BARITONE SUNSETS:DALE FIELDER QUARTET


By Robert J. Carmack  – Hipster Sanctuary.Com 

There are sunsets, and there are “Southern California Sunsets”. But one thing for sure, there is nothing better than sitting at the LA County Art Museum at “SUNSET” listening to Jazz on Fridays.. even better listening to the Dale Fielder Quartet in Full, Regal Blowing session-mode. That was the case just recently at the weekly event, as the group celebrated its 27th. year as a band.. spawning over 20 CDs and special recordings.On this beautiful evening’s concert, we were served up great classic jazz tunes. Especially Dale’s favorite reedman, Mr. Wayne Shorter- “Dance Cadaverous”. Which is one of those titles Wayne used during the 1960s on Blue Note. Dale balanced the evening with jazz standards and obscure  tunes, for which he is known for.  He primarily plays originals by DFQ members and himself. 

This evening was like “old home week” as I bumped into many local and regional musicians out to check Dale. I’ve known Dale since 1992, when he was just starting a midnight Jam session at Fifth Street Dicks,  a popular Jazz hang & Coffee house in Leimert Park. I’ve written about Dale’s longtime association with some of the music world’s greatest musicians,including attending school and performing with the late great pianist, Geri Allen.  Filling out the band was long time pianist Ms. Jane Getz, The “Count” Bill Markus Bass , and the Glue and Pacemaker, “Mr. Taste” on Drums,Thomas White. In 2015, I had the opportunity to perform as a spoken word artist with the DFQ , on his 20th year celebration.. With over 20 CDs to his credit as bandleader and composer..What’s next for Dale Fielder??  

The cool and relaxed performer, in an even tone, gave me that look of “The Universe is wide open.” Electing not to get into details, because the project is still in its infancy stage of production and a pre marketing plan is being launched as we speak. Then Dale said, It will evolve around Live Jazz and International access via the internet..Lol. You will have to follow on http://www.hipstersanctuary.com for more details in coming days. 

More info on Dale Fielder.

Dale Fielder is an American jazz saxophonist, composer and band leader, multi-instrumentalist who, plays all four saxophones: soprano, alto, tenor and baritone with equal authority.Known for his original compositions and choice of performing rare, obscure jazz classics as well as his varied group concepts and variety of presentations. Fielder has recorded over 13 CDs as a leader for various labels since he first appeared on the national jazz scene in 1993 with his first CD Free Flow.

He grew up in Midland, Pennsylvania, a suburb of Pittsburgh where he studied oboe, bassoon and tuba in the school system and clarinet, saxophone, composition and arranging privately with noted Pittsburgh area tenor saxophonist Phillip Celli. Fielder is also a product of the University of Pittsburgh Jazz Studies Program, where he studied as an ethnomusicology major under Dr. Nathan Davis. Fielder’s debut jazz performance was as a member of the Joe Harris Quartet, former drummer of the Charlie Parker Quintet and Dizzy Gillespie Orchestra. After relocating to NYC, he was recipient of a National Endowment for the Arts grant in 1984, studying with trumpeter/composer Frank Gordon and completed his first large work, The Aquarian for alto saxophone and chamber orchestra. While in NYC, he also performed with a host of current jazz stars such as pianist/composer Geri Allen and trombonist Robin Eubanks among many others.

After eight years in NYC, Fielder moved to Los Angeles and studied with alto legend Charles McPherson and began the difficult and challenging path of a band leader. 

Establishing the Dale Fielder Quartet, the DFQ, with pianist Harold Land, Jr. in 1988. In 1996, he recorded a national top-ten CD, Dear Sir: Tribute To Wayne Shorter to widespread critical acclaim. In 1997, Fielder received his first commission and wrote the extended eleven-movement jazz suite, Ocean Of Love And Mercy, which was recorded in performance by an all-star Nonet and released by Cadence Jazz Records. Fielder has since performed throughout Europe and Asia with his Quartet. Selected as BET’s 1999 Jazz Discovery winner, Fielder has taped several subsequent video appearances and shows for BET. In 2003, Fielder released his most important and ambitious work, his hour-long third extended jazz suite, Suite: Clarity to international critical acclaim. 

