Appearing at Barbara Morrison Performing Arts Center, a select cadre of LA based musicians ,formed a super Trio of veteran bassist, James Leary, Don Littleton Drummer & leader, Robert “Bobby” Pierce piano”
Meet all the Cats and Kits at 7:30PM to celebrate Charlie Parker’s 99th birthday. early Thursday evening of jazz fun and friendly head-cutting jam session immediately following the scripted portion of the evening’s festivities. Producer Robert J. Carmack first thought about celebrating “Bird’s” birthday in 2015 in front of the Leimert Park World Stage, he, and a band of 7 seven saxophonists all got together for Now’s the Time, Parker’s Mood and a bursting jolt of Crazy runs & phrasing some of the Best, including Thursday featured soloist, Randall Willis, and special invited saxophonist Dale Fielder..Now just 4 years later we have put together a rollicking show of some of Bird’s greatest recorded songs. Look for an added bolster sound in Tenor man Charles Owens, Ricky Woodard and young Chris Christopher Astoquillca on alto, the youngest saxophonist under 30, maybe 25.. It all spells FUN for everybody in attendance.See You There Thursday!(photo 2015 – Chuck Koton. Jazz archivist)
The Charles Owens Quintet Live at The “MERC! “~ Temecula California.
In a recent concert in Temecula, California at the famous “Merc” performance venue, veteran Jazz artist and saxophonist, Charles Owens appeared with his Quintet.
Owens, a Los Angeles based musician performed two very stellar sets for a jazz hungry audience. Being familiar with that music space, I was able to get there early before the first set to grab a quick chat with the quite humble saxophonist. He shared with me many anecdotes and road stories along with who played a major role in influencing his play,style and approach. “As far as influences, Charlie Yardbird Parker and Wardell Gray for sax. The Modern Jazz Quartet and Art Blakey Jazz messengers in how I approach the music as a player or bandleader.” said a relaxed Owens. “But, I enjoy leading my own bands,however, I really loved my experiences playing with two iconic big bands. Duke Ellington’s Orchestra under the direction of his son, Mercer Ellington and the great Count Basie band.”
This particular evening’s affair was very special to him as he’s performing with some old friends and solid jazz musicians. On the bandstand with Charlie were bassist, Henry Franklin,friends for over 40 years, Pianist Theo Saunders,whom he met in L.A. in 1977, veteran drummer Don Littleton, over 30 year relationship and his old bandmate from the Basie band, trumpeter Scotty Barnhardt, current Director of the Count Basie Orchestra.
The SRO crowd were treated to a plethora of popular compositions, all performed with Charles Owens unique touch. First set opened with a Owens original entitled Wild Fire , a fiery piece with a great melodic line and solid enriched harmonies. Charlie and Scotty took some blistering solos, especially Barnhardt who weaved webs of delightful, above the line flurries of notes on his custom built trumpet. That was followed up by a lovely version of the perennial fave, Embraceable You. Barnhardt offered great artistry and sublime technique on this classic ballad. The Quintet quickly moved on the moment by playing a Sonny Rollins tune, Airegin (Nigeria spelled backwards) In my opinion, Scotty conjured up memories of icon, Woody Shaw as he peppered a white-hot solo. That song’s conclusion morphed into Ellington’s Take the A-Train! which ended the first set.
Highlights of the second set included equally great compositions by legends like Freddie Hubbard, Billy Strayhorn,Dizzy Gillespie with a surprise finale of the rarely heard cut, Don’t Get Around Much Anymore. This was quite the treat for me and the audience as Barnhardt reached into his magic bag of techniques and growled at the audience with his “Plunger” mute and choked notes..
Charlie Owens reputation as one of the most gifted and versatile musician in Los Angeles since 1972. Part of the attention had to do with his craftsmanship with drummer Buddy Rich Big Band and latin great, Mongo Santamaria. In addition he added stints with English Blues King , John Mayall . Owens told me he was whisked-away from Mayall by music iconoclast, Frank Zappa. Whether he’s asked to appear in a Oscar-winning film LA LA Land or staying fresh and current by working with young musicians on various bandstands, or teaching a weekly class at UCLA’s Herb Alpert School of Music. “During the break of the second set, he told me the reason he chose Frank Zappa. “I found Frank’s music more challenging than Mayall’s,.. I could have easily made more dough, but the challenge was calling me, as Zappa’s music was unique and quite eclectic.
Charles Owens was born in Phoenix, Arizona, grew up in San Diego California. One of his closest friends growing up was ,the late saxophonist Arthur Blythe or AKA, Black Arthur.”
Throughout the course of the evening’s performances I witnessed what most people always conclude, this is a very passionate player and humble almost to a fault. at one point in the second set, Owens and Barnhardt engaged in old-fashioned BeBop playing, to a song by Dizzy entitled the same, BeBop. the tune showcases long arpeggios and multi-note phrasing on top of mercurial-chord changes, played at break-neck speed by the entire band. At times, the rhythm unit of Franklin, Littleton and Saunders were like a giant bellows machine, stoking the coals to unheard of Fahrenheit-levels to the soloists.
Today’s young players can learn a lot from Uncle Charlie Owens. Even saxophone sensation, Kamasi Washington took a class or two at UCLA with Charles while eventually tweaking his already big sound and approach on his horn. Whether you experience Charles Owens in a Big Band setting or a small combo, one thing for sure is, You will never forget that moment in time.
Producer Robert J. Carmack has created a show paying homage to music’s most celebrated jazz group over the last 5 decades. Carmack hand-picked Los Angeles “best of the best” local jazz musicians , all of whom are stellar musicians in their own right. Plus, Carmack will be adding his poems dedicated to the group, along with a special poem dedicated to the Saxman , Wilton Felder. Crusader Legacy 5 Plus are Teodross Avery tenor saxophone, Alvin Starks trombone, Don Littleton drums, Theo Saunders piano/keyboards, Mike Alvidrez bass/elect. bass and Robert J. Carmack spoken word/poet and a special surprise guest. The evening will be filled with the essential Jazz Crusaders compositions that made them into the iconic and award-winning group they were. one survivor left of band, Nesbert “Stix” Hooper.
WHO are these Musicians and poet that’s stirring up the pot inside the L.A. jazz underground?
Brilliant artists in their own right as band leaders,side-men, producers and actor/writer.. these are the ingredients that make up the performance group,
Elephants Nda’ Park ..L.A. based artists that explore all the areas of the musical spectrum that pushes beyond jazz, or even beyond standards and “roses are red” branded poetry.
They seek to discover and peel back the skin of the genre and expose the meaty-fruits inspired by “improvisational excavation”. It is through this meticulous search for new soil, as once presented by such icons as Jackie McLean, Sun Ra, early Pharoah Sanders, John Coltrane,Yusef Lateef, Rahsaan Roland Kirk and others. the X-factor thats injected into the mix is writer/producer,poet, Robert J. Carmack, whose background presents a smorgasbord of the arts including Jazz saxophone, poetry, drama and promotions/publicity. Carmack’s poetry calls up the spirits of the ancesters and the “pioneers who came before”. inspired and influenced by legendary poets such as Amiri Baraka, Haki R. Madhubuti (Don L. Lee) , Last Poets, Watts Prophets,Jayne Cortez, Sonia Sanchez and, Sun RA.
Don Littleton Drummer – has spent nearly 50 years studying and performing music all over the country and in Los Angeles, playing with iconic figures such as, George Coleman, Hank Crawford, Charles Owens, Curtis Taylor, Saxophonist Justo Almario and bassist/poet John B. Williams. An accomplished, much sought after percussionist, Don Littleton has mastered an enticing array of percussion instruments. Don regularly performs all over metro-Los Angeles.
Pablo Calagero – multi-instrumentalist. specializing on flutes,saxophones and bass clarinet
Multi-instrumentalist, composer,New Yorker has played and recorded with a virtual list of who’s Who. including Mario Bauza,Tito Puente, Bebo Valdez,Carla Bley, Jaki Byard, Chico Ofarrill, James Newton, Dizzy Gillespie, Adam Roudolph, Bennie Maupin,Phil Ranelin,Dave Binny, Adam Rogers,Dennis Mackrel, Yusef Lateef,Jerry Gonzales, Andy Gonzales, Papo Vasquez, Patato Valdez, Jazz at Lincoln Center Afro Latin Orchestra, Oscar Hernandez,David Murray, Count Basie Orchestra, Anthony Braxton,John Linberg, Rashid Ali, Bobby Matos,Kenny Burrell,absorbing a broad range of musical styles and methods.
Michael Alvidrez, a “young veteran” of the “bass wars” bounces between acoustic and electric with the same impact. Michael is a very astute musician, looking to make his mark and create his own path in this genre. Along with bringing his A-game each and every time he steps onto the stage, “He’s a student of improvisation.” He’s a constant face on today’s L.A. Jazz scene. Not afraid to sail in unchartered waters inside the harbor of a “Free Music Sanctuary”.
Robert J. Carmack – poet, journalist, producer, musician and actor
Robert J. Carmack , Began his musical journey in music long before he picked up an instrument. According to his late mother he could not go to sleep unless the music was playing on the radio, “Though she did not play she loved music and encouraged us all to study” stated Robert . He played saxophone professionally throughout his high school and college career, later switched majors to study theater as undergrad picking up BA in TheaterArts/Communications. Masters Fine Arts in Theater-directing and productions. He has worked in journalism, music for the theater and films , bob hope USO tours during Viet Nam era and produced several plays , 2018 wrote and starred in original play Interview with the High Priestess: Nina! a jazz musical about icon Nina Simone. Also in Feb. 2018 He performed the eclectic poems of Sun Ra with jazz bass master, Juini Booth, Eclectic Nativity, Free Music band in Los Angeles. Summer 2017, performed with Azar Lawrence and Juini Booth’s McCoy Tyner Legacy band as spoken word guest poet,. Robert has produced stellar Jazz shows with the likes of Freddie Hubbard, Andy Bey, Sonny Fortune, Calvin Keys, Hilton Ruiz, Vanessa Rubin, Freddie Cole, Doug Carn and worked as MC or journalist on international shows. Mr. Carmack is residing in Southern California these days, enjoying the direction of the Elephants Nda Park is going.
” After all, Ivory is Not Art…Save the Elephants!” posted by Kamaad Tauhid #@blues2jazzguy
Early Bird Special $20 begins April 16th until May 15th, $25 regular price -General Admissions seats only- first come first served. info contact :twitter @blues2jazzguy or email: firstname.lastname@example.org
posted by Robert J. Carmack #blues2jazzguy Los Angeles,Calif. The L.A. jazz community cried out in agony over the apparent suicidal death of local saxophonist Zane Musa on Monday,Feb 2. A welcomed fixture on the Southern California jazz scene for almost 20 years. Musa died in Fort Lauderdale, Florida at the age of 36. Details are still sketchy at present as close friends and peers try to wrap their head around the cloudy circumstances surrounding his demise. News of Musa’s passing came from trumpeter Arturo Sandoval, who’d used Zane often in recent years in his bands, including a popular annual jazz cruise that had docked in Fort Lauderdale on Sunday after a week in the Caribbean. Sandoval first tweeted on Monday morning that Musa had been in a “terrible accident” and asking for prayers for “my brother,” then tweeted again a few hours later to say that he had passed. Musa was reportedly taken from a parking structure near the Fort Lauderdale Airport to Broward Health Medical Center’s Intensive Care Unit, where he was pronounced dead on Monday night, according to a family spokesperson. Sandoval was overheard saying, “I have played with a lot of great musicians, but there are very few that really impress me — Zane Musa was one of those very few. I considered him to be a true master of his instrument on a level with some of the great jazz masters, and I always felt it was an honor just to be able to play with him. His control and his imagination on his instrument was second to none.” He was later a regular at Charlie O’s in Van Nuys, a club dedicated to the local mainstream/bop jazz scene that closed in 2011. Further details will be forthcoming if and when family members release it. In speaking to L.A. based Jazz drummer Don Littleton, He was quoted as saying ,” This Kid was one of the great ones early on and, I just had to embrace him. When you run across a young person of his skill-set and attitude, doing it the right way, Man, you just got to support them as much as possible.” “Zane Musa in an incredible virtuoso of the saxophone. His versatility amazed me every time we played. It is and honor and a privilege to play alongside him.” – Arturo Sandoval, (legendary trumpet player) Zane Musa had solidly established himself as one of the most innovative and studied musician of the Los Angeles, California jazz scene. His playing had been sought out and showcased by the likes of Arturo Sandoval, Roy Hargrove, Macy Gray, Christina Aguilera, and John Mayer. He also lent his talents to the house bands of several popular television shows including The Voice, Jimmy Kimmel Live, and The Carson Daily Show. He was playing regularly in the prominent clubs of Hollywood with several bands, including Jeff Goldblum and the Mildred Snitzer Orchestra, fronted by the well-known actor and accomplished pianist, Jeff Goldblum.