HIPSTER SANCTUARY NEW JAZZ EDITOR EDDIE CARTER & JAZZTRACKS SERIES


eddie Carter Jazz archivist 2018

Our Newest Contributing Jazz Editor Mr. Eddie Carter of Atlanta..FOLLOW the JAZZTRACKS

Words from Publisher/Founder Robert J. Carmack

“welcome aboard Eddie its good to have your wise advice and keen knowledge when it comes to jazz.” R.J. Carmack

 

Jazztracks Logo by eddie Carter

Eddie Carter – Southern Region – Jazz Editor ~ Eddie’s love for jazz began at the age of eight years old and learned all he could about the bands, groups, musicians and vocalists who created the music.  He began writing reviews of CD’s and LP’s in 1991 for The Atlanta Audio Society and covered concerts including The Tri-C Jazz Fest, The Cincinnati Music Festival and The Atlanta Jazz Festival for WCLK’s On the Air Magazine and Strictly Jazz Magazine.  He currently writes jazz reviews for The Atlanta Audio Club web page and three Facebook pages.

The Jazz Crusaders – Lighthouse ‘68

By Eddie Carter  

My choice from the library to talk about this time is by four friends from Houston, Texas who began performing locally in 1956.  They were originally known as The Swingsters and The Nite Hawks, but moved to Los Angeles in 1961, changed their name and became one of the best West Coast ensembles of the sixties, The Jazz Crusaders.  I first discovered their music in 1962, the year I became a jazz fan thanks to one of my heroes on the airwaves, Chuck Lansing of WCUY 92.3 FM.  He began his nightly show with The Young Rabbits, the last track on their second LP, Lookin’ Ahead (PJ-43/ST-43), also released that year.  The song became a huge hit for the group and I loved the sound of the trombone-tenor sax front line.  The quartet consists of Wayne Henderson on trombone; Wilton Felder on tenor sax; Joe Sample on piano; Stix Hooper on drums with Jimmy Bond, Victor Gaskin, and Herbie Lewis filling the bass chair on their records during the decade.  Lighthouse ’68 (ST-10131) documents the group performing live at one of the premiere West Coast clubs, The Lighthouse Café, in business since 1949 and now a multi-genre venue which features jazz twice weekly.  The bassist joining the quartet on this date is Buster Williams and my copy used in this report is the original 1968 US Stereo release.

The set opens with Oogo-Boo-Ga-Loo, an infectiously danceable audience grabber by Stix Hooper which begins with a lovely introduction by the trio, then blossoms into a sanctified styled theme treatment.  Wilton goes to work first with a soulfully flavored, funky performance that calls to mind the sound of tenor man Willis Jackson and will have you tapping your toes and wanting to get up and dance.  Joe takes over for a brief performance of irresistibly appealing phrases on the closer, leading to the theme’s reprise and audience’s appreciative applause.  Eleanor Rigby by John Lennon and Paul McCartney is one of The Beatles most famous and recorded compositions.  The quintet’s rendition does the song proud with a mid-tempo version which begins with them exploring the melody collectively.  Sample is the song’s only soloist and he gives an extended performance of dazzling melodic lines which are consistently creative and exquisitely presented.

The tempo moves up for Native Dancer, the first of two contributions by Buster Williams which gets off to a roaring start with a nimble melody presentation.  The aggressive opening statement by Joe moves swiftly through each verse like a musical twister, then comes Wayne who makes his first solo appearance next with a jubilant spirit during his performance which is remarkable.  Wilton steps into the spotlight next for a swinging reading of limitless energy.  Buster takes over for the finale with a delightful interpretation that is a model of spontaneous construction, showing off his agility as an improviser and extraordinary inspiration as a composer effectively.  Sample’s Never Had It So Good starts the second side with an easy spirited beat that leads us back to church with a bit of boogaloo in the imaginative display of harmony during the group’s opening melody.  The solo order is Felder, Henderson and Sample, and each man preaches their part of this sermon weaving a series of rhythmic ideas which swing comfortably to the delight of their extended congregation, the Lighthouse audience.

The Emperor, also by Williams takes us back to straightforward bop with the solos in the same order as the previous tune.  Wilton starts the soloing with a passionately personal opening statement with each phrase beautifully articulated as he weaves gracefully in unison with the stunning foundation provided by Joe, Buster and Stix.  Wayne sustains the relaxing beat with an attractive reading possessing a great amount of warmth and excitement.  Joe makes a succinct statement with a full-bodied interpretation of finesse which is skillfully performed.  Buster eases into the final interpretation with a performance as mild as a smooth sherry and a sound that goes straight to the heart.  The album ends with John Coltrane’s Impressions, taken at breakneck speed with an invigorating introduction by the trio and theme statement led by the horns.  Henderson takes off first with a jet-propelled interpretation followed by Felder who infuses the second solo with searing fire for an energetic workout.  Sample comes next with an exhilarating performance of fierce intensity and Stix exchanges a few clever comments with both horns prior to the effervescent ending.