His 2005 CD, Baritone Sunride also received international attention bringing Fielder recognition as one of the top new baritone saxophonists in jazz. His July 2007 release DFQ~Plays The Music Of Pepper Adams, continues to document his classic jazz quartet, now with legendary jazz pianist Jane Getz. for more go to Dale Fielder’s web page at http://www.dalefieldermusic.com


YOUR MAJESTY: WALK SPIRIT TALK SPIRIT!


YOUR MAJESTY GEORGE ~ WALK SPIRIT TALK SPIRIT

By Robert J. Carmack- Hipster Sanctuary.com

I don’t know what it is about Jazz that makes me Astral-travel. My definition of a curated Jazz recording is, 1. Best material 2. Solid musicians 3.Willingness to “Go out on a Limb”(courage). When tackling a tour de force with powerful music and the ilk of McCoy Tyner, Nat Adderley, Wes Montgomery, Charlie Parker, Hank Mobley, and Lou Donaldson. What makes this project so hip and exciting is GEORGE V. JOHNSON Jr.’s vision and experience as working musician and songwriter.  Right out the gate, is a big splash intro to a moving piece of history by McCoy Tyner. Walk Spirit Talk Spirit (Knarrative Will Set You Free) we lost the great one in 2020.

What George has done is take two of Tyner’s stellar compositions including “Fly with the Wind” and crafted them into masterpieces in sound and “Griot” lyrics, that tell the best stories abound.

I lived with this CD for almost a month before I even attempted to review this project in art and soul. In my humble opinion, given a generous amount of “plays” this can become a #1 jazz hit. For example, Johnson Jr’s remarkable lyrics treatment of Wes Montgomery’s ROAD SONG, a strong cut involving the stories from all around the world while traveling and experiencing life on life’s terms. I can only concur with others, who have experienced the personality and artistry of GVJ. Jr. Be sure to put on your seatbelt when you listen to NO ROOM for SQUARES” (Hank Mobley, blue note) Nat Adderley’s JIVE SAMBA, Lou Donaldson, GRAVYTRAIN (1960s soul jazz classic)

George’s sinewy jazz sound shines on all the cuts in this beautiful session with just electrifying musicianship. Band personnel are; Devonte McCoy Trumpet, Elijah Easton saxophone, Herman Burney on Bass (I met years ago in Atlanta, when he was doing a gig with CEDAR WALTON trio) Allyn John Johnson Piano, Dana J. Hawkins drums, (**Steve Arnold bass). This ensemble brings a perfect balance of Dynamics while breathing new life into these classic, iconic tunes.

George has perfect command of his jazz vocabulary, which is not surprising since, he was mentored by the best, the Grand Pop of vocalese, Eddie Jefferson, and James Moody. Eddie even claimed George was the next in-line for sheer skill and dominance in jazz vocals. Its like having a “Magic Jukebox” that plays all the best tunes and in the right order too.

Recalling the electric pace of NO ROOM for SQUARES. It immediately takes me back to when my dad brought that album home, when I was just learning saxophone. Elijah Easton lit a fire under the Band, as if they needed more fuel, in his searing white hot solo, eating up bop changes like pancakes. ”This followed by a lucid, laser-focused solo by trumpeter Devonte McCoy. Allyn Johnson “brings the pain” on all the tunes he plays on.

It’s Johnson Jr. and him alone, who places you in a cozy Jazz Inn in Western USA or, on stage in a smoky, boozy spot tucked away along the Rhine River in Europe during the 1950s..Magic! Lol!! Whether you were diggin’ Miles, Monk, Trane or Mobley, even when they walked the earth, Or, You are a modern Hipster downloading all you can making playlists.. YOU MUST FIND ROOM for YOUR Majesty! You will Hear and see what the Barons of Bop saw in George going all the way back to 1974. He’s relentless in his attack of these songs, injecting his own personal touch that hangs over you like a Dexter Gordon 32 note phrase in Bopology and swing.

One other thing, what’s up with the “YOUR MAJESTY” thing?? Lol. I’m told it was gifted to him by another mentor John Malachi. When the jazz elders give you a nickname, you wear it with pride, like a “Blue Badge of Courage” and respect.

 George V. is the total package also, backgrounds in music, dance, and theater. Watching him perform onstage or just interact with the masters is a treat all in itself.  www.HipsterSanctuary.com gives this effort, FOUR STARS! My highest rating.  Why not grab two copies, one extra for a Pal or student trying to learn about jazz .. very approachable music even for beginners.

