by Kevin Goins – Music/Media Consultant/Contributor
RUDY VAN GELDER – IN MEMORIAM…..
Damn, Grim Reaper…bad enough we’ve seen many folks go to the Great Beyond before we hit mid-year, no thanks to you. And this week, you just had to go for the flippin’ trifecta. Toots, Steven Hill, and now this great master of recording engineering.
If you own any jazz albums released on labels such as Blue Note, Prestige, Verve, Impulse, MGM, CTI or KUDU, the name of RUDY VAN GELDER would be found in the credits.
A New Jersey native of which optometry was his original profession, Van Gelder began recording jazz musicians within the living room of his parents’ home in Hackensack (they later built an extension to their house to serve as a full-functioning studio). Word spread quickly to jazz labels, which resulted in many great, classic recordings being made with Rudy overseeing the engineering, mixing and mastering.
In 1959, five years after he launched his career, Rudy Van Gelder opened the now famous recording studio in Englewood Cliffs, NJ. And the records kept on coming.
Okay, the short list….
John Coltrane – A Love Supreme, Blue Train
Miles Davis – The Musings of Miles, Blue Moods, Walkin’, Miles Davis/Milt Jackson Quintet/Sextet
Charles Earland – Black Talk!
Jimmy Smith – The Cat, Bashin’, Who’s Afraid of Virginia Woolf, Monster, The Sermon
Wes Montgomery – Tequila, Bumpin’, Goin’ Out Of My Head, A Day In The Life
Lee Morgan – The Sidewinder,
Thelonius Monk – Hackensack
Modern Jazz Quartet – Concorde, Django
Hank Mobley Sextet – Hank
Sonny Rollins – Moving Out, Saxophone Colossus
Quincy Jones – This Is How I Feel About Jazz, Gulu Matari, Walking In Space
Herbie Hancock – Maiden Voyage, Speak Like A Child
Ray Charles – Genius +Soul=Jazz
Stanley Turrentine – Sugar
Willie Bobo – Spanish Grease
Cal Tjader – Several Shades of Jade
George Benson – Good King Bad, Body Talk, The Shape of Things to Come, The Other Side of Abbey Road
Deodato – Prelude, Deodato 2
Grover Washington, Jr. – Mister Magic
Esther Phillips – From A Whisper To A Scream
Like I said, folks…the short list. The man engineered over 2000 albums Y’all can Google the rest.
What made Van Gelder’s work stand out above the rest of the engineers? It was the way he was able to capture a warm, full sound via his mixing and engineering. Yes, the man had a penchant for reverb (listen to the Verve and A&M/CTI recordings) but at the same time, it did help create a dynamic effect.
Fast forward to the end of the 20th century and the beginning of the millennium – Van Gelder was commissioned by EMI to remaster his prior Blue Note works under the RVG Remastered Series – which also included recordings released on Capitol Records (Cannonball Adderly’s Mercy, Mercy, Mercy and Miles Davis’ Birth of the Cool albums).
Sadly, Rudy Van Gelder passed away Thursday, August 25th, at the age of 91.
What else can be said? Coming from yours truly, my appreciation for not only jazz but the way music and artists were recorded came from listening to the albums Rudy Van Gelder engineered and mastered. As a college student earning my degree in audio production, studying the man’s works was an absolute must.
As far as the time spent as a radio DJ at Ithaca College, one of many who hosted WICB-FM’s Jazz Impressions (1985-1988), there wasn’t a record I spun that didn’t have Van Gelder’s touch
To Mr. Van Gelder, thank you for making music and records sound so damn good .
Hard to choose one recording, so here are a few links….
MILES DAVIS/THELONIOUS MONK – “BEMSHA SWING”
HERBIE HANCOCK – “CANTALOUPE ISLAND”
JIMMY SMITH – “THE CAT” – http://bit.ly/1S2vAux
ESTHER PHILLIPS – “HOME IS WHERE THE HATRED IS”
3 thoughts on “KEVIN GOINS ~MUSIC MAN OF THE AGES: RUDY VAN GELDER MEMORIAM”
Thank you kevin for your contribution, it was a great read and very informative. I learned a few things I did not know about Rudy.
Rudy put the “LISTEN” in music!!!
LikeLiked by 1 person
Thank you Mr.Tucker and I totally agree.. As you know when we were growing up & listening to all that Blue Note & Prestige on the Jazz radio, As we read the liner notes it also sealed our knowledge of WHO was handling the engineering on all those Great Records. We did not know at the time but We were attracted to that “SOUND” that permeated jazz during the era of Van Gelder because of his technological methodologies.