Three years after this album was recorded the quintet would shorten its name to The Crusaders, moving towards Jazz-Fusion, Jazz-Funk and Smooth Jazz.  Their biggest hit would come four years after Henderson left the group to become a record producer in 1979 with Street Life (MCA Records MCA 3094) featuring Soul vocalist Randy Crawford.  The remaining members would stay together until 1983 when Hooper left to pursue a solo career.  In 1991, the surviving members Sample and Felder released what would be their final album as The Crusaders, Healing The Wounds (MCA Records 09638 – GRP 9638).  In 1995, Wayne Henderson revived The Jazz Crusaders name for a CD-album, Happy Again (Sin-Drome Records SD 8909).  Henderson who suffered from diabetes, passed away from heart failure on April 5, 2014 at age seventy-four.  Joe Sample passed away five months later on September 12, 2014 from Mesothelioma and Wilton Felder passed away one year later on September 27, 2015 from Multiple myeloma, both were seventy-five years old.  Stix Hooper and flutist Hubert Laws who (I didn’t know was a founding member) left the group in 1960 to attend The Juilliard School of Music are the only surviving members of the original group.

Dino Lappas, the engineer on Lighthouse ’68 has also worked on their second live album, Live at The Lighthouse ’66 (PJ-10098/ST-20098); their fourth and final live album, Lighthouse ’69 (World Pacific Jazz – Pacific Jazz ST-20165); The Three Sounds Live at The Lighthouse (BLP 4265/BST 84265) a year earlier in 1967 and also in 1972 on Elvin Jones Live at The Lighthouse (BN-LA015-G) and Grant Green Live at The Lighthouse (BN-LA037-G2) on Blue Note.  The sound quality is splendid throughout with plenty of clarity across the frequency band of treble, midrange and bass.  This is particularly noticeable with a good set of headphones; the benefit is the richness and detail of each instrument and specifically Buster Williams’ bass which is outstanding.  If you only know of this talented group of musicians from their records as The Crusaders, I invite you to audition Lighthouse ’68 during your next vinyl hunt for a spot in your jazz library.  The album will transport you back in time to that intimate Hermosa Beach venue, The Lighthouse Café to hear The Jazz Crusaders at the top of their game playing some of the best Hard-Bop and Post-Bop you’ll hear!  The last vinyl pressing of Lighthouse ’68 (APBL-2312) was issued by Applause Records in 1982 and is out of print.  The CD-album released in 2004 by Pacific Jazz Records adds four additional tracks to the LP track listing, Cathy The Cooker by Wayne Henderson; Shadows by Buster Williams, Tough Talk by Stix Hooper, Joe Sample and Wayne Henderson, and Third Principle by Wilton Felder, and is to my knowledge out of print as well!

Cathy The Cooker, Happy Again, Healing The Wounds, Elvin Jones at The Lighthouse, Grant Green at The Lighthouse, Dino Lappas, Live at The Lighthouse ’66, Lighthouse ’69, Shadows, Street Life, Third Principle, Tough Talk – Source: Discogs.com

Jimmy Bond, Randy Crawford, Wilton Felder, Victor Gaskin, Wayne Henderson, Stix Hooper, Hubert Laws, Herbie Lewis, The Julliard School of Music, Joe Sample

© 2018 by Edward Thomas Carter

 

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LIGHTHOUSE 68″ ~ JAZZ CRUSADERS LIVE ! CELEBRATING 50 YEARS…STILL FUNKY FRESH


posted by Robert J. Carmack

The Lighthouse Café is a nightclub located at 30 Pier Avenue in Hermosa Beach, California. It has been active as a jazz showcase since 1949 and, under the name “The Lighthouse”, was one of the central West Coast jazz clubs from the 1950s through the late 1970s. Purely talking Jazz years, It has been a long time, since I personally use to frequent these digs as a very young budding saxophonist growing up in the early 1960s Los Angeles. Listening to two jazz stalwarts on the radio at the time in KBCA FM 105.1 & the KNOB “JAZZ KNOB” out of Long Beach. hipster Jocks ruled the radio waves back then LA. Tommy Bee, Jammin’ Jai Rich, Rick Holmes, Chuck Niles, Les Carter, Tollie Strode with “Slow traffic to the right” , “while travelin’ in my Electro-Magnetic Bag.”