Walk Spirit Talk Spirit: YOUR MAJESTY ~ George V. Johnson,Jr. strikes the right chord with me. Get it at your favorite retail spot for recordings or downloads, or direct at www.georgevjohnsonjr.com

JAZZ ELEPHANTS STAMPEDE!


Jazz Elephants Stampede in Temecula,California 

One of the reasons I love covering jazz artists and groups that last long enough to see growth as a group , not just the individuals. I’ve worked with Don Littleton as a spoken word artist, MC and Promoter.. This group is a can’t miss act.. Right out the gate, Elephants nda Park dug into a Monk classic ,Bye-Ya.. A 32 bar ditty with added afro cuban Clave. Powerful playing by full band, but Pianist Mahesh Balysooria, demonstrated why he is becoming a first call jazz musician in Los Angeles..Mahesh is a USC music major alum and a busy pianist around town.

Great foundation laid-out by Mahesh on piano.. He then busted into,IMHO, a cross between McCoy Tyner and Omar Sosa intense solo, followed by drums and congas trading fours before returning back to the melody. A most improbable tune I didn’t see coming was, Giant Steps by John Coltrane, into massive bullet-trains of ideas moving through those Coltrane “changes” on saxophone by Pablo Cologero, Don’s right hand man in arrangements and directions for the band musically. 

Another great tune the band tackled was a doozy by George Coleman, Amsterdam After Dark. 

This ditty works its way around a great bassline and simple melody, but the Clave took over and had the electric audience up and on their feet. They were warned in the beginning that a stampede or house on Fire might come over the evening’s activity.  This band has started to raise a lot of eyebrows in So. Cal region and is open to going on the road to showcase this great group of musicians. The Bandleader , Don Littleton , a jazz veteran on percussion and traps. He was mentored by Billy Higgins, played with George Coleman, Hank Crawford and a who’s who in music, jazz in particular. 

Don dropped his latest group recording last year, Don Littleton and Elephants Nda Park ( see CD baby or your favorite download database under Don Littleton & Elephants Nda Park)     https://youtu.be/e5tfvno-29k 

Jazz lovers in Temecula  California , have been enjoying great straight ahead jazz at the Merc for the last 12 + years, hosted and curated by Ms. Sherry Williams, Vocalist/jazz presenter.  Everybody  loves to see her smiling face in the house, because you know it’s going to be great.

Sherry and her winning personality and smile, as she goes about the business of curating some of the best musicians jazz has to offer locally. The Merc has Jazz every Thursday evening @7:30pm ..for the rest of 2021. KEY concerts: Sept. 16th. Benn Clatworthy quartet.. Sept 23rd. “SOLD OUT” Al Williams for more info go to The Merc’s Website http://www.temeculatheater.org 866-653-8696

SISTAS’ DOIN’ IT : FIREY STRING SISTAS!


Coming April 20th 2019  a creative, diverse Jazz chamber-like Improvisational music in an all-female band . I will be chatting with the founder and leader of this band of stellar musicians, Ms. Nioka Workman and the Firey String Sistas, they also include the offspring of legendary jazz musicians.. follow us on http://www.hipstersanctuary.com

POCKET JAZZ: GRASSROOTS ARTS PROJECT DEBUTS AUGUST 2019

Pocket Jazz is a coined phrase created by Carmack that melds theater,improvisational music and poetry into a big ball of creativity for open minded audiences. If you dig Kamasi Washington or Horace Tapscott or Amiri Baraka, Last poets, Watts Prophets and Sun Ra.. brought to you in an affordable, safe and warm community environments. In the tradition of the Black Arts Movement early beginning of Los Angeles Community Jazz organizations paired with the painters, sculptors and actors creating on demand Art.. Subscribe and follow us on http://www.hipstersanctuary.com  FREE!! FREE!! FREE!!


Producer Robert J. Carmack looks to bring his brand of Jazz,Poetry and Dramatic performances to the L.A. Jazz community.

