posted by Kamaad Tauhid #@blues2jazzguy
It was announced recently at post-concert event, Hipster Sanctuary .com is celebrating its 20th year as a brand and media organization. “We started as a newsletter for The Atlanta International Jazz Society, a group dedicated to promoting the legacy of the American original art form, JAZZ. With our mission intact, we are still promoting traditional and classic jazz, not as a Jazz society now, but as an E-Zine and blog” said Robert J. Carmack, co-founding member.” As a labor of love project we have purged ahead to 2019, as our first newsletter was published in January 1999. As a way to commemorate that honor with our friends and great fan followers of the publication, Hipster Sanctuary.Com has partnered up with one of our jazz groups we strongly support, Ron Jackson/Teodross Avery Soul Jazz project for a JAZZ MEET-UP at the eclectic Upstairs at VITELLO’s Supper Club in Studio City,California. Tuesday,Jan 22nd 2019 7:pm http://www.vitellosrestaurant.com/supperclub
members of the Hipster Collector’s corner jazz group will gather at the club early for a toast to the new year and our 20 years advocating for the legacy. jazz legends cited and honored by this group over the 20 years are Joe Henderson, Shirley Horn, Dee Dee Bridgewater, Oscar Peterson, Billy Higgins, Jackie McLean, Taj Mahal, Herbie Hancock, Freddie Hubbard, Sonny Fortune, Vanessa Rubin, Freddie Cole, Hilton Ruiz and others. they all received a Congressional Lifetime Achievement Award sanctioned by Congress and signed by Congresswoman Barbara Lee.
Hipster Sanctuary.com has a sister page on Facebook, HIPSTER COLLECTOR’S CORNER with an event announcement and details regarding special promotions. We can’t wait to blow the audiences away with “throwback electricity” with New York based Jazz guitarist, Ron Jackson (www.ronjacksonmusic.com) making his L.A. debut with his good friend and L.A. based Jazz saxophonist, Teodross Avery . Also, long time jazz veteran drummer, Cecil Brooks III out of Jersey City. Brian Ho Hammond Organ. special surprise invited artists as well.
The group’s sound is a B3 Organ- Guitar-Sax sound that made Blue Note Records popular during the 1960s, conjuring up the memory of Jimmy Smith, Stanley Turrentine,Kenny Burrell or a Grant Green feel.
Hipster Sanctuary.com wants to save you $10 on admission by purchasing your tickets through the restaurant’s Eventbrite web link. easy and safe online tickets@$20..click link HERE!!
maad Tauhid @blues2jazzguy
As Switch, the band proved to be popular in clubs, as well as within the quiet storm radio format. Their singles “There’ll Never Be” (1978), “I Call Your Name” (1979), and “Love Over and Over Again” (1981) reached the Top 10 of Billboard’s R&B chart. Throughout the 2000s, the band’s recordings were sampled by the likes of De La Soul (“A Brighter Tomorrow”), Ne-Yo (“It Just Ain’t Right”), Rich Boy (“Throw Some D’s”), and Erykah Badu (“That Hump”). Ingram, Williams, and Fluellen reunited, added new members, and have been bringing down the house ever since!
The Gap Band Review pays homage to The Gap Band, which is one of the most popular funk groups of the late ’70s, ‘80s to present time. 15 Top Ten R&B singles ranging from ferocious funk anthems to gorgeous slow jams. Many of their hits, such as “Burn Rubber (Why You Wanna Hurt Me)” and “You Dropped a Bomb on Me,” featured instantly memorable, rippling synthesizer bass-lines.
The Gap Band’s run of hits spanned nearly 20 years, from 1977 through 1995. Their hits continued with “Shake”, “Open Up Your Mind”, “Don’t Stop the Music”, “Yearning for Your Love”, “Early in the Morning”, “Outstanding”, the title song to Keenan Ivory Wayans’ “I’m Gonna Git You Sucka” and more!
posted by Kamaad Tauhid @blues2jazzguy
COMING TO LOS ANGELES UPSTAIRS AT VITELLO’S JAZZ SUPPER CLUB JANUARY 2019 !!
“Jazz Hipsters and Cool people who just love great music all agree, RON JACKSON is the TRUTH!” – Robert J. Carmack – Founder & Chief Editor HipsterSanctuary.com
Coming January 22nd , ONE NIGHT ONLY- Upstairs at Vitello’s Supper Club , making his Los Angeles debut out of his West Coast Mini-Tour Los Angeles, San Francisco Bay area and San Diego California.
