BARITONE SUNSETS:DALE FIELDER QUARTET


By Robert J. Carmack  – Hipster Sanctuary.Com 

There are sunsets, and there are “Southern California Sunsets”. But one thing for sure, there is nothing better than sitting at the LA County Art Museum at “SUNSET” listening to Jazz on Fridays.. even better listening to the Dale Fielder Quartet in Full, Regal Blowing session-mode. That was the case just recently at the weekly event, as the group celebrated its 27th. year as a band.. spawning over 20 CDs and special recordings.On this beautiful evening’s concert, we were served up great classic jazz tunes. Especially Dale’s favorite reedman, Mr. Wayne Shorter- “Dance Cadaverous”. Which is one of those titles Wayne used during the 1960s on Blue Note. Dale balanced the evening with jazz standards and obscure  tunes, for which he is known for.  He primarily plays originals by DFQ members and himself. 

This evening was like “old home week” as I bumped into many local and regional musicians out to check Dale. I’ve known Dale since 1992, when he was just starting a midnight Jam session at Fifth Street Dicks,  a popular Jazz hang & Coffee house in Leimert Park. I’ve written about Dale’s longtime association with some of the music world’s greatest musicians,including attending school and performing with the late great pianist, Geri Allen.  Filling out the band was long time pianist Ms. Jane Getz, The “Count” Bill Markus Bass , and the Glue and Pacemaker, “Mr. Taste” on Drums,Thomas White. In 2015, I had the opportunity to perform as a spoken word artist with the DFQ , on his 20th year celebration.. With over 20 CDs to his credit as bandleader and composer..What’s next for Dale Fielder??  

The cool and relaxed performer, in an even tone, gave me that look of “The Universe is wide open.” Electing not to get into details, because the project is still in its infancy stage of production and a pre marketing plan is being launched as we speak. Then Dale said, It will evolve around Live Jazz and International access via the internet..Lol. You will have to follow on http://www.hipstersanctuary.com for more details in coming days. 

More info on Dale Fielder.

Dale Fielder is an American jazz saxophonist, composer and band leader, multi-instrumentalist who, plays all four saxophones: soprano, alto, tenor and baritone with equal authority.Known for his original compositions and choice of performing rare, obscure jazz classics as well as his varied group concepts and variety of presentations. Fielder has recorded over 13 CDs as a leader for various labels since he first appeared on the national jazz scene in 1993 with his first CD Free Flow.

He grew up in Midland, Pennsylvania, a suburb of Pittsburgh where he studied oboe, bassoon and tuba in the school system and clarinet, saxophone, composition and arranging privately with noted Pittsburgh area tenor saxophonist Phillip Celli. Fielder is also a product of the University of Pittsburgh Jazz Studies Program, where he studied as an ethnomusicology major under Dr. Nathan Davis. Fielder’s debut jazz performance was as a member of the Joe Harris Quartet, former drummer of the Charlie Parker Quintet and Dizzy Gillespie Orchestra. After relocating to NYC, he was recipient of a National Endowment for the Arts grant in 1984, studying with trumpeter/composer Frank Gordon and completed his first large work, The Aquarian for alto saxophone and chamber orchestra. While in NYC, he also performed with a host of current jazz stars such as pianist/composer Geri Allen and trombonist Robin Eubanks among many others.

After eight years in NYC, Fielder moved to Los Angeles and studied with alto legend Charles McPherson and began the difficult and challenging path of a band leader. 

Establishing the Dale Fielder Quartet, the DFQ, with pianist Harold Land, Jr. in 1988. In 1996, he recorded a national top-ten CD, Dear Sir: Tribute To Wayne Shorter to widespread critical acclaim. In 1997, Fielder received his first commission and wrote the extended eleven-movement jazz suite, Ocean Of Love And Mercy, which was recorded in performance by an all-star Nonet and released by Cadence Jazz Records. Fielder has since performed throughout Europe and Asia with his Quartet. Selected as BET’s 1999 Jazz Discovery winner, Fielder has taped several subsequent video appearances and shows for BET. In 2003, Fielder released his most important and ambitious work, his hour-long third extended jazz suite, Suite: Clarity to international critical acclaim. 