Pocket Jazz is a coined phrase created by Carmack that melds theater,improvisational music and poetry into a big ball of creativity for open-minded audiences. If you dig Kamasi Washington or Horace Tapscott or Amiri Baraka, Last poets, Watts Prophets and Sun Ra.. brought to you in an affordable, safe and warm community environments. In the tradition of the Black Arts Movement early beginning of Los Angeles Community Jazz organizations paired with the painters, sculptors and actors creating on demand Art.. Subscribe and follow us on http://www.hipstersanctuary.com  FREE!! FREE!! FREE!!

posted by Kamaad Tauhid @blues2jazzguy                                              Blue Note Tribute Logo

Coming in August celebrating the 80th anniversary of the grand Jazz label 

JAZZ FOR R&B LOVERS: MUSIC FOR AFTER THE AFTER PARTY


posted by Robert J. Carmack   #@blues2jazzguy  #Precious:For Lovers & Dancers

I can hardly remember but, over the last 5 -10 years we’re  missing a lot of male jazz vocalists input. Rudi Mwongozi is constantly moving up the chain of new faces and voices on the scene.. Rudi, now based in New York from Oakland, California. I’m coming at this for a second bite. After living with this latest CD of pianist/vocalist Rudi Mwongozi, I can fully appreciate what he’s doing musically.

In my opinion, of the twelve cuts on this project, I like them all. Part of this recording has some very popular songs by elite artists Like, Eric Clapton, the gold record  Free by Denise Williams/S. Greene. He really gives this song a jolt of Mwongozi(ness). the arrangement opens with a similar intro, followed by a very classy bridge and vamp. Then he breaks out in a Afro-latin rhythmic vamp which sets up an extended solo in piano wizardry and percussive rhythms.  Another favorite is his strong harmonic approach to a syncopated piece called, Whole Steps to the House of Light, filled with musical trap doors and breaks,that swings and jumps like the pioneers use to do. I got a big kick out of the eclectic cut, the James Moody Story . a Be-Bop swinger. harkens me back to the James Moody and Eddie Jefferson style of vocalese and scat singing by Rudi and Friends.  Rudi takes on a brave arrangement of a Luther Vandross composition and handles it with delicacy and panache. He’s rolling 7s on this tune. He chose not to do what many so-called smooth jazz artist do in regurgitation of the original song,by performing it  note for note instrumentally. I was amazed at his treatment of vocalizing with his very fine jazz piano chops added, he really soars on this song like no other male Jazz artist out there.

Knowing Rudi from my days living in Oakland, California and producing jazz shows with unique themes of legendary artists works. we performed on a show paying homage to the great saxophonist, Jackie McLean compositions. A wide plethora of unique compositions in various meters and styles which paid respect to Jackie’s legacy. Be sure to cash in on a Rudi’s original Precious:When the Morning Comes and Bad Habits.

I had to push you closer to this prized project, The Music for After the After Party. what a concept, so early in the morning and then again, very late too. so the perfect menu of music for that romantic part of the morning where you listen to some swing, followed by some slow romantic tunes to Hug your “sweetie” to. Follow Rudi MWONGOZI on Facebook: https://www.facebook.com/rudi.mwongozi or, right here at, http://www.hipstersanctuary.com

MAIA !! TAKES THE WORLD STAGE BY STORM COMING SOON INTERVIEW WITH MAIA.


posted by Kamaad Tauhid  #@blues2jazzguy

https://photos.google.com/photo/AF1QipPSU2-wVRzY9l48Hml_efp_oC8MWMm5I-C8LTHJ

 

 

I’ve been around music since I was a pup. I been around jazz since 1963, musician, actor, producer and poetry.  MAIA.. is a woman, and a group of very talented ladies that hit all the marks for me. I have not seen anybody that bring the soul, from the grassroots level like this group in a very long time. First off, You got to acknowledge the leader’s organic approach to jazz improvisations. a very percussive Vibist, but sweet melodic flute player as well, and gutsy vocals. all of their rich harmonizing skills were on display last Saturday (March 2)night. at least 4 ladies sing from lead or duets, to background. I was blown away by the “Sweet Honey in the Rock ” type version of Nina Simone’s song , Four Women”. Their jazz chops are beyond reproach, along with their arrangements harkens me to wonder, Why aren’t we hearing more about this “ladies-only group releasing spiritual jazz and potent vocals. one of the highlights of the group is, they have several generations of musicians including the leader’s granddaughter on vocals and piano. .