AllMusic rated the album with 4 stars noting: “Feel is what dictates the material and its execution on this set, without unnecessary attention paid to crowd or recording apparatus. This is one the most intimate jazz shows captured on tape during the 1960s. It gives record buyers the sound of a band in full possession of their considerable capabilities, celebrating them in a relaxed environment, playing their own brand of grooved-out ’60s jazz”.  I actually had the opportunity to catch this very lively and “Funky as it wanted to be band” ,to borrow a catch-phrase from the era describing the feel and sound of the times. Borrowing heavily from the fresh pop culture and songs the crusaders were able to marry the hard bop edginess and the approachable groove-based chart-topping style. Jazz Crusaders were starting to dominate the west coast appeal and the young fans like myself. I was all of 17 in the fall of 1967, when this was recorded, but released in early 1968.

The best part about growing up in the early 60s and loving live jazz , You could actually go see who was playing the music you heard on radio. Because of the policy for “under -21” fans who obeyed the rules and “maintained their cool” under the fire of the electrifying bands that appeared at the beach venue.. IMHO, You might as well considered the Crusaders the House band, they appeared hundreds of times over the years, but recorded almost all of their most classic of all records with that great Lighthouse crowd over the microphones too. All of which gave it that “Flavor” like a great Gumbo meal. I would be here all day trying review all the great music from the pen or horns of Jazz crusaders, starting in 1962 , one could catch the very best in music, bar none, and be on the “hippest scene” while doing it at the Lighthouse.

I invite you to pick up a copy of this great album or whatever choice of media format is today vinyl, CD or downloads. GET IT!!

Join me ,along with some very special musicians in Los Angeles June 22 Friday night at 9pm as we turn back the clock 50 years and perform the best of the jazz crusaders: the early years up to late 70s. I have culled simply the best compositions and recordings for the featured band Crusader Legacy 5 Plus.. hand-picked stellar musicians for this event at the World Stage Performance Gallery  4321 Degnan Blvd. L.A. California 90008 – $25

Go online at http://www.eventbrite.com under title of Street Life: The Magic and Music of the Jazz Crusaders  ….

Track listing

  1. “Ooga-Boo-Ga-Loo” (Stix Hooper) – 6:39
  2. Eleanor Rigby” (John Lennon, Paul McCartney) – 7:32
  3. “Native Dancer” (Buster Williams) – 8:52
  4. “Never Had It So Good” (Joe Sample) – 7:15
  5. “The Emperor” (Williams) – 8:50
  6. Impressions” (John Coltrane) – 6:12
  7. “Cathy the Cooker” (Wayne Henderson) – 6:22 Bonus track on CD reissue
  8. “Shadows” (Williams) – 4:03 Bonus track on CD reissue
  9. “Tough Talk” (Henderson, Hooper, Sample) – 8:01 Bonus track on CD reissue
  10. “Third Principle” (Wilton Felder) – 8:45 Bonus track on CD reissue

Personnel

STREET LIFE: MAGIC & MUSIC THE JAZZ CRUSADERS~TICKETS ON SALE NOW !


Hipster Sanctuary.Com

“Celebrating 20 years of Jazz Advocacy Through Whatever Medium Necessary”

Presents

STREET LIFE: MAGIC & MUSIC OF JAZZ CRUSADERS

 

Musical and Poetic Tribute

JUNE 22 9PM World Stage Performance Gallery

4321 Degnan Blvd. Los Angeles, California 90008

Exclusive Online tickets only at www.eventbrite.com $25

Featuring

CRUSADER LEGACY 5 Plus Band

Teodross Avery tenor sax, Alvin Starks trombone, Mike Alvidrez~bass

Theo Saunders~ piano, Don Littleton ~ drums

Plus poet/spoken word ~ Robert J. Carmack

Produced by Robert J. Carmack & select Crusaders transcriptions by http://www.JamesArmstrongMusic.com

Come Out and Help us pay homage to the dynamic and game-changing group

Media: @blues2jazzguy ~ blues2jazz2003@yahoo.com ~951-840-7120  

Producer Robert J. Carmack has created a show paying homage to music’s most celebrated jazz group over the last 5 decades. Carmack hand-picked Los Angeles “best of the best” local jazz musicians , all of whom are stellar musicians in their own right. Plus, Carmack will be adding his poems dedicated to the group, along with a special poem dedicated to the Saxman , Wilton FelderCrusader Legacy 5 Plus are Teodross Avery tenor saxophone, Alvin Starks trombone, Don Littleton drums, Theo Saunders piano/keyboards, Mike Alvidrez bass/elect. bass and Robert J. Carmack spoken word/poet and a special surprise guest. The evening will be filled with the essential Jazz Crusaders compositions that made them into the iconic and award-winning group they were. one survivor left of band, Nesbert “Stix” Hooper.

ROBERT J. CARMACK PERFORMS WITH ELEPHANTS: IN LEIMERT PARK SAT. MAY 26 9PM


WORLD STAGE PERFORMANCE GALLERY  Presents

ELEPHANTS Nda PARK BAND

Don Littleton Drums, Michael Alvidrez Bass, Pablo Calogero Saxes, Flutes and Bass Clarinet

Special Guest Poet

Robert J. Carmack – Spoken Word

SATURDAY  MAY 26 9:PM   $20 Door / http://www.eventbrite.com

WORLD STAGE PERFORMANCE GALLERY  4321 DEGNAN BLVD. LA CALIF. 90008

Contact: #@blues2jazzguy or elephantsndapark@mail.com

JAZZ AND PACHYDERMS ?? ELEPHANTS Nda PARK CUTTING EDGE MUSIC _n_ POETRY IN LOS ANGELES


 

 

 

 

 

 

WORLD STAGE PERFORMANCE GALLERY 

4321 Degnan Blvd. L.A. California 90008

SATURDAY MAY 26 2018 9:PM $20 at Door / Tickets also on, http://www.eventbrite.com

WHO are these Musicians and poet that’s stirring up the pot inside the L.A. jazz underground?

Brilliant artists in their own right as band leaders,side-men, producers and actor/writer.. these are the ingredients that make up the performance group,

Elephants Nda’ Park ..L.A. based artists that explore all the areas of the musical spectrum that pushes beyond jazz, or even beyond standards and “roses are red” branded poetry.

They seek to discover and peel back the skin of the genre and expose the meaty-fruits inspired by “improvisational excavation”. It is through this meticulous search for new soil, as once presented by such icons as Jackie McLean, Sun Ra, early Pharoah Sanders,  John Coltrane,Yusef Lateef, Rahsaan Roland Kirk and others. the X-factor thats injected into the mix is writer/producer,poet, Robert J. Carmack, whose background presents a smorgasbord of the arts including Jazz saxophone, poetry, drama and promotions/publicity. Carmack’s poetry calls up the spirits of the ancesters and the “pioneers who came before”. inspired and influenced by legendary poets such as Amiri Baraka,  Haki R. Madhubuti (Don L. Lee) , Last Poets, Watts Prophets,Jayne Cortez, Sonia Sanchez and, Sun RA.

photo by Robert J. Carmack

Don Littleton  Drummer – has spent nearly 50 years studying and performing music all over the country and in Los Angeles, playing with iconic figures such as, George Coleman, Hank Crawford, Charles Owens, Curtis Taylor, Saxophonist Justo Almario and bassist/poet John B. Williams.  An accomplished, much sought after percussionist, Don Littleton has mastered an enticing array of percussion instruments. Don regularly performs all over metro-Los Angeles.

 

Pablo Calagero – multi-instrumentalist. specializing on flutes,saxophones and bass clarinet

photo by Robert J. Carmack

Multi-instrumentalist, composer,New Yorker has played and recorded with a virtual list of who’s Who. including Mario Bauza,Tito Puente, Bebo Valdez,Carla Bley, Jaki Byard, Chico Ofarrill, James Newton, Dizzy Gillespie, Adam Roudolph, Bennie Maupin,Phil Ranelin,Dave Binny, Adam Rogers,Dennis Mackrel, Yusef Lateef,Jerry Gonzales, Andy Gonzales, Papo Vasquez, Patato Valdez, Jazz at Lincoln Center Afro Latin Orchestra, Oscar Hernandez,David Murray, Count Basie Orchestra, Anthony Braxton,John Linberg, Rashid Ali, Bobby Matos,Kenny Burrell,absorbing a broad range of musical styles and methods.

 

Michael Alvidrez-Bass

Michael Alvidrez, a “young veteran” of the “bass wars” bounces between acoustic and electric with the same impact. Michael is a very astute musician, looking to make his mark and create his own path in this genre. Along with bringing his A-game each and every time he steps onto the stage, “He’s a student of improvisation.” He’s a constant face on today’s L.A. Jazz scene. Not afraid to sail in unchartered waters inside the harbor of a “Free Music Sanctuary”.