SAVE $10 at door on day of event when purchased in advance via Safe EVENTBRITE link above
The full dinner menu is available for purchase as soon as doors open. Your ticket purchase is the only reservation you need. A minimum of two items ($20.00) is required per person. $10 ticket INCREASE on day of show. Valet parking available with validation for $6. There is metered street parking as well but be sure to read the signs. Parking is NOT permitted on Woodbridge St. after 9:pm nightly.
Ron Jackson is a New York City 6 and 7-string guitar master, composer, arranger, producer, recording artist, educator, and actor. Considered one of the most versatile guitarists in the world, he is adept in styles such as Jazz, Folk, Latin, African, Rock, R&B, Brazilian, Pop, Country, Calypso, Reggae, Soul, Funk, and Classical. Ron has performed, recorded, and taught in over 30 countries with bands and artists such as Taj Mahal, Cecil Brooks III, Jimmy McGriff, Benny Golson, Randy Weston, Ron Carter, Valery Ponomarev, and Benny Green.
Joining him is L.A., tenor saxophonist Teodross Avery. Signed to GRP/Impulse Records at the age of 19, Teodross has performed with jazz greats on both coasts, East & West. Joining the late 3-time Grammy-winning Roy Hargrove Big Band, the Cedar Walton Sextet, and Hank Jones, vocalist Dwight Trible. He has performed also with Tony award-winning singer, Melba Moore and Phil Perry. Performs regularly with hip hop and rock icons such as Mos Def, Lauryn Hill, and Matchbox Twenty.
Coming!! Next Article written by Robert J. Carmack RON JACKSON – MUSIC MY WAY December 22,2018 @www.hipstersanctuary.com
posted by Robert J. Carmack ~ @blues2jazzguy -You know its very hard to find a word that describes a person perfectly, but I just may have. what I mean is, I googled the word Destiny and it read, ” the events that will necessarily happen to a particular person or thing in the future. Also, “the hidden power believed to control what will happen in the future; fate. HOWEVER. Sometimes if you’re lucky and say your prayers, you just might meet a talented, sublime musician who happens to play a very unique instrument in a small community of players within a special genre..the original art form of America, JAZZ.
Dorothy Ashby was Destiny’s big influence early on long before Alice Coltrane’s huge shadow loomed large in her life. But what was really a “head-scratcher” for me was when she mentioned in an interview I held with her recently. While as a child watching TV, a man with wild hair and zany behavior. He abruptly stopped and stared at a Harp momentarily, then sat down and begun to play a beautiful solo. She was watching a famous scene from a “Marx Brothers” film. That was just the spark needed in her little head. She went wow! I would like to play that. As a little girl growing up in the Compton community and going to Tibby elementary school. Destiny could only dream, as her mom had very little money and instruments were not in the cards. Even later as she grew up and tried to learn the violin, it did not “cut it for her.” Things were changing at home and her mom moved to San Pedro area projects for low-income, about the time for her to go to high school, she joined a vocal choir and wanted to take piano lessons but again was told they could not afford lesson. Frustrated but not deterred from her dream, Destiny became a barber, a good one too, which gave her independence and decision making power to pursue whatever she wanted. But before she knew it, she was approaching 30 years old and needed to sink or swim.making up her mind to go for it musically she began her journey as a harp player by beginning with the rudimentary method of mastering an instrument late in life. A very challenging endeavor, but none the less not impossible. She moved to Oakland East Bay area and sought out help, advice, direction. After a tad bit of finding her niche’, she found people like trumpeter Khalid Shaheed, pianist Tammy Hall and the legendary trumpeter Eddie Gale among many others. Now over 25 years later, she is being blessed beyond words. Not worrying about how long it took, but what she is doing now that she has arrived.
Destiny has opened for The Oakland East Bay Symphony and Smooth Jazz Artist Gerald Albright, shared the stage with Jazz Masters Marcus Shelby, Omar Sosa, Blue Note Artist Ambrose Akisemuire, and Azar Lawrence to name a few. She has headlined for ‘Women in Jazz’ Concert series, the Afro Solo/ Yerba Buena Gardens Concert Festival, Sunday’s in the Redwoods Concert, Fest Sundiata, and SFJAZZ Tribute to Alice Coltrane’s epic album Impulse Release ‘Journey in Satchidananda .
Destiny is the Principal Harpist for the Eddie Gale Inner Peace Orchestra, the Oakland Community Orchestra and performs with The AWESOME Orchestra.
The Destiny Muhammad JAZZ Trio~Following in the footsteps of jazz harp master Dorothy Ashby (who recorded with everyone from Freddie Hubbard and Frank Wess to Bill Withers and Stevie Wonder), the Destiny Muhammad Jazz Trio is a sleek and soulful ensemble designed to showcase Muhammad’s soaring vocals and transporting string work.
That second and most highly touted Jazz musician, pianist, composer and master harpist, the late Alice Coltrane. A profound influence on Destiny as a musician, composer but, also as a woman in a male-dominated genre. She has been given high praises by her peers and fellow bay area jazz musicians, as well as prestigious arts organization and music societies.
Whether interpreting jazz standards or her original tunes, Muhammad turns every piece into a soulful adventure. https://www.youtube.com/watch?v=Hora0U6vvDw
A plethora of achievements and awards received in a little over 25 years after not even starting until she was 30 years old on her instrument. Governor Emeritus and Educational Chair Emeritus of the Recording Academy, Jazz Heritage Center of San Francisco Jazz Ambassador, ASCAP Songwriter Awardee, and Judge for The West Coast Songwriters Contest and Northern California Entertainers Music Awards Female Jazz Artist of the Year.
I asked Destiny what was her greatest joy in music? she said with glee, “That I’m still playing after starting late at 30 and taking that leap of faith. You can follow Destiny’s career and keep up with her gigs by going to her website:http://destinymuhammad.com
If you missed her moving tribute to the great Alice Coltrane the first time, see information below for tickets and or general information regarding the Concert, Alice Coltrane~Sonic Legacy August 26, 2018 – two shows only!
IT was announced recently by producer Robert J. Carmack that the show, Street Life: Magic & music of The Jazz Crusaders is cancelled until further notice. Carmack sited health issues as reason for postponement . no other announcements will be forthcoming. all parties regarding tickets sales online have been contacted and remedied. those that were purchased from direct sources have been contacted also. again, we apologize for the abrupt cancellation, but it could not be avoided. We will contact those groups and individuals when we are able to direct them to a new date or venue. Thank you for your understanding and support. #@blues2jazzguy
Producer/ Host- Robert J. Carmack
“ZAR” is celebrating his release on Concord Records, ”Bridge into the New Age” Sunday November 12 8pm-10pm Only! Zebulon Café Concert in Los Angeles ~ 2478 Fletcher Drive L.A. 90039. Buy tickets:$25 https://www.ticketfly.com/event/1582784-azar-lawrence-experience-los-angeles/
Saxophones ~ Leader – Azar Lawrence
Special Guest vocalist – Windy Barnes-Farrell
Roy McCurdy – Drums
California Jazz and Blues Museum
posted by Robert J. Carmack #@blues2jazzguy
Besides being a big fan since “Live at The Cadillac Club” album which was a great JAZZ album played in heavy rotation in Los Angeles during the late 60s on their prime jazz station,KBCA FM 105.1. I believe and was shocked to find that Billy was older than I thought,Also, that both, he and Barry Gordy had a connection in his early Jazz days.
But, the REAL Story for Billy was the hot new deal with “Philly-Soul Cervantes,” Gamble & Huff . Going East album (1971) was a big favorite of mine , The whole album often found itself being played over and over and over again at my house. On my tape player, turn-table and at the clubs on the juke Box, even on the bandstand by cover bands.
The “Ladies” was buzzing about this brother in the leather hat & aviator glasses singing those erotic love songs and with the pleasantly smooth voice. Talking about “LOVE BUDDIES” Followup that big hit with ME & Mrs Jones, Bam! right between the eyes! Another big album Plus!
I saw him at several clubs in L.A. in the 1970s.
2003, I was producing a Jazz Series in San Francisco, Celebrate a Legend: Jazz in July, when I found out he was due at a concert in the SF Bay area the next day. During a special night we were presenting Freddie Hubbard a Congressional Lifetime Achievement ,We brought Billy in for a surprise appearance and presented him with a lifetime award also. a congressional signature by Congresswoman Barbara Lee. That night with a packed house at the Plush Room in Knob Hill, Billy “nailed” The Old Folks” a jazz standard he performed in a cameo spot while getting his award. that was the last time I saw him live …July 2003.
He never stopped touring & singing until Now.. RIP Billy! You always knew THE RIGHT SONG for the RIGHT MOMENT!
“posted by Robert J. Carmack #blues2jazzguy
With the upcoming production of NINA, a so-called biopic surrounding the life and loves of Nina Simone. There is tremendous opposition to the film from all sides and motives. It certainly has been no secret how I felt about the casting of Zoe Saldana in the starring role.I can’t speak for everybody who objects, but my reasons are not about just the pigmentation of the actress’s skin. It also goes to the arrogant notion that you could make a valid movie about such a historical and iconic figure without involving the family.
Also, making the movie about a love story between an artist who very name commands a certain amount of respect and truth when depicting her contributions. The whole notion of this movie I’m told, it’s not a “Real” biographical picture. A vehicle with her name, background, artistic position and exploitation of another prominent African-American artist, All to pad the pocketbook of a few individuals. In my humble opinion, I would have cast Viola Davis since the acting quality is needed more than beauty.(No Disrespect) One can easily ask , Why should you care if Hollywood wants to make money , who are we?? I disagree with the notion, Hollywood can do what it wants. Again my issue is when I was a young lad who left the south and away from Jim Crow in 1960 with my parents teaching us about respect and not to hate even though we were being hated and oppressed.I Experienced many of the same things Nina experienced while growing up in the racist South. I always saw NIna Simone as more than just an entertainer. I saw her liken to an Out-front radical black woman, unafraid of consequences or “what if I can’t get a check anymore??” Unlike today’s stars who are flimsy, uninvolved, unless there is some money or free publicity. She was just like Harry Belafonte, and a few others really into it, Out front, not suffering from Stockholm Syndrome. By1965 , She was the first male or female entertainer I saw with the natural hair Style.
The first time I heard her sing on record, It was something different about her style and sound when she played the piano. I was only about 12 or 13 years old at the time I began hearing the song, “I Put A Spell On You”, Most of her albums and concerts in the early years were centered around the blues and folk songs with mix of jazz standards. As we got past 1965, her involvement in the Civil Rights movement expanded.. remember this was not just a photo-op moment for her, she was right there with the Evers, Kings, and the many nameless people who put their lives on the line. Even as a little girl about to perform a very important concert and audition for a very prestigious music school in Philadelphia. Her parents came all the way from the south to see her and got seats up front when the hall’s staff informed them they had to move to the rear of the theater.. at that moment Little Nina became a woman when she absolutely refused to perform unless her parents were brought back to their seats upfront. She was obliged by management of the theater after the embarrassing moment for that Philadelphian school. Though her performance during the audition was sublime and quite stellar, they did not accept her into the school. (They tried decades later to make it up to her by offering her an Honorary Doctorate degree, after she was quite famous and near the end of her illustrious career.) She then wound up applying and enrolling into Julliard school of music in New York. She excelled there until she could no longer afford the high fees. She found work in clubs and the cafes in the Village” and taught students piano to survive in the “Apple”.
I always loved pretty much all of her recordings, but enjoyed her even more whenever I could see her live on stage or at a festival. Her legacy should not be tarnished by this fake movie about a love affair that never took place. The storyline can be plugged into anyone and really doesn’t justify using her namesake and legacy to pump out more garbage movies using a Black icon for leverage to market that brand. It’s not a black movie employing dozens of black people behind and in front of the camera. It’s a damn shame and an insult to Nina Simone family having the actress have to pile on hours of makeup to look black enough to film her as Nina Simone. The same black woman who fought this type of treatment where ever she went. She was not light enough, She was not pretty enough, her lips was too big or nose too wide..she certainly did not suffer from not knowing who she was and where she came from.
The problem with today’s movie Producers is, they’re either too young or were not born at all when these types of icons were in their heyday and functioned with and without racist interaction.. IN THEIR HASTE TO GET BUTTS IN THE SEATS, QUALITY CASTING and DIRECTORIAL EXPERIENCE be damned! Many of the motivations and behaviors that would be exhibited through such a person as Nina Simone, would require not only great acting, but perhaps a person with similar looks and physical features that maybe have experienced those same experiences while trying “make it” in Hollywood. There are many women that fit that bill I’m sure. Portraying this woman is a beautiful actress who would have been better suited to play Dorothy Dandridge, Diane Carroll, or someone like that. Why it’s not even believable under this present scenario..BUT, it’s already made now.
Two years ago when I was active on social media websites arguing in the threads about, who I thought should play her. Then, we had only heard rumors about “WHO” was actually chosen as Nina Simone. Names bounced around at the time were Viola Davis, India Arie, and even hip hop’s, Angie Stone just to name a few.. Davis or Arie would have sufficed big time! I’ll leave it to the masses whether this movie sinks or swims. NINA is scheduled for an April release.
I have a strange feeling I’ll be talking about this again, possibly in May, to measure if “Nina” has the Legs to hang.