Members are MAIA- Vibes, Flute, Vocals, sometimes Harp, Shanta-Bass, Mbira and vocals, Aankha Neal-Vocals/Piano, Tamina Johnson- Vocals /Piano, and Aisha Gaillard Drums/percussions

Coming soon, a sit down with MAIA! leader, vocalist and multi-instrumentalist. In April 2019…

COMING AUGUST 2019..POCKET JAZZ EVENTS by Robert J. Carmack     follow us on http://www.hipstersanctuary.com

The CAL TJADER LEGACY CONTINUES!! SOUL SAUCE at ROSCOE’S JAZZ LOUNGE


JAZZ BASSIST AND POET DELIGHTS L.A. AUDIENCES IN DEBUT


posted by Kamaad Tauhid @blues2jazzguy  concert photos by jazz archivist Chuck Koton

“The Stage, (pun intended)” was set 9:pm on Feb 9th 2019 in Los Angeles, where the bass master, Juini Booth landed for his WORLD STAGE DEBUT. Booth a jazz icon starting when he sprung on his own for New York in mid-60s as a teenage bassist for Sun Ra and a host of other greats. later iconic performances and recordings with McCoy Tyner, Woody Shaw and Gary Bartz’s Ntu-Troop just to name a few.

Booth powered into the world stage as part of the World Stage Black History month loaded schedule of Jazz greats. featured on spoken word and dramatic performance in the select works and poetry of SUN RA , Mr. Robert J. Carmack-MFABLACK as 1000 Nights: The Artistry and Poems of SUN RA.” Carmack reflecting on his work with Booth over the last couple of years as poet, MC and journalist said, ” It has blown by so fast, I hardly noticed its been almost 3 years since I appeared with Booth and another McCoy Tyner alumnus, AZAR LAWRENCE in a fast and powerful group of musicians performing compositions of McCoy Tyner. (Roy McCurdy, Theo Sanders,Azar, Juini and Robert)

Last year we did another Sun RA project focusing on mostly all of his “Space is the Place” material and music. carmack added, This time as part 2. I went deep on his Berkeley sessions at the University’s Artist-in-Residence, 1971,period of writings. Black nationalist views on African-Americans, politics and culture.” Carmack, a jazz journalist, actor and writer that focuses on the legacy of this genre called, jazz or American Black Classic Music.  Along with Carmack and Booth, were L.A. based sidemen, Mahesh Balasooriya on Piano, and Guillermo E. Brown drums. Brown performed last year with Booth and Carmack at the Club Zebulon, along with improvisational group, L.A. FOG and Kathleen Kim.

The audience not only heard rare Sun Ra Poems to improvisational interlude phrases by the group, but heard the band play pieces that they all favored in performing, like Jackie McLean’s “Melody for Melanie” and “Angels and Demons” by Sun Ra. A very powerful, moving solo bass, plus Loop were performed by Juini Booth to a standing ovation.

journalist/actor and producer/writer,musician R.J. Carmack

Carmack was able to navigate and sail around the writings with the ease of a skilled actor performing Shakespeare’s greatest montages of prose and poetry.  There were certainly fireworks with Juini Booth eclectic playing and melodic approach to double bass. Balasooriya treated the surprised audience to a searing piano solo on an unnamed piece he interpreted.

Carmack is based in Southern California and Juini Booth in New York. Carmack is setting up plans now as everyone gets ready for Spring and Summer events in both thriving cities. We want to redo this show in New York and San Francisco bay area as well. There are current calls for more study at the academic level for the writings of Baba Sun RA, along with his music and lecture series too.” said a jubilant Carmack, as he spoke to more collaboration projects that involve Booth and other Jazz icon’s music and writings.

