Tag: avant Garde

SAXOPHONIST TEODROSS AVERY QUARTET EXPLORES MONK & COLTRANE


 

 

 

 

 

 

 

 

 

 

 

 

 

 

In a recently held concert on the campus of my Alma Mater, California State University Dominguez Hills, Dr. Teodross Avery addressed a SRO audience on the rare compositions of Jazz icons John Coltrane and Thelonious Monk.  Avery , a professor of music at the university, curated an eclectic list of compositions by the two masters. Several of the tunes , rarely played on bandstands today, offered as proof of the complexity and challenges of playing compositions by Monk or Trane. a couple of favorites of mine were presented in their full, regal splendor, Trinkle Tinkle by Monk and The Promise by Coltrane.

As a musician, Dr. Teodross Avery stands as one who defines live music—best experienced in front row, and full throttle. His commanding presence, on stage and off, reflects his musical ingenuity and skill. With an outstanding pedigree, both professionally and academically, Teodross is a saxophonist to watch, as evidenced by many of today’s biggest names in music relying on his wide musical reach.

While growing up in Oakland and Vacaville, California, Teodross’ parents exposed him to a wide range of music including traditional Eastern and Western African music, Soul, Rock, and Jazz.  Dr. Avery put together a very solid jazz unit for the Thursday night crowd at the school.

In the band with Teodross was, veteran bassist, Henry “Skipper” Franklin, former drummer for Jay Leno’s TV show, Marvin “Smitty” Smith, journeyman pianist, Theo Saunders. Saunders was on fire on several tunes by Monk.    (https://www.teodrossavery.com) the rare composition “The Promise” was opened with a Franklin pizzicato solo for a great introduction to this spiritual composition.

 

 

 

https://photos.google.com/photo/AF1QipNYy0Lnml3w_fJ7ngHkXSRNrucUZg5r3r07GKub

 

 

 

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JAZZ SHOW CANCELED UNTIL FURTHER NOTICE: STREET LIFE: MAGIC & MUSIC OF JAZZ CRUSADERS


IT was announced recently by producer Robert J. Carmack that the show, Street Life: Magic & music of The Jazz Crusaders is cancelled until further notice. Carmack sited health issues as reason for postponement . no other announcements will be forthcoming. all parties regarding tickets sales online have been contacted and remedied.  those that were purchased from direct sources have been contacted also. again, we apologize for the abrupt cancellation, but it could not be avoided. We will contact those groups and individuals when we are able to direct them to a new date or venue. Thank you for your understanding and support. #@blues2jazzguy

Producer/ Host- Robert J. Carmack

LIGHTHOUSE 68″ ~ JAZZ CRUSADERS LIVE ! CELEBRATING 50 YEARS…STILL FUNKY FRESH


posted by Robert J. Carmack

The Lighthouse Café is a nightclub located at 30 Pier Avenue in Hermosa Beach, California. It has been active as a jazz showcase since 1949 and, under the name “The Lighthouse”, was one of the central West Coast jazz clubs from the 1950s through the late 1970s. Purely talking Jazz years, It has been a long time, since I personally use to frequent these digs as a very young budding saxophonist growing up in the early 1960s Los Angeles. Listening to two jazz stalwarts on the radio at the time in KBCA FM 105.1 & the KNOB “JAZZ KNOB” out of Long Beach. hipster Jocks ruled the radio waves back then LA. Tommy Bee, Jammin’ Jai Rich, Rick Holmes, Chuck Niles, Les Carter, Tollie Strode with “Slow traffic to the right” , “while travelin’ in my Electro-Magnetic Bag.”

AllMusic rated the album with 4 stars noting: “Feel is what dictates the material and its execution on this set, without unnecessary attention paid to crowd or recording apparatus. This is one the most intimate jazz shows captured on tape during the 1960s. It gives record buyers the sound of a band in full possession of their considerable capabilities, celebrating them in a relaxed environment, playing their own brand of grooved-out ’60s jazz”.  I actually had the opportunity to catch this very lively and “Funky as it wanted to be band” ,to borrow a catch-phrase from the era describing the feel and sound of the times. Borrowing heavily from the fresh pop culture and songs the crusaders were able to marry the hard bop edginess and the approachable groove-based chart-topping style. Jazz Crusaders were starting to dominate the west coast appeal and the young fans like myself. I was all of 17 in the fall of 1967, when this was recorded, but released in early 1968.

The best part about growing up in the early 60s and loving live jazz , You could actually go see who was playing the music you heard on radio. Because of the policy for “under -21” fans who obeyed the rules and “maintained their cool” under the fire of the electrifying bands that appeared at the beach venue.. IMHO, You might as well considered the Crusaders the House band, they appeared hundreds of times over the years, but recorded almost all of their most classic of all records with that great Lighthouse crowd over the microphones too. All of which gave it that “Flavor” like a great Gumbo meal. I would be here all day trying review all the great music from the pen or horns of Jazz crusaders, starting in 1962 , one could catch the very best in music, bar none, and be on the “hippest scene” while doing it at the Lighthouse.

I invite you to pick up a copy of this great album or whatever choice of media format is today vinyl, CD or downloads. GET IT!!

Join me ,along with some very special musicians in Los Angeles June 22 Friday night at 9pm as we turn back the clock 50 years and perform the best of the jazz crusaders: the early years up to late 70s. I have culled simply the best compositions and recordings for the featured band Crusader Legacy 5 Plus.. hand-picked stellar musicians for this event at the World Stage Performance Gallery  4321 Degnan Blvd. L.A. California 90008 – $25

Go online at http://www.eventbrite.com under title of Street Life: The Magic and Music of the Jazz Crusaders  ….

Track listing

  1. “Ooga-Boo-Ga-Loo” (Stix Hooper) – 6:39
  2. Eleanor Rigby” (John Lennon, Paul McCartney) – 7:32
  3. “Native Dancer” (Buster Williams) – 8:52
  4. “Never Had It So Good” (Joe Sample) – 7:15
  5. “The Emperor” (Williams) – 8:50
  6. Impressions” (John Coltrane) – 6:12
  7. “Cathy the Cooker” (Wayne Henderson) – 6:22 Bonus track on CD reissue
  8. “Shadows” (Williams) – 4:03 Bonus track on CD reissue
  9. “Tough Talk” (Henderson, Hooper, Sample) – 8:01 Bonus track on CD reissue
  10. “Third Principle” (Wilton Felder) – 8:45 Bonus track on CD reissue

Personnel

ROBERT J. CARMACK PERFORMS WITH ELEPHANTS: IN LEIMERT PARK SAT. MAY 26 9PM


WORLD STAGE PERFORMANCE GALLERY  Presents

ELEPHANTS Nda PARK BAND

Don Littleton Drums, Michael Alvidrez Bass, Pablo Calogero Saxes, Flutes and Bass Clarinet

Special Guest Poet

Robert J. Carmack – Spoken Word

SATURDAY  MAY 26 9:PM   $20 Door / http://www.eventbrite.com

WORLD STAGE PERFORMANCE GALLERY  4321 DEGNAN BLVD. LA CALIF. 90008

Contact: #@blues2jazzguy or elephantsndapark@mail.com