His 2005 CD, Baritone Sunride also received international attention bringing Fielder recognition as one of the top new baritone saxophonists in jazz. His July 2007 release DFQ~Plays The Music Of Pepper Adams, continues to document his classic jazz quartet, now with legendary jazz pianist Jane Getz. for more go to Dale Fielder’s web page at http://www.dalefieldermusic.com


CTI RECORDS FOUNDER SUCCUMBS


CREED TAYLOR: CTI RECORDS the Next Wave

By Robert J. Carmack

Recently we lost a monumental figure of an era in music, Jazz in particular, Creed Taylor. Taylor pronounced dead in his home in Nuremburg, Germany. It appeared that he was unable to recover from a severe stroke just prior to his death. Beginning in 1950s Taylor excelled in productions and talent scouting. This led to the early creation of the “house that TRANE” built, Impulse Records, circa 1960. Also during the early years at Impulse, he again struck gold by signing saxophonist, Stan Getz. That alliance spawned several hit albums and a “Bossa Nova ,USA movement. In addition to Getz, he also introduced the world to Joao Gilberto. He penned several Bossa Nova hits, none bigger than the Girl from Ipanema, sung in both English and Portuguese by his beautiful and sultry wife, Astrud, a  multi-Grammy-winner for the Getz/Gilberto Album.

One of Creed’s inspiring heroes in music was the creator of Jazz at the Philharmonic, Norman Granz. He made monumental concerts and tours in Europe with some of the biggest and brightest Jazz stars out of USA.Taylor easily slipped into that Granz role of A&R/ Producer for Verve Records in Jazz division.

One of his top collaborations in music was with the great conductor and arranger, Don Sabesky. Who’s fingerprints were all over the best of Verve artists on the roster. The other great collaboration and “Gold Strike” discovery was the quite different guitarist, Wes Montgomery. He had a smooth delivery with more of a “thumbing” approach as oppose to strumming with pick. Also, he added a technique which some called a double-stop chording effect. This allowed Montgomery to play clean and still swing hard as required by jazz idioms. This writer was first faced with that sound in early/mid-60s album cuts from album Moving Wes, Bumpin, Tequila, Going Out of my Head, & who could forget the very soulful “Bumpin” on Sunset a multi-award winner cut and composition. It was the “Darling” of the Pop & jazz Radio audiences. Again, Taylor brings in Don Sebesky and his orchestra on the Montgomery sound and popularity. Claus Ogerman was prominent on the Tequila album. Taylor being the talent scout he was, found out “He” was being recruited by a new label in pop and mainstream music. Herb Alpert of Tijuana Brass fame was earning Big buckets of money in his new label via the Tijuana Brass, Baja Marimba band and other POP and novelty records selling like hot cakes to a starved audience. As Creed Taylor was coming over to the Herb Alpert/Jerry Moss label, To develop their new jazz division under the small creative label CTI(Creed Taylor Inc.) the first fruits were an album entitled, A Day in the Life (made popular by the Beatles)other great songs on that album were  Watch what happens, When a Man loves a woman, California Nights and Angel, all anchored by the title track, A Day in the Life.(1967)

It appeared to me, even at the young age of 17, I could draw that, this was a brilliant move by Alpert/Moss label. Ripping-off a keystone artist on his previous label at Verve, and introducing this fabulous guitarist to a new hip and open-minded audiences. An artist who could play jazz at its highest level , while still being approachable by young and older audiences. Heavy pop tunes were selected by Taylor, like the Association, Beatles, other popular young group tunes. They were brought back to life with jazz guitar on not only radio, but by 1968, Wes Montgomery was on Prime-time TV shows produced by Alpert/Moss. Needless to say, this garners TV show awards for the young Record label. Unfortunately for A&M Records, Wes Montgomery was dead by summer of 1968. Reeling from their loss of the Cash cow in Montgomery hits that played on AM and FM stations and network television.

One of the biggest decision made by Creed taylor was to now reorganize his role and position with A&M.. He then crafted a deal where A&M would now be the prime Distributor of CTI Records products.

Taylor went to work immediate putting a plan of action in place by signing big name jazz artists who had recently left other mainstream labels and was being reinvented by Taylor in his new label image of , Young sounds of electronic instruments, and popular compositions recently heard on the Radio in all genres; Soul, POP, Latin and Middle of the Road audiences. `Officially beginning in 1969/70.. you saw Taylor create some new jazz classics with older jazz artists,Quincy Jones,Nat Adderley, Stanley Turrentine, Freddie Hubbard, Hubert Laws, Milt “Bags” Jackson, George Benson, Deodato, Joe Farrell were scattered around the charts in early 70s radio and concerts. Just like Blue Note records grew its roster of players by recording early and often with stars and their friends that they brought with them regardless of stature or standing.

Taylor, like Blue Note records used only the best in Recording and Engineering by bringing in Rudy Van Gelder on most of their choice records. The third leg of this trifecta is vivid grahics & museum quality photography. Some CTI favorites of mine are, Follow Your Heart Joe Farrell, African Cookbook Randy Weston, Straight Life Freddie Hubbard, Also , Creed spun-off even edgyier artists which a had a R&B/SOUL slant to it . KUDU RECORDS, being its answer to contemporary jazz being played with the technology of that day in Keyboards, recording, sounds, adding different rhythms and grooves . Wild Horses Rock STeady Johnny Hammond Smith, Grover Washington, Little Esther Phillips, Eric Gale, and Hank Crawford all Funky and greasy but smooth in the Pocket groove makers playing on Pop record and soul stations all over the country, many Grammy nominations and high record sales from artist who never imagine the type record sales they were now getting after signing with CTI Records.

In a sidenote many years later, Mr Creed Taylor scored again with a veteran artist ,some thought would never compromise on style and approach. He even convinced Nina Simone to record a very successful album Baltimore”. The title track was a Reggae Beat with Strings, written by Randy Newman and arranged by Dave Matthews in my opinion, one of the very best ever by CTI.

Follow this writer on http://www.hipstersanctuary.com / blues2jazz2003@yahoo.com

https://images.app.goo.gl/jHfKixJ1nF83Jpa89

YOUR MAJESTY: WALK SPIRIT TALK SPIRIT!


YOUR MAJESTY GEORGE ~ WALK SPIRIT TALK SPIRIT

By Robert J. Carmack- Hipster Sanctuary.com

I don’t know what it is about Jazz that makes me Astral-travel. My definition of a curated Jazz recording is, 1. Best material 2. Solid musicians 3.Willingness to “Go out on a Limb”(courage). When tackling a tour de force with powerful music and the ilk of McCoy Tyner, Nat Adderley, Wes Montgomery, Charlie Parker, Hank Mobley, and Lou Donaldson. What makes this project so hip and exciting is GEORGE V. JOHNSON Jr.’s vision and experience as working musician and songwriter.  Right out the gate, is a big splash intro to a moving piece of history by McCoy Tyner. Walk Spirit Talk Spirit (Knarrative Will Set You Free) we lost the great one in 2020.

What George has done is take two of Tyner’s stellar compositions including “Fly with the Wind” and crafted them into masterpieces in sound and “Griot” lyrics, that tell the best stories abound.

I lived with this CD for almost a month before I even attempted to review this project in art and soul. In my humble opinion, given a generous amount of “plays” this can become a #1 jazz hit. For example, Johnson Jr’s remarkable lyrics treatment of Wes Montgomery’s ROAD SONG, a strong cut involving the stories from all around the world while traveling and experiencing life on life’s terms. I can only concur with others, who have experienced the personality and artistry of GVJ. Jr. Be sure to put on your seatbelt when you listen to NO ROOM for SQUARES” (Hank Mobley, blue note) Nat Adderley’s JIVE SAMBA, Lou Donaldson, GRAVYTRAIN (1960s soul jazz classic)

George’s sinewy jazz sound shines on all the cuts in this beautiful session with just electrifying musicianship. Band personnel are; Devonte McCoy Trumpet, Elijah Easton saxophone, Herman Burney on Bass (I met years ago in Atlanta, when he was doing a gig with CEDAR WALTON trio) Allyn John Johnson Piano, Dana J. Hawkins drums, (**Steve Arnold bass). This ensemble brings a perfect balance of Dynamics while breathing new life into these classic, iconic tunes.