Robert J. Carmack is launching this summer, a new series of Art based cultural programming involving improvisational music, drama, poetry/spoken word and fine arts(painting,sculpting and assemblage) POCKET JAZZ 2019 presented by http://www.hipstersanctuary.com 

Many thanks to the World Stage and Executive /Artistic director Dwight Trible and staff for making the group feel at home.

painting by Sam Pace

Pianist Mahesh Balasooriya

 

Guillermo E. Brown

BASSIST JUINI BOOTH & WRITER /ACTOR ROBERT J. CARMACK : BLACK AS 1000 NIGHTS~ARTISTRY & POEMS OF SUN RA


Robert J. Carmack @ World Stage 2017 original poetry & jazz

posted by Kamaad Tauhid  #@blues2jazzguy

BLACK AS 1000 NIGHTS: The Artistry and Poetry of SUN RA  a National Black History Event

WORLD STAGE PERFORMANCE GALLERY 

4321 Degnan Blvd
Los Angeles, California 90008
(323) 293-2451      www.theworldstage.org

ONE NIGHT ONLY!  Saturday February 9th 9:pm $25 at Door  for a rare west coast appearance by Bassist/Composer. Arthur”JUINI” BOOTH former bassist for the man himself Sun Ra and his Afro-Futurists Arkestra. featuring the Spoken Word voice of SUN RA by actor/writer/producer/musician, Robert J. Carmack-MFA. 

Robert J. Carmack fresh off his production of original play 2018 :Interview with the High Prietess:NINA! a Sold out performance at the WORLD STAGE. 2015’s two events at World Stage A Tribute to Composer & Blue Note producer DUKE PEARSON – Charlie Yardbird Parker “21 Toot Salute” on Birds 95th birthday.

 

The content from the selected poems of Sun Ra are curated from the highly touted works from his days and weeks spent as artist-in-residence at University of California Berkeley circa 1970s.

“His widely eclectic and avant-garde music echoed the entire history of jazz, from ragtime and early New Orleans hot jazz, to swing musicbebopfree jazz and fusion. His compositions ranged from keyboard solos to works for big bands of over 30 musicians, along with electronic excursions, songs, chants, percussion pieces, and anthems. From the mid-1950s until his death, Ra led the musical collective The Arkestra (which featured artists such as Marshall AllenJohn Gilmore and June Tyson throughout its various iterations). Its performances often included dancers and musicians dressed in elaborate, futuristic costumes inspired by ancient Egyptian attire and the Space Age.”  

“SUN RA is Music & Poetry is Theater at Its Best” The Hipster Sanctuary  

Sun Ra (born Herman Poole Blountlegal name Le Sony’r Ra.. May 22, 1914 – May 30, 1993) was a  jazz composer, bandleader, piano / synthesizer  and Poet. Renown for his experimental music, “cosmic” philosophy, prolific output, and theatrical performances. For much of his career, Ra led “The Arkestra”, an ensemble with an ever-changing name and flexible line-up. Later on new audiences found SUN RA Music & POETRY was not only hip but spoke to their lens of how they view today’s world and actions.

Born and raised in Alabama, Blount became involved in the Chicago jazz scene during the late 1940s. He soon abandoned his birth name, taking the name Le Sony’r Ra, shortened to Sun Ra (after Ra, the Egyptian God of the Sun). He developed a complex persona and an idiosyncratic, myth-based credo that would make him a pioneer of Afrofuturism. He claimed to be an alien from Saturn on a mission to preach peace, and throughout his life.  He publicly denied ties to his prior identity. 

The Players for the evening’s performances

Juini Booth 20014

Juini Booth-basses/keyboards – music director (formerly played & recorded with SUN RA, Tony Williams  Lifetime,Gary Bartz, Woody Shaw, and McCoy Tyner, to name only a few;

 

 

Robert J. Carmack – spoken word/actor/musician~ performed with Azar Lawrence, Juini Booth, Dale Fielder,producer/writer 2018’s successful work in progress Interview with the High Prietess: Nina!  original play by R.J. Carmack.. Encore coming 2019 for extended run. Creator of Pocket Jazz 2019! melding of jazz, poetry,and theater with painters and sculptors.

 

 

Guillermo E. Brown -Guillermo E. Brown pays his bills by playing drums with Reggie Watts’s band on The Late Late Show with James Corden, but he has a long history in the avant-garde. Brown has collaborated with jazz giants such as Matthew Shipp, David S. Ware, and Vijay Iyer; eclectic electronic musicians such as DJ Spooky, Jamie Lidell, and Spring Heel Jack; and boundary-pushing hiphop artists such as El-P and Antipop Consortium

 

Mahesh Balasooriya – former pianist/keyboards for Natalie Cole, Waberi Jordan, David S. Ware , also the great Aurturo Sandoval  and the late saxophonist Zane Musa..

 

 

%d bloggers like this: