTER, SANTA CRUZ, CA.
FRIDAY, JULY 7, 7 pm.  www.kuumbwajazz.org
 
BACH DANCING & DYNAMITE SOCIETY
HALF MOON BAY, CALIFORNIA
SATURDAY, JULY 8, 2-4 pm www.bachddsoc.org
 
PIER 23 CAFE, EMBARCADERO, SAN FRANCISCO, SATURDAY, JULY 8, 7-12 pm