 

Robert J. Carmack – poet, journalist, producer, musician and actor

 Robert J. Carmack , Began his musical journey in music long before he picked up an instrument. According to his late mother he could not go to sleep unless the music was playing on the radio, “Though she did not play she loved music and encouraged us all to study” stated Robert . He played saxophone professionally throughout his high school and college career, later switched majors to study theater as undergrad picking up BA in Theater Arts/Communications. Masters Fine Arts in Theater-directing and productions. He has worked in journalism, music for the theater and films , bob hope USO tours during Viet Nam era and produced several plays , 2018 wrote and starred in original play Interview with the High Priestess: Nina! a jazz musical about icon Nina Simone.  Also in Feb. 2018  He performed the eclectic poems of Sun Ra with jazz bass master, Juini Booth, Eclectic Nativity, Free Music band in Los Angeles. Summer 2017, performed with Azar Lawrence and Juini Booth’s McCoy Tyner Legacy band as spoken word guest poet,. Robert has produced stellar Jazz shows with the likes of Freddie Hubbard, Andy Bey, Sonny Fortune, Calvin Keys, Hilton Ruiz, Vanessa Rubin, Freddie Cole, Doug Carn and  worked as MC or journalist on international shows. Mr. Carmack is residing in Southern California these days, enjoying the direction of the Elephants Nda Park is going.

After all, Ivory is Not Art…Save the Elephants!”   posted by Kamaad Tauhid  #@blues2jazzguy

THE AMIN EL COLLECTIVE RETURNS TO A RE-TOOLED ROSCOE’S JAZZ & BLUES LOUNGE


General Information~(562) 432-5240 @ Roscoe’s Jazz & Blues Lounge

 

 

 

 

 

 

Amin El.

 

TEODROSS AVERY LIVE RECORDING SESSION: A NIGHT FOR JOHN COLTRANE


posted by Robert J. Carmack  #@blues2jazzguy

East Coast/West Coast Jazz Noir is how I describe veteran saxophonist Teodross Avery. After a brief time off the scene to complete his doctorate in music from University of Southern California, Teodross or “T” (friends call him) is turning over new soil and breaking out like a “Panther from Wakanda.”

Teodross Avery is a saxophonist of the highest level and now he’s  returned his focus to acoustic Jazz. For the past twenty years he assisted multi-platinum, award-winning, and critically acclaimed artists, as they made their mark on the domestic and international music scene. Now, it’s his turn.

Here, on his most recent album, Postmodern Trap Music, Avery enlists drum master Marvin “Bugalu” Smith (Archie Shepp, Sun Ra, Chet Baker) for an exploration in sax/drum duos.

While in the spirit of duo albums of the 1960’s and 70’s, John Coltrane’s Interstellar Space and Frank Lowe & Rashied Ali’s Duo ExchangeAvery adds his own stamp on the Deep Jazz format. He teeters on the edge of Modern Jazz and Free Jazz. The improvisations are in the moment and his compositions leave musical impressions that linger on long after the CD is over.

Always expanding his artistic and creative licenses. Adding film noir and deep jazz explorations, using what was left by Trane, Archie Shepp, Sun Ra and others to launch his own soul vessels of music and legacy.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

In a recent interview with the “good doctor” after a blitzing concert with Dwight Trible and Mark Clive-Lowe, I asked Teodross about my favorite Jazz musician and saxophonist, John Coltrane.

Robert: How do you feel about John W. Coltrane?

T: I love Trane and all he stood for.

Robert:Why John Coltrane?

T:John Coltrane’s music promotes peace, understanding and spirituality. His message of love is timeless.

Robert: Do you feel Trane would be relevant today even?

T: More so today than yesterday, because of these times we are living in, its needed even more. Once the listener hears Trane, they can share in the spirit of John Coltrane’s music and the Message. It’s one of my main motivations for my next CD project, a Live recording session in Oakland, California.

Robert: what’s it about and where, you know, the 411,Lol!

T: Well , its A Night for John Coltrane, Saturday March 31 , at the Sound Room in Oakland, California. 2147 Broadway Doors open at 7pm and the sets are 8:pm and 9:30pm $15 at door. tickets can be purchased on line through http://www.brownpapertickets.com/profile/20370.

Robert:Wow, that sounds like a fun Project , what’s the set-up and personnel?

T: Darrell Green-Drums, Jeff Chambers-Bass, Adam Shulman-piano and myself saxophones.

Adam Schulman-Piano

Darrell Green-Drums

 

Jeff Chambers

Teodross Avery-Saxes

 

 

 

T: my record label: http://www.thompkinssquarerecords.com and follow me on web: www.teodrossavery.com, twitter:@teaodrossavery

Robert: Thanks “T”, I will be looking for a launch date for the Release party. All that can be followed right here on Hipster Sanctuary.Com…Celebrating the legacy since 1998. Our 20th Year.