George has perfect command of his jazz vocabulary, which is not surprising since, he was mentored by the best, the Grand Pop of vocalese, Eddie Jefferson, and James Moody. Eddie even claimed George was the next in-line for sheer skill and dominance in jazz vocals. Its like having a “Magic Jukebox” that plays all the best tunes and in the right order too.

Recalling the electric pace of NO ROOM for SQUARES. It immediately takes me back to when my dad brought that album home, when I was just learning saxophone. Elijah Easton lit a fire under the Band, as if they needed more fuel, in his searing white hot solo, eating up bop changes like pancakes. ”This followed by a lucid, laser-focused solo by trumpeter Devonte McCoy. Allyn Johnson “brings the pain” on all the tunes he plays on.

It’s Johnson Jr. and him alone, who places you in a cozy Jazz Inn in Western USA or, on stage in a smoky, boozy spot tucked away along the Rhine River in Europe during the 1950s..Magic! Lol!! Whether you were diggin’ Miles, Monk, Trane or Mobley, even when they walked the earth, Or, You are a modern Hipster downloading all you can making playlists.. YOU MUST FIND ROOM for YOUR Majesty! You will Hear and see what the Barons of Bop saw in George going all the way back to 1974. He’s relentless in his attack of these songs, injecting his own personal touch that hangs over you like a Dexter Gordon 32 note phrase in Bopology and swing.

One other thing, what’s up with the “YOUR MAJESTY” thing?? Lol. I’m told it was gifted to him by another mentor John Malachi. When the jazz elders give you a nickname, you wear it with pride, like a “Blue Badge of Courage” and respect.

 George V. is the total package also, backgrounds in music, dance, and theater. Watching him perform onstage or just interact with the masters is a treat all in itself.  www.HipsterSanctuary.com gives this effort, FOUR STARS! My highest rating.  Why not grab two copies, one extra for a Pal or student trying to learn about jazz .. very approachable music even for beginners.

Walk Spirit Talk Spirit: YOUR MAJESTY ~ George V. Johnson,Jr. strikes the right chord with me. Get it at your favorite retail spot for recordings or downloads, or direct at www.georgevjohnsonjr.com

JAZZ ELEPHANTS STAMPEDE!


Jazz Elephants Stampede in Temecula,California 

One of the reasons I love covering jazz artists and groups that last long enough to see growth as a group , not just the individuals. I’ve worked with Don Littleton as a spoken word artist, MC and Promoter.. This group is a can’t miss act.. Right out the gate, Elephants nda Park dug into a Monk classic ,Bye-Ya.. A 32 bar ditty with added afro cuban Clave. Powerful playing by full band, but Pianist Mahesh Balysooria, demonstrated why he is becoming a first call jazz musician in Los Angeles..Mahesh is a USC music major alum and a busy pianist around town.

Great foundation laid-out by Mahesh on piano.. He then busted into,IMHO, a cross between McCoy Tyner and Omar Sosa intense solo, followed by drums and congas trading fours before returning back to the melody. A most improbable tune I didn’t see coming was, Giant Steps by John Coltrane, into massive bullet-trains of ideas moving through those Coltrane “changes” on saxophone by Pablo Cologero, Don’s right hand man in arrangements and directions for the band musically. 

Another great tune the band tackled was a doozy by George Coleman, Amsterdam After Dark. 

This ditty works its way around a great bassline and simple melody, but the Clave took over and had the electric audience up and on their feet. They were warned in the beginning that a stampede or house on Fire might come over the evening’s activity.  This band has started to raise a lot of eyebrows in So. Cal region and is open to going on the road to showcase this great group of musicians. The Bandleader , Don Littleton , a jazz veteran on percussion and traps. He was mentored by Billy Higgins, played with George Coleman, Hank Crawford and a who’s who in music, jazz in particular. 

Don dropped his latest group recording last year, Don Littleton and Elephants Nda Park ( see CD baby or your favorite download database under Don Littleton & Elephants Nda Park)     https://youtu.be/e5tfvno-29k 

Jazz lovers in Temecula  California , have been enjoying great straight ahead jazz at the Merc for the last 12 + years, hosted and curated by Ms. Sherry Williams, Vocalist/jazz presenter.  Everybody  loves to see her smiling face in the house, because you know it’s going to be great.

Sherry and her winning personality and smile, as she goes about the business of curating some of the best musicians jazz has to offer locally. The Merc has Jazz every Thursday evening @7:30pm ..for the rest of 2021. KEY concerts: Sept. 16th. Benn Clatworthy quartet.. Sept 23rd. “SOLD OUT” Al Williams for more info go to The Merc’s Website http://www.temeculatheater.org 866-653-8696

THE SOUL OF LOS ANGELES:LOCAL JAZZ ARTISTS MAKING MOVES AGAIN


Kamaad Tauhid  @blues2jazz2003  #PocketJazz

Rita Edmonds vocalist and saxophonist Dale Fielder

 

Bobby Bradford on Coronet

Bobby West

 

Robert Johnson Blues master on his way to the Crossroads ART BY Sam Pace

Mz. Santamaria strings of Fire!

POCKET JAZZ: GRASSROOTS ARTS PROJECT DEBUTS AUGUST 2019

Pocket Jazz is a coined phrase created by Carmack that melds theater,improvisational music and poetry into a big ball of creativity for open minded audiences. If you dig Kamasi Washington or Horace Tapscott or Amiri Baraka, Last poets, Watts Prophets and Sun Ra.. brought to you in an affordable, safe and warm community environments. In the tradition of the Black Arts Movement early beginning of Los Angeles Community Jazz organizations paired with the painters, sculptors and actors creating on demand Art.. Subscribe and follow us on http://www.hipstersanctuary.com  FREE!! FREE!! FREE!!


Producer Robert J. Carmack looks to bring his brand of Jazz,Poetry and Dramatic performances to the L.A. Jazz community.

Pocket Jazz is a coined phrase created by Carmack that melds theater,improvisational music and poetry into a big ball of creativity for open-minded audiences. If you dig Kamasi Washington or Horace Tapscott or Amiri Baraka, Last poets, Watts Prophets and Sun Ra.. brought to you in an affordable, safe and warm community environments. In the tradition of the Black Arts Movement early beginning of Los Angeles Community Jazz organizations paired with the painters, sculptors and actors creating on demand Art.. Subscribe and follow us on http://www.hipstersanctuary.com  FREE!! FREE!! FREE!!

posted by Kamaad Tauhid @blues2jazzguy                                              Blue Note Tribute Logo

Coming in August celebrating the 80th anniversary of the grand Jazz label 

JAZZ FOR R&B LOVERS: MUSIC FOR AFTER THE AFTER PARTY


posted by Robert J. Carmack   #@blues2jazzguy  #Precious:For Lovers & Dancers

I can hardly remember but, over the last 5 -10 years we’re  missing a lot of male jazz vocalists input. Rudi Mwongozi is constantly moving up the chain of new faces and voices on the scene.. Rudi, now based in New York from Oakland, California. I’m coming at this for a second bite. After living with this latest CD of pianist/vocalist Rudi Mwongozi, I can fully appreciate what he’s doing musically.

In my opinion, of the twelve cuts on this project, I like them all. Part of this recording has some very popular songs by elite artists Like, Eric Clapton, the gold record  Free by Denise Williams/S. Greene. He really gives this song a jolt of Mwongozi(ness). the arrangement opens with a similar intro, followed by a very classy bridge and vamp. Then he breaks out in a Afro-latin rhythmic vamp which sets up an extended solo in piano wizardry and percussive rhythms.  Another favorite is his strong harmonic approach to a syncopated piece called, Whole Steps to the House of Light, filled with musical trap doors and breaks,that swings and jumps like the pioneers use to do. I got a big kick out of the eclectic cut, the James Moody Story . a Be-Bop swinger. harkens me back to the James Moody and Eddie Jefferson style of vocalese and scat singing by Rudi and Friends.  Rudi takes on a brave arrangement of a Luther Vandross composition and handles it with delicacy and panache. He’s rolling 7s on this tune. He chose not to do what many so-called smooth jazz artist do in regurgitation of the original song,by performing it  note for note instrumentally. I was amazed at his treatment of vocalizing with his very fine jazz piano chops added, he really soars on this song like no other male Jazz artist out there.

Knowing Rudi from my days living in Oakland, California and producing jazz shows with unique themes of legendary artists works. we performed on a show paying homage to the great saxophonist, Jackie McLean compositions. A wide plethora of unique compositions in various meters and styles which paid respect to Jackie’s legacy. Be sure to cash in on a Rudi’s original Precious:When the Morning Comes and Bad Habits.

I had to push you closer to this prized project, The Music for After the After Party. what a concept, so early in the morning and then again, very late too. so the perfect menu of music for that romantic part of the morning where you listen to some swing, followed by some slow romantic tunes to Hug your “sweetie” to. Follow Rudi MWONGOZI on Facebook: https://www.facebook.com/rudi.mwongozi or, right here at, http://www.hipstersanctuary.com

The CAL TJADER LEGACY CONTINUES!! SOUL SAUCE at ROSCOE’S JAZZ LOUNGE


SANDRA BOOKER TORCHES L.A. SUPPER CLUB, THE GARDENIA ROOM


JAZZ GUITARIST RON JACKSON DEBUTS IN LOS ANGELES: UPSTAIRS at VITELLOS SUPPER CLUB


The HIPSTER CELEBRATES TWENTY YEARS JAN 22nd 7:PM @Upstairs at Vitellos Supper Club –Studio City Calif. – Must purchase ticket online to attend event

All are welcome to come out and Toast in the New Year and support Live Jazz. GET YOUR TICKETS TODAY.. Win a FREE Advance Signed Copy of Standards & Other Songs” by Ron Jackson  releasing in March,2019

It was announced recently at post-concert event, Hipster Sanctuary .com is celebrating its 20th year as a brand and media organization. “We started as a newsletter for The Atlanta International Jazz Society, a group dedicated to promoting the legacy of the American original art form, JAZZ. With our mission intact, we are still promoting traditional and classic jazz, not as a Jazz society now, but as an E-Zine and blog” said Robert J. Carmack, co-founding member.” As a labor of love project, we have purged ahead to 2019, as our first newsletter was published in January 1999. As a way to commemorate that honor with our friends and great fan followers of the publication, Hipster Sanctuary.Com, We’ve partnered up with one of our jazz groups we strongly support, Ron Jackson/Teodross Avery Soul Jazz project for a JAZZ MEET-UP at the eclectic Upstairs at VITELLO’s Supper Club in Studio City, California. Tuesday, Jan 22nd 2019 7:pm

http://www.vitellosrestaurant.com/supperclub

Members of the Hipster Collector’s Corner jazz group will gather at the club early for a toast to the new year and our 20 years advocating for the legacy. jazz legends cited and honored by this group over the 20 years are Joe Henderson, Shirley Horn, Dee Dee Bridgewater, Oscar Peterson, Billy Higgins, Jackie McLean, Taj Mahal, Herbie Hancock, Freddie Hubbard, Sonny Fortune, Vanessa Rubin, Freddie Cole, Hilton Ruiz and others. they all received a Congressional Lifetime Achievement Award sanctioned by Congress and signed by Congresswoman Barbara Lee.

Hipster Sanctuary.com sister page on Facebook, HIPSTER COLLECTOR’S CORNER. We can’t wait to blow the audience away with “throwback electricity” with New York based Jazz guitarist, Ron Jackson (www.ronjacksonmusic.com) making his L.A. debut with his good friend and L.A. based Jazz saxophonist, Teodross Avery. Also, long time jazz veteran drummer, Cecil Brooks III out of Jersey City. Brian Ho Hammond Organ. Some special surprises in store for the evening.

The group’s sound is a B3 Organ- Guitar-Sax sound that made Blue Note Records popular during the 1960s, conjuring up the memory of Jimmy Smith, Stanley Turrentine, Kenny Burrell or a Grant Green feel.

Hipster Sanctuary.com wants to save you $10 on admission by purchasing your tickets through the restaurant’s Eventbrite.com web link. easy and safe online tickets@$20. “Select your own table”

click link HERE!! https://www.eventbrite.com/e/ron-jackson-with-special-guest-teodross-avery-tickets-52736162281

When you buy your advanced ticket it qualifies you for drawing for a signed free Advanced Jazz CD giveaway at Concert that evening. Get your ticket today! $30 per ticket for day of event. (minimum purchase per person, drink or food items) Ron JACKSON New CD Releases March 2019.

“Standards & Other Songs”- Ron Jackson with Nathan Brown and Darrell Green

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